Tag Archives: poetry

David Mallet, “The Discovery”


“The Discovery”

Upon reading some Verses, written by a young
Lady at a Boarding-School.  Sept. 1760.


Apollo lately sent to know,
If he had any sons below;
For, by the trash he long has seen
In male and female Magazine,
A hundred quires not worth a groat,                                     5
The race must be extinct, he thought.

His messenger to court repairs;
Walks softly with the croud up stairs:
But when he had his errand told,
The courtiers sneer’d, both young and old.                         10
Augustus knit his royal brow,
And bade him let Apollo know it,
That from his infancy till now,
He lov’d nor poetry nor poet.

His next adventure was the park,                                    15
When it grew fashionably dark:
There beauties, boobies, strumpets, rakes,
Talk’d much of commerce, whist and stakes;
Who tips the wink, who drops the card:
But not one word of verse or bard.                                          20

The stage, APOLLO’s old domain,
Where his true sons were wont to reign,
His courier now past frowning by:
Ye modern DURFEYS tell us why.

Slow, to the city last he went:                                              25
There, all was prose, of cent per cent.
There, alley-omnium, script, and bonus,
(Latin, for which a Muse would stone us,
Yet honest GIDEON’s classic stile)
Made our poor Nuntio stare and smile.                                   30

And now the clock had struck eleven:
The messenger must back to Heaven;
But, just as he his wings had ty’d,
Look’d up Queen-Square, the North-east side.
A blooming Creature there he found,                                       35
With pen and ink and books around,
Alone and writing by a taper:
He read unseen, then stole her paper.
It much amus’d him on his way;
And reaching Heaven by break of day,                                      40
He shew’d APOLLO what he stole.
The God perus’d, and lik’d the whole:
Then, calling for his pocket-book,
Some right celestial vellum took;
And what he with a sun-beam there                                          45
Writ down, the Muse thus copies fair:
“If I no men my sons must call,
Here’s one fair Daughter worth ’em all:
Mark then the sacred words that follow,
SOPHIA’S mine” –– so sign’d                                                          50



Apollo God of light, poetry and music” (OED).

5 quires “A small book or pamphlet consisting of a set of four sheets folded in two to form eight leaves;” also “a short poem, treatise” (OED); groat “The English groat coined in 1351–2 was made equal to four pence” (OED).

8 croud Variant of “crowd.”

11 Augustus Founder of the Roman Empire; here a reference to King George II (reigned 1727-1760).

17 boobies “A childish, foolish, inept, or blundering person” (OED); strumpet A female prostitute; (also) a mistress, a concubine (OED); rake “A fashionable or stylish man of dissolute or promiscuous habits” (OED).

23 frowning “Disapproving” (OED).

24 DURFEYS Alluding to Thomas d’Urfey (1653–1723), a Restoration-era playwright, best known for his songs and contributions to the ballad opera as a theatrical form.

26 cent per cent That is, “totally, completely” (OED).

27 alley-omnium Possibly figurative for “all the marbles.”

29 GIDEON Military leader, judge, and prophet in the Hebrew Bible; see Judges 6-8.

30 Nuntio Variant of “nuncio,” “a papal ambassador to a foreign court or government” (OED).

34 Queen-Square A fashionable neighborhood in north London in the mid-century period.

38 read Corrected from “red” in the original text.

44 vellum A fine kind of parchment prepared from the skins of calves (lambs or kids) and used especially for writing, painting, or binding” (OED).

50 SOPHIA Greek name meaning “wisdom;” also referring to Athena, the goddess of wisdom.

SOURCE: Poems on Several Occasions (London, 1762), pp. 14-16. [Google Books]

Edited by Rafe Kassim

Eliza Haywood, “The Vision”


“The Vision”


