Tag Archives: tetrameter couplets

Elizabeth Tollet, “On a Death’s Head”

ELIZABETH TOLLET

“On a Death’s Head”

 

Esi illic Lethaeus Amor, qui pectora sanat,
Inque suas gelidam lampadas addit aquam.
                                                                           Ovid.

 

On this Resemblance, where we find
A Portrait drawn for all Mankind,
Fond Lover! gaze a while, to see
What Beauty’s Idol Charms shall be.
Where are the Balls that once cou’d dart                                          5
Quick Lightning thro’ the wounded Heart?
The Skin, whose Teint cou’d once unite
The glowing Red and polish’d White?
The Lip in brighter Ruby drest?
The Cheek with dimpled Smiles imprest?                                         10
The rising Front, where Beauty sate
Thron’d in her Residence of State;
Which, half-disclos’d and half-conceal’d,
The Hair in flowing Ringlets veil’d;
‘Tis vanish’d all! remains alone                                                            15
This eyeless Scalp of naked Bone:
The vacant Orbits sunk within:
The Jaw that offers at a Grin.
Is this the Object then that claims
The Tribute of our youthful Flames?                                                   20
Must am’rous Hopes and fancy’d Bliss,
Too dear Delusions! end in this?
How high does Melancholy swell!
Which Sighs can more than Language tell:
Till Love can only grieve or fear;                                                           25
Reflect a while, then drop a Tear
For all that’s beautiful or dear.

NOTES:

Epigraph “There dwells Lethean Love, who heals the heartsick/And quenches in cold water his fierce flame.” From Ovid, Remedia Amoris (The Cures for Love), ll. 551-52 (Ovid: The Love Poems, trans. A.D. Melville [Oxford and New York: OUP, 1990], p. 166).

4  Idol  “False” (OED).

5 Balls  Eyeballs.

7  Teint  Taint, “color, hue, tint” (OED).

11  sate  “To be placed or situated” (OED).

16  Scalp  “Skull” (OED).

17  Orbits  “Eye sockets” (OED).

SOURCE: Poems on Several Occasions. With Anne Boleyn to King Henry VIII, an Epistle (London, 1755), pp. 58-59.  [Google Books]

 Edited by Terry Luo

Mary Barber, “Jupiter and Fortune. A Fable”

 MARY BARBER

“Jupiter and Fortune.  A Fable”

 

Once JUPITER, from out the Skies,
Beheld a thousand Temples rise;
The Goddess FORTUNE all invok’d,
To JOVE an Altar seldom smoak’d:
The God resolv’d to make Inspection,                                             5
What had occasion’d this Defection;
And bid the Goddess tell the Arts,
By which she won deluded Hearts.

My Arts! (says she) Great JOVE, you know,
That I do ev’ry Thing below:                                                              10
I make my Vot’ries dine on Plate;
I give the gilded Coach of State;
Bestow the glitt’ring Gems, that deck
The fair LAVINIA’S lovely Neck;
I make NOVELLA Nature’s Boast,                                                     15
And raise VALERIA to a Toast;
‘Tis I, who give the Stupid, Taste,
(Or make the Poets lie, at least);
My fav’rite Sons, whene’er they please,
Can Palaces in Desarts raise,                                                             20
Cut out Canals, make Fountains play,
And make the dreary Waste look gay;
Ev’n Vice seems Virtue by my Smiles;
I gild the Villian’s gloomy Wiles,
Nay, almost raise him to a God,                                                        25
While crowded Levees wait his Nod.

ENOUGH– the Thunderer reply’d;
But say, whom have you satisfy’d?
These boasted Gifts are thine, I own;
But know, Content is mine alone.                                                     30

NOTES:

Title  Jupiter  “Known as ‘Jove’ is the god of sky and thunder in Ancient Roman Mythology and the chief of the gods. Father of Fortuna and great protector”(Britannica); Fortune Fortuna is the goddess of fortune and luck in ancient Roman mythology.

11  Vot’ries  A devoted or zealous worshipper of a particular god [or] goddess” (OED).

16  Toast  “The reigning belle of the season” (OED).

26  Levees  “A morning assembly held by a prince or a person of distinction” (OED).

SOURCE:  Poems on Several Occasions (London, 1735), pp. 63-64.  [Google Books]

 Edited by Raven Valdivia

Anonynmous, “On the Art of Writing: Sent to MIRA”

ANONYMOUS

On the Art of Writing : Sent to MIRA”

 