As I this Morn, neglecting coming Day,
In the dull God’s Embrace supinely lay;
My nobler Part, scorning to be confin’d,
Did upwards soar, and left my Earth behind:
Thro’ the AEtherial Regions swiftly flew,                                                       5
Past interposing Clouds which barr’d my View.
Methought, with stedfast and undazled Eyes,
I took in all the Glory of the Skies!
Beheld the rolling Orbs in order move,
And in their Symmetry, prov’d the Art of Jove.                                             10
But long I could not in that Prospect stay,
My hurry’ng Fancy made me farther stray
To those bright Plains, where, in superior State,
The High-thron’d Sons of Wit illustrious sat!
Each had their Works in shining Cases plac’d,                                             15
With Stars adorn’d, more by their Titles grac’d.
These seem’d the genuine Product of their Art;
Which to th’ Unlearn’d, no Profit could impart:
But what amaz’d me most, vast heaps I spy’d
Of Books, (the same Inscriptions beautify’d)                                                 20
With Pages torn, and Leaves disorder’d, lie
Like useless Lumber, thrown neglected by!
With eager haste, the nearest Lines I snatch’d,
But, e’er my purpose fully was dispatch’d,
The awfull’st Form, which grac’d the Laureat Sect,                                       25
Did in these Words, my erring Search direct.
In vain thou here, wou’dst Ovid’s Softness find,
Or trace the Majesty of Homer’s Mind!
Our forceful Fire, in faint Translation lost,
Can little of its native Vigour boast!                                                                 30
Would’st thou behold us as at first we were,
Back to the nether World again repair;
There thou, thy wonder-searching Soul may’st fill
With due contemplating Hillarius’ Skill;
In him our different Beauties center’d, shine,                                                35
With congregated Pow’r, and Blaze divine!
Our Muses now attend on him alone,
Join’d with a brighter, greater, of his own!
Had former Times been, like the present, blest,
Low Adorations, had their Joy confest!                                                            40
Each Path to Delphos, had been left untrod,
His star-like Fame had pointed out the God!
And happy Britain, proud of such a Birth,
Receiv’d the loaded Tribute of the Earth!
Go then, his matchless Works with Care read o’er.                               45
Just Admiration will enflame thee more,
Than vain Desires of Knowledge could before.
If any Spark of true poetick Fire,
Does thy dull Breast, with generous Warmth inspire;
That Theme will call it forth, and teach thee, how                                        50
More able Pens their Gratitude should show
For abdicated Wit, so long deplor’d,
Now, by his Genius to the World restor’d!
Thus spoke the Bard, and all the Bays-wreath’d Tribe,
In shouts of Joy, did pleas’d Assent ascribe!                                                   55
Then swift, as shooting Stars, the Phantoms fled,
And I, that moment, found my self in Bed.
But, Oh! when Soul and Body were rejoin’d,
What various Transports fir’d my anxious Mind?
Not mov’d with wonder at so strange a Dream,                                             60
(My waking Thoughts, can find no other Theme,)
But struck with conscious Guilt, with Shame oppress’d,
I curs’d my backward Muse, which charm’d and blest
With unhop’d Favours, had no Thanks exprest.
In vain I rag’d, vainly did Efforts make,                                                             65
My grateful Meaning, or his Worth to speak.
Amazing Excellence! what words can paint?
To describe Lightning, Colours are too faint:
The vast Idea, over-swell’d my Thought,
And all my Senses to Confusion brought.                                                        70
As those whose Opticks, ne’er were blest with Sight,
But from their Birth condemn’d to darksome Night;
By miracle at last, their Eyes unseal’d,
And the bright Glories of the Sun reveal’d;
With sudden Transport start, with Rapture gaze,                                           75
Their new-born Sense, half lost in wild Amaze!
So I, who but some Glimmerings had seen,
Some little Sketches, of Wit’s glorious Scene,
With instant Rush, all Heaven at once disclos’d,
Such beamy Brightness, ‘gainst weak Sense oppos’d:                                    80
Shot Rays too fierce! too poynant to sustain,
And ev’n to madness, work’d my aking Brain!
Aw’d! charm’d! and dazled ! cool Reflections shun;
My staggering Reason, into Flights I run!
With incoherent Extasies am fir’d,                                                                       85
Such, as of old, the Bachanals inspir’d!
What can the Medium in my Soul restore?
What give the Calmness I enjoy’d before?
Vain Hope, Nature must change, in him, or me!
I grow less sensible, or less glorious he!                                                            90
E’er past Tranquility again can be.