Hail sacred art! by Gods above
Design’d the messenger of love,
In pity to th’ immortal mind,
In earthly prison close confin’d.
Without thee, what were Mira’s grace?                              5
Or beauteous Helen’s fatal face?
Like sparks that glitt’ring upward fly,
Scarce known to live before they dye.
Thalia too, celestial maid,
Implor’d by bards, implores thy aid.                                          10
If you refuse, how vain her song!
The numbers perish on her tongue.
Fly hence! on light’ning’s wings away,
And to my lovely Mira say,
That London’s wealth, and mirth, and pride,                             15
With all things apt to charm beside,
Enamel’d lawns, and waving trees,
From Mira take their power to please.
For when my Fair is out of sight,
These are but shadows of delight.                                               20
Away! thou love-relieving art!
To dearest Mira bear my heart,
Bid her, in Cupid’s name, return
That heart, for which I rave, I burn.
But shou’d she scorn the archer’s skill,                                       25
Great Pallas, guardian of her will,
Bid her dismiss her needless fears,
For lo! Sincerity appears.
Say, Hymen waits with ardent care,
To give the World a happy pair:                                                    30
And Cupid too stands armed by,
To wound the first that dares to fly.
Thus Love and Reason shall combine,
And like twin-stars alternate shine;
Whatever Reason shall approve,                                                   35
Shall seem th’ effects of yielding Love:
Whatever Love shall deign to name,
Applauding Reason shall proclaim.
Reason, like Sol to Tellus kind,
Ripens the products of the mind,                                                  40
Dispells the anxious cares of life,
Those mists of sorrow and of strife:
And when old Time shall envious prove,
In this is Beauty, Youth, and Love.
But Love, if Reason’s out of sight,                                           45
Is all opaque and void of light,
Like the dull Moon, which oft resigns
Those borrow’d beams by which she shines:
The pleasure then it brags of most,
Is but what brutes themselves can boast.                                    50
Once more, thou heav’n-born art, away!
My soul’s impatient of delay:
As quick as thought again return,
And bring that heart for which I burn.

NOTES:

6  Helen  Helen of Troy or Helen of Sparta, mortal daughter of Zeus and Leda, recognized for her perfect beauty, which was also considered as it led her to be abducted by Theseus as a young girl. Helen wed with Menelaus of Sparta but eventually fled to Troy from his kingdom with Paris, effectively starting the Trojan war. Helen was returned to Sparta with Menelaus once Troy was captured and is now memorialized in Greek mythology for the conflict and death that her beauty caused (Britannica).

9  Thalia  One of the nine Muses that acted as goddesses of the arts; Thalia was patron of comedy and pastoral poetry; frequently depicted with a comic mask and shepherd’s staff (Britannica).

23  Cupid  “In Roman Mythology, the god of love, son of Mercury and Venus, identified with the Greek Eros” (OED).

26  Pallas  Epithet for Athena, Greek goddess of wisdom and war.

29  Hymen  Greek god of marriage.

39  Sol  Roman god of the sun; Tellus  “Ancient Roman earth goddess” (Britannica).

SOURCE:  The Gentleman’s Magazine, vol. 8 (October 1738), p. 544.  [HathiTrust]

 Edited by Shyla Jackson

[John Duncan], “Small Beer”

[JOHN DUNCAN]

“Small Beer”

 

If ever yet, Aonian maids,
You bless’d poor bard with timely aids;
Haste now — and help without suspension,
Bring spirit, numbers, rhyme, invention.
Here in sad plight your vot’ry view,                                                  5
I’m left — e’en as I bake, to brew;
Spare, gentle critics, each default,
You’ll find much water, little malt.
Bless me! an ague-fit I fear;
O theme to kill a Muse, small Beer.                                                  10
Thy name, base draff, a verse degrades,
Drink of penurious, musty maids,
Or drudging rogues, who sing like parrots,
Wedg’d in close stalls, or fulsome garrets.
Tasteless, weak, flatulent remains —                                              15
Squeez’d from impoverish’d husks and grains,
Fit swill for Bedlam’s residentiaries,
Or Bridewell’s chastned penitentiaries,
Hard beveridge of the starv’ling wit,
Thou very ratsbane to the cit.                                                           20
Sad sob’rer in his midnight hours,
When wine th’ insensate brain o’er pow’rs —
To what hard streights, thy poys’nous juice,
The good old dame does oft reduce,
When souerly belching from her pipes,                                          25
On Gin she calls to ease her gripes.
In vain — no Gin — (once cheap relief)
Is now — from guts to chase the grief.
Close pent, from bowels swoln and tore,
Thou’rt heard in many a fearful roar,                                               30
Imposer on the frugal purse,
In using bad, in keeping worse.
Stale, thou’rt mere verjuice; gall, when mild;
At best thou‘rt but good water spoil’d.
Stay — some who own for truth my satire,                               35
May yet accuse her of ill nature.
For once (if Sire Apollo will
A proof of genius and of skill)
I’ll act the casuist in my lays,
In one line lash, with t’other praise.                                                    40
Small Beer, cool, elegant, regale,
Thou royal child of good king Ale:
In massy tankard bright and stable,
Oft brought up to the princely table;
To temp’rance, chastity and quiet,                                                      45
Thou friend — sworn foe to feuds and riot;
Rescuer of captivated reason,
From trait’rous wine’s effected treason!
Oft known the deadly fever’s flame,
(By the scorch’d Patient crav’d) to tame;                                             50
To the sick wretch debar’d admission,
Thro’ envy of the sly Physician;
Thee grateful Sailor’s plenteous sip,
Converted to ambrosial flipp.
And thee, to heat, the good wife learns                                               55
(Safe junket for unfuddling bearns)
With sugar, mingled sweet, and spice,
The saving huswife’s rare device;
Dear to the school-boy’s liqu’rish chops,
In posset boil’d, or sugar sops;                                                              60
Or by the alewife’s cunning art,
Work’d up in bottles fresh and smart,
Thou’rt serv’d on holidays in glasses,
Choice fare with ‘prentice youths and lasses.
Ah me! I’m at a sad extreme,                                                           65
Quite, quite exhausted, rhyme and theme;
Tir’d fancy lags, dull numbers droop;
My muse, like barrel, all a-stoop,
Creeps on her lees, runs thick and slow,
Help, Phoebus! I’m a cup too low.                                                           70