5 AEtherial “Heavenly” (OED).

9 Orbs Planets.

10 Jove Jupiter, the highest diety in Roman mythology.

11 Prospect “An extensive or commanding range of sight” (OED).

12 Fancy “Faculty of imagination” (OED).

25 awfull’st “Arousing or inspiring reverential respect, mixed with wonder or fear” (OED); the Laureat Sect Poets graced with Apollo’s favor.

27 Ovid Roman poet (43BC- 17AD), famous for Metamorphoses.

28 Homer Ancient Greek poet (c. 750BC), famous for the Iliad and the Odyssey.

34 Hillarius’ Skill A compliment paid to Aaron Hill (1685-1750), dramatist and poet who, in the early 1720s, developed “a literary coterie dubbed the ‘Hillarian circle’ after the name bestowed on him by one of his fervent admirers, the novelist and dramatist Eliza Haywood” (Christine Gerrard, Aaron Hill: The Muses’ Projector, 1685-1750, pp. 61-2).

41 Delphos Mythical birthplace of Apollo, god of poetry.

59 Transports “The state of being ‘carried out of oneself,’ i.e. out of one’s normal mental condition; vehement emotion” (OED).

86 Bachanals Followers of Bacchus, the Greco-Roman god of wine, excess, and ecstasy.

SOURCE: Poems on Several Occasions (London, 1725), pp. 11-14. [Google Books]

 Edited by Jake Araiza

Elizabeth Singer Rowe, “To one that persuades me to leave the Muses”


“To one that perswades me to leave the Muses”


Forgo the charming Muses! No, in spight
Of your ill-natur’d Prophecy I’ll write,
And for the future paint my thoughts at large,
I waste no paper at the Hundreds charge:
I rob no Neighbouring Geese of Quills, nor slink                                             5
For a collection to the Church for ink:
Besides my Muse is the most gentle thing
That ever yet made an attempt to sing:
I call no Lady Punk, nor Gallants Fops,
Nor set the married world an edge for Ropes;                                                  10
Yet I’m so scurvily inclin’d to Rhiming,
That undesign’d my thoughts burst out a chiming;
My active Genius will by no means sleep,
And let it then its proper channel keep.
I’ve told you, and you may believe me too,                                                     15
That I must this, or greater mischiefe do;
And let the world think me inspir’d, or mad,
I’le surely write whilst paper’s to be had;
Since Heaven to me has a Retreat assign’d,
That would inspire a less harmonious mind.                                                     20
All that a Poet loves I have in view,
Delight some Hills, refreshing Shades, and pleasant Valleys too,
Fair spreading Valleys cloath’d with lasting green,
And Sunny Banks with gilded streams between,
Gay as Elisium, in a Lovers Dream,                                                                       25
Or Flora’s Mansion, seated by a stream,
Where free from sullen cares I live at ease,
Indulge my Muse, and wishes, as I please,
Exempt from all that looks like want or strife,
I smoothly glide along the Plains of Life,                                                                 30
Thus Fate conspires, and what can I do to’t?
Besides, I’m veh’mently in love to boot,
And that there’s not a Willow Sprig but knows,
In whose sad shade I breathe my direful woes.
But why for these dull Reasons do I pause,                                                         35
When I’ve at hand my genuine one, because!
And that my Muse may take no counter Spell,
I fairly bid the Boarding Schools farewel:
No Young Impertinent, shall here intrude,
And vex me from this blisful solitude.                                                                   40
Spite of her heart, Old Puss shall damn no more
Great Sedley’s Plays, and never look ’em o’re;
Affront my Novels, no, nor in a Rage,
Force Drydens lofty Products from the Stage,
Whilst all the rest of the melodious crew,                                                               45
With the whole System of Athenians too,
For Study’s sake out of the Window flew.
But I’to Church, shall fill her Train no more,
And walk as if I sojurn’d by the hour.
To Stepwel and his Kit I bid adieu,                                                                    50
Fall off, and on, be hang’d and Coopee too
Thy self for me, my dancing days are o’re;
I’le act th’ inspired Bachannels no more.
Eight Notes must for another Treble look,
In Burlesque to make Faces by the book.                                                               55
Japan, and my esteemed Pencil too,
And pretty Cupid, in the Glass adieu,
And since the dearest friends that be must part,
Old Governess farewell with all my heart.
Now welcome all ye peaceful Shades and Springs,                                                60
And welcome all the inspiring tender things;
That please my genius, suit my make and years,
Unburden’d yet with all but lovers cares.


1 Muses “The nine goddesses regarded as presiding over and inspiring learning and the arts, esp. poetry and music” (OED).

4 Hundreds Corrected from “Hunderds;” a printer’s error.

9 Lady Punk “Prostitute” (OED); Fop “One who is foolishly attentive to and vain of his appearance, dress, or manners; a dandy, an exquisite” (OED).

25 Elisium Elysium; the paradise where the gods determined a hero’s immortality, a land of perfect happiness (Britannica).

26 Flora’s Mansion The natural world; Flora is the Roman goddess of the flowering plants (Britannica).

32 to boot “In addition” (OED).

33 Sprig “A small branch of a tree” (OED).

41 Old Puss A contemptuous term for a woman.

42 Sedley Sir Charles Sedley, 4th Baronet, (1639-1701), “an English Restoration poet, dramatist, wit, and courtier.” One of his most notable plays was Bellamira (1687) (Britannica).

44 Force Drydens lofty Products from the Stage John Dryden (1631-1700), poet, playwright, and influential critic; the suppression of Rowe’s work was linked to censorship of Dryden’s dramas (John West, Dryden and Enthusiasm: Literature, Religion, and Politics in Restoration England, p. 170).

46 whole system of Athenians A reference to The Athenian Society, founded by John Dunton (1659-1733), bookseller and author, in 1691.  Rowe regularly published poetry in The Athenian Mercury, the society’s periodical published by Dunton, between 1693 and 1696.

50 Stepwel A made up name for a dancing master; Kit “A small fiddle, formerly much used by dancing masters” (OED).

51 Coopee Coupee; “a dance step” typically included in a minuet (OED).

53 Bachannels Bacchanals; “a dance or song in honour of Bacchus,” Roman god of wine and fertility (OED).

54 Eight Notes Eighth notes; “The note separated from any given one above or below by an interval of an eighth” (OED);Treble The G clef, “pertaining to, or suited to the highest part in harmonized musical composition” (OED).

56 Japan A black compound applied to the eye; Pencil “A small brush suitable for delicate work” (OED).

Source: Poems on Several Occasions (London, 1696), pp. 6-9.  [Google Books]

Edited by Celina Lopez

Rev. Anthony Freston, “The Poet’s Farewell to his Muse”


The Poet’s Farewell to his Muse


FAREWELL sweet Muse, that oft in slipshod guise
Hast led astray my song-enraptur’d soul;
Oft call’d me forth beneath the Moon’s pale rise,
Or turn’d my wrapt eye to the starry pole.

IN giddy youth by partial friends misled,                                     5
I trod (adventurous wight) poetic ground;
But soon the green bay wither’d on my head,
I got five shillings, and I lost five pound.

NO longer can the Bard a patron find,
Poor Merit, now neglected, droops, I cried;                                         10
False-flattering Fancy fill’d my feeble mind,
And what I took for merit was but pride.

PRIDE led me on to snatch poetic fame,
To crop with daring hand Parnassian bays;
T’intrude with Dryden’s and with Pope’s my name,                             15
And live to future times in living lays.

TO climb the summit of cold Haemus’ hill,
“Of antique Bards the arduous steps to try;”
And largely quaffing the Pierian rill,
Meet the keen glances of the public eye.                                               20

BUT sober Reason now resumes her reign,
Tells me ‘tis better far to read than write;
One may reap pleasure, t’other must bear pain,
The world’s neglect, the critic’s ranc’rous spite:

ENVY that pines at merit not her own,                                            25
Low purse-proud Ignorance’ consequential sneer;
Exalted Meanness frowning into stone,
The grin of Folly, and the gibe severe.

FAREWELL sweet Muse, henceforth beguile no more,
No Critic “hangs me on his turn’d-up nose;”                                            30
No flattering gale shall tempt me from the shore,
Or lure me from the land of humble prose.


1 slipshod “Untidy” (OED).

4 starry pole “The polestar […] a guiding light” (OED).