NOTES:

Author Attribution based on information provided by Emily Lorraine de Montluzin, The Poetry of the Gentleman’s Magazine, 1731-1800: An Electronic Database of Titles, Authors, and First Lines (https://www.gmpoetrydatabase.org/db/).

Aonian maids  The Muses. Aonia is “a region of ancient Boeotia that contained the Helicon and Cithaeron mountains, sacred to the Muses” (OED).

5  vot’ry  A devotee.

9  ague-fit  “A state or bout of distress” (OED).

11  draff  “Grains of malt after brewing” (OED).

12  penurious  Poor.

15  flatulent  “Generating or apt to generate gas in the alimentary canal” (OED).

17  swill  “Liquid, or partly liquid, food” typically given to pigs (OED); Bedlam The Hospital of St. Mary of Bethlehem, notorious mental asylum in the eighteenth century.

18  Bridewell  A London prison; penitentiaries Inmates.

20  ratsbane  “Rat poison” (OED).

33  verjuice  “The acid juice of green or unripe grapes, crabapples, or other sour fruit” (OED); gall Here a type of “intensely bitter substance” (OED).

39  casuist  A person “who studies and resolves cases of conscience or doubtful questions regarding duty and conduct” (OED).

52  sly  “Deceitful” (OED).

54  ambrosial flipp  A delightful “mixture of beer and spirit sweetened with sugar and heated with a hot iron” (OED).

56  bearns  Variation of “bairns,” children.

59  liqu’rish chops  “Fond of delicious fare” (OED).

60  posset  “A drink made from hot milk curdled with ale, wine, or other liquor, flavoured with sugar, herbs, spices, etc.” (OED).

60  sugar sops  “A dish composed of steeped slices of bread, sweetened and sometimes spiced” (OED).

69  lees  The sediment of alcoholic beverages in the barrel.

70  Phoebus  “Apollo as the god of light or of the sun; the sun personified” (OED).

Source: The Gentleman’s Magazine, vol. 7 (June 1737), p. 376. [Hathi Trust]

Edited by Rafe Abd Al Illah Kassim

 

 

 

John Bancks, “The Wish”

JOHN BANCKS

“The Wish”

 

In dire Machine, of quadrate Figure,
Expos’d to all the pinching Rigour
Of Hunger, Poverty, and Cold,
I by my Bum, and Belly hold;
Pendant, betwixt the Earth and Skie,                                             5
Like dying Thief – tho’ not so high;
Branded with Weaver’s odious Name,
Thro’ all the World, a Mark of shame.
In this forlorn, neglected Station,
For me to think of Alteration;                                                          10
And, like a true son of Apollo,
To wish for what will never follow;
Must be, I think, by all allow’d
A Project highly just and good.
So many of the rhimeing Tribe                                                       15
Their Means and course of Life prescribe;
And tho’, because they wish for too much,
Dame Fortune seldom cares to do much;
Yet Fancy gives them such a Prop,
They still Rhime on, and live by Hope.                                           20
’Tis Prudence never to Despair,
Tho’ all our Stars against us are;
For if the Mind but keeps Decorum,
We’re in the Number Beatorum.
Tho’ some may blame me to begin                                         25
With what is oft’ the Root of sin;
Since that must make the Mare to go,
I’ll wish, as other People do,
For Money, the Delight of Kings,
The Queen of Men, and Queen of Things.                                     30
Of this, I’d have sufficient store,
(For who’s respected when he’s poor?)
Enough for all the Needs of Life,
Both of my self, and of a Wife.
If Heav’n a little more should give,                                                   35
Than what may serve us just to Live,
A common Stock the Rest should be
Between my Kindred, Friends, and me.
But here I’m whisper’d by the Muse,
Who, if she might be bold to chuse,                                                40
Could wish ’twould please impartial Fate
To let it be a Free Estate.
For having heard how hard ’tis found
For Bards to make the Year go round:
That sometimes Pegasus is rash,                                                      45
And flies away from heaps of Cash:
That oft’ Poetic Influence
Deprives the Mind of common Sense;
And makes, amidst a croud of Fancies,
The Poet Act Extravagancies:                                                            50
She fearing this might be my Lot,
If Master of my All I got,
Believes it will be more secure
To have my yearly Income sure:
That if by chance, my Stock I spend,                                                55
Next Quarter the Defect may mend.
The next Thing in my Inventory,
Shall be a Wife – A Husband’s Glory –
The greatest Curse, or greatest Blessing,
We’re capable of e’er Possessing.                                                     60
Tho’ some, perhaps, may Reasons bring
To prove a Wife a needless Thing;
I can’t be brought to their Opinion,
Nor care I for their Proofs an Onion.
Since Woman was for Man design’d,                                        65
I think ’tis fit they should be joyn’d:
And therefore hoping to be Blest,
I’ll wish for her among the rest.
Besides, I am not quite so stupid,
As not to fear the Force of Cupid:                                                     70
Cupid, that Fowling, Shooting Boy,
Who hampers all in his Decoy;
And makes us Love, with Dart and Bow,
Whether we willing are, or no.
’Tis like, if he were not so busy,                                                        75
Most Men unmarry’d might be easy:
Old Maids might then be very plenty;
And scarce a marry’d Wife in Twenty:
Strephon would not for Delia Mourn;
Nor Daphnis Sigh for Love’s return;                                                  80
But whilst he makes such Work about ’em,
There’s few can be Content without ’em;
For when he throughly does his Duty,
Wry Necks and crooked Backs make Beauty.
Since then he Rules so absolute,                                                       85
’Tis vain for Mortals to Dispute:
For Man to love a Woman is
As natural, as Welshman Cheese:
And if I love, I’ll have a Wife,
Because I chuse an honest Life.                                                         90
Well ’tis agreed – But now let’s see
What sort of Woman she must be;
I’d have her Modest, Brisk and Young,
And Woman all – except her Tongue:
As Pious as the very best;                                                                    95
Yet not a Bigot to her Priest:
Good-natur’d, Gentle, full of Duty,
And Mistress of a little Beauty:
So Witty, Secret, and Discreet,
That Wife and Friend, in one might meet.                                        100
Her Portion – be it great or small,
Or, if Fate please, be’t none at all.
My Former Wish shall this prevent,
If I’ve enough, I’ll be Content:
Tho’ few are easy in their Station,                                                     105
For once I’d step besides the Fashion.
When Hymen has the Business done,
And she and I are joyn’d in one;
For fear my dearest Bride should mutter,
Because I’ve got no where to put her;                                               110
As well as to divert my Mind,
If e’er my Charmer prove unkind;
I’d have a pleasant Country Seat,
By Nature made, for Love’s retreat:
A purling Stream should murmur by,                                                115
And Woods, and Meadows should be nigh:
The Woods, at Noon, for Shade I’d use;
At Night, the Meads should please the Muse.
My Garden fill’d with Trees and Flow’rs
Should yield an hundred shady Bowers:                                           120
And all the tuneful, feather’d Quire
Should dwell therein, to wake my Lyre.
Here, if the Fumes of too much Study
Should make the Spring of Fancy muddy;
My Spirits I’d exhilerate,                                                                       125
In Consort with my lovely Mate:
Our Conversation, soft and kind,
Should turn on what came first in Mind:
Yet so we’d always wind the String up,
That Love alone, the Rear should bring up.                                      130
My House should be of comely Size,
I think the Ground should round it rise:
It’s little Front should meet the Morn,
And that, a Dial should adorn:
A Court, before you could arrive at                                                    135
The Door, should make it Safe, and Private:
In fine, I’d have to make’t compleat,
Nothing superfluous, all Things neat:
’Twould be a kind of petty Throne,
If ’twere a Manour, and my own.                                                         140
Were I to chuse my Furniture,
I’d have what’s Needful, and no more:
But whilst I wanted not for Treasure,
My Spouse in this should use her Pleasure:
For if we cross a Woman’s Fancy,                                                        145
We know what spiteful Things she can say.
Of the best Books I’d have a few,
Whose Wit and Sense, would still be New:
Both Ancient, of establish’d Fame:
And Modern of a rising Name.                                                              150
These I’d on all Occasions use,
T’inform, or please me, or amuse:
From these I’d choicest Maxims draw,
And make them, of my Life, the Law.
For Servants ­– if I must have any,                                                  155
They should be Sober, and not many:
A Couple would sufficient be,
My Wife a Maid, a Man for me.
A Friend’s a Thing so seldom known,
’Tis very hard to meet with one;                                                            160
Yet I might chuse, I would have two,
Of my own Sex, Good, Wise, and True:
Who could direct an infant Muse;
Knew when to blame, and when t’excuse:
With these I’d ev’ry Day converse,                                                        165
To them each rising Thought rehearse;
Their Judgment should the Sentence give
To which should Die, and which should Live.
In Fortunes Mazes, if perplext,
Or with Domestic Troubles vext;                                                           170
To them I’d straight repair for Rest,
And leave my Sorrows in their Breast.
To welcome these, I’d spread my Board
With what the Country would afford:
A Chearful, but a mod’rate Glass                                                          175
Should, as a sign of Friendship, pass
Thus far my pensive Mind had gone,
And, thinking ev’ry Thing my own,
To Rapture I was almost brought,
’Till stopping to correct a Thought,                                                       180
I found ’twas all a Dream, a Fable,
A false Chimaera, nothing stable;
Still in the Loom I must remain,
All higher Thoughts, I doubt, are vain.

 NOTES:

 1  quadrate  “Something which is square or rectangular in shape,” in this case a weaver’s hand loom (OED).

5  Pendant  Suspended, “in a hanging position” (OED).

11  Apollo  Greek god associated with poetry (Britannica).

24  Beatorum  Latin: prosperous, of the blessed.

27  that must make the Mare to go  “Money makes the mare to go” is a proverbial phrase that means “without money little can be achieved” (ODP).

42  Free Estate  Freehold, the “permanent and absolute tenure of land or property with freedom to dispose of it at will” (OED).

45  Pegasus  In Greek Mythology, the winged horse that is “often represented as the favourite steed of the Muses, bearing poets on their flights of poetic inspiration” (OED).

49  croud  Archaic spelling of “crowd.”

 70  Cupid  “In Roman Mythology, the god of love” (OED).

101  Portion  Marriage portion, “dowry” (OED).

107  Hymen  “In Greek and Roman mythology: The god of marriage, represented as a young man carrying a torch and veil” (OED).

113  Country Seat  “A (large) country house and estate inhabited by a family belonging to the nobility, landed gentry, or other wealthy class, usually as its principal rural residence” (OED).

120  Bower  “Idealized abode” (OED).

121  Quire  Archaic spelling of “choir” (OED).

122  Lyre  “A stringed instrument of the harp kind, used by the Greeks for accompanying song and recitation” (OED).

133  should  Emended from “shold” (printer’s error).

134  Dial  Sundial.

173  Board  “A table spread for a repast” (OED).

182  Chimaera  “An unreal creature of the imagination” (OED).

SOURCE: The Weavers Miscellany: Or, Poems on Several Subjects (London, 1730), pp. 9-15. [Google Books]

Edited by Devin Logan

 

Mary Leapor, “The Fox and the Hen. A Fable”

MARY LEAPOR

“The Fox and the Hen. A Fable”

 

‘Twas on a fair and healthy Plain,
There liv’d a poor but honest Swain,
Had to his Lot a little Ground,
Defended by a quick-set Mound:
‘Twas there he milk’d his brindled Kine,                               5
And there he fed his harmless Swine:
His Pigeons flutter’d to and fro,
And bask’d his Poultry in a Row:
Much we might say of each of these,
As how his Pigs in Consort wheeze;                                      10
How the sweet Hay his Heifers chew,
And how the Pigeons softly coo:
But we shall wave this motley Strain,
And keep to one that’s short and plain:
Nor paint the Dunghill’s feather’d King,                               15
For of the Hen we mean to sing.

A Hen there was, a strange one too,
Cou’d sing (believe me, it is true)
Or rather (as you may persume)
Wou’d prate and cackle in a Tune:                                         20
This quickly spread the Pullet’s Fame,
And Birds and Beasts together came:
All mixt in one promiscuous Throng,
To visit Partlet and her Song.
It chanc’d there came amongst the Crew,                             25
Of witty Foxes not a few:
But one more smart than all the rest,
His serious Neighbour thus addrest:
“What think you of this Partlet here?
‘Tis true her Voice is pretty clear:                                            30
Yet without pausing I can tell,
In what much more she wou’d excel:
Methinks she’d eat exceeding well.”
This heard the list’ning Hen, as she
Sat perch’d upon a Maple-tree.                                               35

The shrewd Proposal gall’d her Pride,
And thus to Reynard she reply’d:
“Sir , you’re extremely right I vow,
But how will you come at me now?
You dare not mount this lofty Tree,                                        40
So there I’m pretty safe, you see.
From long ago, (or Record lies)
You Foxes have been counted wise:
But sure this Story don’t agree
With your Device of eating me.                                               45
For you, Dame Fortune still intends
Some coarser Food than singing Hens:
Besides e’er you can reach so high.
Remember you must learn to fly.

I own ‘tis but a scurvy way,
You have as yet to seize your Prey,                                       50
By sculking from the Beams of Light,
And robbing Hen-roosts in the Night:
Yet you must keep this vulgar Trade
Of thieving till your Wings are made.

Had I the keeping of you tho’,                                        55
I’d make your subtle Worship know,
We Chickens are your Betters due,
Not fatted up for such as you:
Shut up in Cub with rusty Chain,
I’d make you lick your Lips in vain:                                        60
And take a special Care, be sure,
No Pullet shou’d come near your Door:
But try if you cou’d feed or no,
Upon a Kite or Carrion Crow.”
Here ceas’d the Hen. The baffl’d Beast                                 65
March’d off without his promis’d Feast.

NOTES:

4 quick-set Mound Likely a raised boundary “formed of living plants, esp. thorny ones such as hawthorne” (OED).

15 the Dunghill’s feather’d King A rooster, or “cock.”

21 Pullet “A young domestic hen” (OED).

23 Throng “A large densely packed gathering of people or animals” (OED).

24 Partlet “A name traditionally applied to a hen” (OED).

37 Reynard “A proper name applied traditionally (chiefly in literature) to a fox” (OED).

59 Cub “A stall, pen, or shed” for farm animals (OED).

64 Kite “A bird of prey” (OED).

SOURCE: Poems Upon Several Occasions (London, 1748), pp. 97-100. [Google Books]

Edited by Josh Hernandez

 

Jane Cave, “Written by Desire of a Lady, on an angry, petulant Kitchen-Maid”

JANE CAVE

“Written by Desire of a Lady, on an angry, petulant Kitchen-Maid”

 

Good Mistress Dishclout, what’s the matter?
Why here—the spoon, and there—the platter?
What demon causes all this low’ring,
Black as the pot you oft are scow’ring?
Hot as the fire you daily light,                                                                                    5
Your speech with low invectives blight,
While rage impregnates ev’ry vein,
And dies the face one crimson stain.
Sure some one has a word misplac’d,
Or look’d not equal to your taste,                                                                              10
Or, is this just the time you’ve chose,
Your great acquirements to disclose,
Display the graces of your tongue,
Shew with what eloquence ‘tis hung,
As dog, rogue, scoundrel, scrub, what not,                                                               15
And twenty more, I’ve quite forgot;
Which prove to a demonstration
You’ve had a lib’ral education;
Such titles must enchant the ear,
And make the bounteous donor dear;                                                                       20
But while these bounties are dispensing,
I wish I’d learn’d the art of fencing,
Least while at John you aim to throw,
My nob should chance to catch the blow;
Then I should get a broken pate,                                                                                  25
And marks of violence I hate.
Good Mistress Dishclout condescend
To hear the counsel of a friend;
When next you are dispos’d to brawl,
Pray let the scull’ry hear it all,                                                                                        30
And learn to know, your fittest place
Is with the dishes and the grease,
And when you are inclin’d to battle,
Engage the skimmer, spit, or kettle,
Or any other kitchen guest,                                                                                            35
Which you in wisdom might think best.

NOTES:

1  Mistress Dishclout  Proverbial for a kitchen-maid; a dishclout is a  “cloth used for washing dishes” (OED).

3  low’ring  “Frowning, scowling, sullenness” (OED).

6  invectives  “A violent attack in words” (OED).

14  Shew  Show.  Johnson notes that the word is “frequently written shew; but since it is always pronounced and often written show…[he has] adjusted the orthography to the pronunciation” (Johnson).

15  rogue  “A dishonest, unprincipled person” (OED);  scrub Of low birth, base, “a mean fellow” (Johnson).

 20  dear  “Beloved” (OED).

24  nob  Colloquially, “the head” (OED).

25  pate  “The head. Now commonly used in contempt or ridicule” (Johnson).

30  scull’ry  “The place where common utensils, as kettles or dishes, are cleaned and kept” (Johnson).

34  skimmer  “A shallow vessel with which the scum is taken off” (Johnson);  spit  “Long prong on which meat is driven to be turned before the fire” (Johnson);  kettle  “A pot or caldron” (OED).

SOURCE:  Poems on Various Subjects, Entertaining, Elegiac, and Religious, (Winchester, 1783), pp. 49-51.  [Hathi Trust]  

Edited by Kristine Van Dusen

Lady Mary Chudleigh, “Icarus”

LADY MARY CHUDLEIGH

“Icarus” 

Whilst ​Icarus​ his Wings prepar’d
His trembling Father for him fear’d:
And thus to him sighing said,
O let paternal Love persuade :
With me, my dearest Son, comply,                                         5
And do not proudly soar too high:
For near,​ Apollo’s ​scorching Heat,
Will on thy Wings too fiercely beat :
And soon dissolve the waxen Ties.
Nor loiter in the lower Skies,                                                    10
Least Steams should from the Land arise,
And damp thy Plumes, and check thy Flight.
And plunge thee into gloomy Night.

Th’ ambitious Youth led on by Pride,
Did all this good Advice deride;                                                15
And smiling, rashly soar’d on high;
Too near the Source of Light did fly;
A while, well pleas’d, he wanton’d there,
Rejoicing breath’d AEthereal Air:
But ah! the Pleasure soon was past,                                        20
The Transport was too great to last:
His Wings dropt off, and down he came
Into that Sea which keeps his Name.

His grieving Father saw him drown’d,
And sent loud moving Crys around:                                          25
Ah! wretched Youth, he weeping said,
Thou’rt now a dire Example made,
Of those who with ungovern’d Heat
Aspire to be supremely great;
Who from obscure Beginnings rise,                                           30
And swoln with Pride, Advice despise;
Mount up with hast above their Sphere,
And no superior Pow’rs revere.

O may thy Fall be useful made,
May it to humbler Thoughts persuade :                                   35
To Men th’ avoidless Danger Show
Of those who fly too high, or low;
Who from the Paths of Virtue stray,
And keep not in the middle Way :
Who singe their Wings with heav’nly Fire;                                 40
Amidst their glorious Hopes expire:
Or with a base and groveling Mind
Are to the Clods of Earth confin’d.

NOTES:

Title​ ​Icarus ​The son of ​Daedalus, who escaped from Crete using wings made by his father but was killed when he flew too near the sun and the wax attaching his wings melted (​OCD).

7Apollo ​Greek god of the sun.

12Plumes “​ Feathers collectively” (OED).

19 ​AEthereal “Of or relating to the highest regions of the atmosphere” (OED).

23​ Sea which keeps his Name T​his is the Icarian Sea, located just north of the island of Ikaria.

Source: ​Poems on Several Occasions (​ London, 1703), pp. 70-72.  [Google Books]

Edited by Natalie Fregoso

Mary Barber, “A True Tale”

MARY BARBER

“A True TALE”

A Mother, who vast Pleasure finds
In modelling her Childrens Minds;
With whom, in exquisite Delight,
She passes many a Winter Night;
Mingles in ev’ry Play, to find                                              5
What Byas Nature gave the Mind;
Resolving thence to take her Aim,
To guide them to the Realms of Fame;
And wisely make those Realms their Way
To Regions of eternal Day;                                                 10
Each boist’rous Passion to controul,
And early humanize the Soul;
In simple Tales, beside the Fire,
The noblest Notions would inspire:
Her Children, conscious of her Care,                                15
Transported, hung around her Chair.

OF Scripture-Heroes she would tell,
Whose Names they lisp’d, ere they could spell:
The Mother then, delighted, smiles;
And shews the Story on the Tiles.                                      20

AT other Times, her Themes would be
The Sages of Antiquity;
Who left immortal Names behind,
By proving Blessings to their Kind.
Again, she takes another Scope,                                         25
And tells of A​DDISON,​ and P​OPE.

STUDIOUS to let her Children know
The various Turns of Things below; —-
How Virtue here was oft oppres’d,
To shine more glorious with the Bless’d;                          30
Told T​ULLY​’s​ ​and the G​RACCHI’​s​ D​oom,
The Patriots, and the Pride of ​Rome.
Then bless’d the ​Drapier’​s happier Fate,
Who ​sav’d, a​nd lives to ​guard​ the State.

SOME Comedies gave great Delight,                          35
And entertain’d them many a Night:
Others could no Admittance find,
Forbid, as Poison to the Mind:
Those Authors Wit and Sense, said she,
But heighten their Impiety.                                                   40

THIS ​happy Mother met, one Day,
The Book of Fables, writ by GAY;
And told her Children, Here’s a Treasure,
A Fund of Wisdom, and of Pleasure!
Such Morals, and so finely writ;                                           45
Such Decency, good Sense, and Wit!
Well has the Poet found the Art,
To raise the Mind, and mend the Heart.

HER fav’rite Son the Volume seiz’d;
And, as he read, seem’d highly pleas’d;                               50
Made such Reflections ev’ry Page;
The Mother thought above his Age;
Delighted read, but scarce was able
To finish the concluding Fable.

WHAT ​ails my Child? the Mother cries:                          55
Whose Sorrows now have fill’d your Eyes?
O dear Mamma, can he want Friends,
Who writes for such exalted Ends?
Oh base, degen’rate human Kind!
Had I a Fortune to my Mind,                                                    60
Should G​AY ​complain? But now, alas!
Thro’ what a World am I to pass?
Where Friendship is an empty Name,
And Merit scarcely paid in Fame?

RESOLV’D ​to lull his Woes to Rest,                                   65
She tells him, He should hope the best:
This has been yet G​AY’​s Case, I own;
But now his Merit’s amply known.
Content that tender Heart of thine:
He’ll be the Care of C​AROLINE.                                                 70
Who thus instructs the royal Race,
Must have a Pension, or a Place.

MAMMA, ​if you were Q​UEEN, ​says he,
And such a Book were writ for me,
I find ‘tis so much to your Taste,                                               75
That G​AY​ would keep his Coach at least.

MY ​Son, what you suppose, is true:
I see its Excellence in you.
Poets who write to mend the Mind,
A royal Recompence should find.                                             80
But I am barr’d by Fortune’s Frowns,
From the best Privilege of Crowns;
The glorious, godlike Pow’r to bless,
And raise up Merit in Distress.

BUT, dear Mamma, I long to know,                                    85
Were you the Q​UEEN​, what you’d bestow.

WHAT I’d bestow, says she, my Dear?
At least, ​a thousand Pounds a Year.

NOTES:

​26​ADDISON Joseph Addison (​1672-1719​), popular periodical essayist, poet, and dramatist; ​POPE Alexander Pope (1688-1744), poet, satirist, and translator of Homer (Encyclopaedia Britannica).

31TULLY Marcus Tullius Cicero (106 BC-43 BC)​, a Roman orator who was executed by his political enemies; the GRACCHI’s Doom Tiberius Sempronius Gracchus, (169-164? BC-133 BC), “Roman tribune who sponsored agrarian reforms to restore the class of independent farmers and who was assassinated in a riot sparked by his senatorial opponents”, and his brother, Gaius Sempronius Gracchus ​(160-153 BC?-121BC), “Roman tribune who reenacted the agrarian reforms of his brother” and who committed suicide before his political enemies could execute him (Encyclopaedia Britannica).

33 ​​the Drapier’s happy fate A reference to Jonathan Swift (1667-1745), who published a series of seven pamphlets known as Drapier’s Letters (1724-1725) that was “part of a successful campaign to prevent the imposition of a new, and debased, coinage on Ireland” (Encyclopedia Britannica).

42The Book of Fables writ by GAY John Gay (​1685-1735)​, English poet and dramatist, whose ​Fables​ was published in 1727 and dedicated to William, Duke of Cumberland, the six-year-old son of the newly-crowned King George II (1683-1760) and Queen Caroline.

54​ the concluding Fable “Fable L: The Hare and many Friends” was the last of the 50 poems that make up Gay’s Fables.

70 He’ll be the care of CAROLINE ​In dedicating Fables to Prince William, Gay was hoping to court favor with the Prince’s mother, Queen Caroline (1683-1737), known to be a patron of the arts. In the end, he was offered the post of Gentleman Usher to Princess Louisa, then two years old.  Feeling snubbed, Gay declined the position.

Source:  Poems on Several Occasions​ (London, 1735), pp. 7-12.   [Google Books]

Edited by Autumn Goldstein Harris

Anonymous, “Tears of Affection”

ANONYMOUS

“Tears of Affection”

 

Wak’d are the woodland wild notes sweet,
The dappled morn’s approach to greet;
Yet, while they vibrate on my ear,
Down my sad bosom falls the tear:
I view the smiling landscape round,                                 5
I hear the torrent’s distant sound,
I listen to each song of joy,
I gaze upon the azure sky;
But sick’ning Fancy turns away
From ev’ry charm of perfum’d May.                                 10

Oh! let me seek solemn gloom,
That hovers mournful round the tomb,
Where rest a Parent’s lov’d remains!—
There will I pour in hopeless strains
The bitter plaints of agony,                                                 15
That Fate, unpitying, dooms for me.
Complaint may save my fever’d brain
From starting frenzy’s ghastly train.
That dreary vault, whose womb contains
A sainted Parent’s cold remains,                                        20
His holy shade may hover round,
And listen to each plaintive sound,
That speaks affection’s ceaseless woe;—
May view the streaming tears that flow.

That holy shade perhaps may pour                              25
Calm resignation o’er my breast,
And bid me wait the blissful hour
When ev’ry tortur’d sense shall rest;
When my glad soul to heav’n shall soar,
And drink of sorrow’s cup no more.                                   30
Z.

NOTES:

6 torrent A violent or tumultuous flow, onrush, or ‘stream’” (OED).

8 azure “The clear blue colour of the unclouded sky” (OED).

15 plaints “Audible expression of sorrow; such an expression in verse or song, a lament” (OED).

22 plaintive “Afflicted by sorrow; grieving, lamenting; suffering” (OED).

25-26 “On the supposition that our departed friends are permitted to become our Guardian Angels” [Author’s note].

31 Z.  This is marked as one of the poems that was “given to the author by two young friends, who never intended to publish in their own names, but were content to roll down the stream of time, or sink into oblivion with her they loved” (“Advertisement,” Poems on Several Occasions, vol. I, p. ii).

Source: [Mary] Darwall, Poems on Several Occasions, vol. II (Walsall, 1794), pp. 132-134.  [Google Books]

Edited by Ebony Conner