6 wight An archaic term for a human being (OED).

7 green bay The bay laurel. In classical antiquity, its leaves were “woven into a wreath or garland to reward a conqueror or poet” (OED).

11 Fancy “The process, and the faculty, of forming mental representations of things not present to the senses; fancy and imagination […] are commonly distinguished: fancy being used to express aptitude for the invention of illustrative or decorative imagery, while imagination is the power of giving to ideal creations the inner consistency of realities” (OED).

14 Parnassian bays Symbolic of poetic excellence. In ancient Greece, Mount Parnassus was “the source of literary, esp. poetic, inspiration” as well the home of the Muses (OED).

15 Dryden John Dryden (1631-1700), English poet, dramatist, and essayist; Pope Alexander Pope (1688-1744), English poet and critic (Encyclopedia Britannica).

16 living lays That is, his published poetry.

17 Haemus’ hill The Balkan Mountains, known during the classical period by the Latin name, Haemus Mons (Encyclopedia Britannica).

18 try “Contracta sequi vestigia vatum. The word contracta has singular force and beauty: it brings to our view the shortened and careful steps of those who walk in dangerous, narrow, and slippery paths” [Author’s note].  Possibly also an allusion to lines in Pope’s Essay on Criticism (1711): “Hear how learn’d Greece her useful rules indites, / When to repress, and when indulge our flights: / High on Parnassus’ top her sons she show’d, / And pointed out those arduous paths they trod; / Held from afar, aloft, th’ immortal prize, / And urg’d the rest by equal steps to rise” (ll. 91-95).

19 Pierian rill Variation of “Pierian spring,” a metaphorical source of knowledge sacred to the Greek Muses.

28 gibe Alternate spelling of “jibe,” a taunt, flout, or jeer (OED).

30 “hangs me on his turn’d up nose” Unable to trace this as a quotation; to turn one’s nose up at something is to be disdainful or scornful of it.

SOURCE:  Poems on Several Subjects (London, 1787), pp. 80-82. [Google Books]

Edited by Michael Shufro

John Hawes, “On Seeing an Infant Boy Seven Years of Age learning to write”


“On Seeing an Infant Boy of Seven Years of Age learning to write”


HIS Infant Fingers, scarce could grasp the Quill
And yet with Ardour, he pursu’d his Skill;
Attention fix’d his Mind, and fill’d his Brain,
His Copy in Perfection to explain;
His Eye pursu’d each Stroke so superfine,                                         5
And strove to improve, each Character and Line;
So far before the common Time of Youth.
Did Art appear in Innocence, and Truth;
He forc’d these Lines, to vindicate his Praise,
And in my Mind did these Ideas raise.                                               10

But when I found Apollo fir’d his Soul,
To Musick’s Charms, and saw his Fingers roll,
I found his Frame with Heavenly Gifts endow’d,
‘Bove vulgar Mortals, blest by mighty Jove.
He joins the sounding Lyre with Infant Voice,                                  15
“By Inclination led, and fix’d by Choice;”
Points full Perfection, in his Time to come,
If Manhood crowns Him, in Time’s fickle Womb.

Thus when Pygmalion strove to carve his Maid,
Each stroke with curious View, his Mind survey’d;                          20
He still pursu’d the chissel, and improv’d
Each Touch Divine, to gain the Art he lov’d.
In Innocence, by his own Skill betray’d,
The Goddess Venus, bless him in his Maid;
Gave Life to Ivory, for his matchless Strife,                                       25
Made his own Genius to become his Wife.


1 Quill  A pen made from the hollow shaft of a bird’s feather (OED).

2 Ardour  Burning with ferocity and intensity (OED).

6 Character  The letters of the alphabet (OED).

9 vindicate  “To clear from censure, criticism, suspicion, or doubt, by means of demonstration; to justify or uphold by evidence or argument” (OED).

11 Apollo  A Greek God of music and poetry, among many things, and known for his youthfulness (OED).

11 fir’d  An archaic contraction of the word “fired”; to ignite (OED).

14 Jove  Refers to Jupiter, the Roman equivalent of Zeus (OED).

15 sounding Lyre  The instrument of Apollo, Greek God of Music (OED).

 16 “By Inclination led, and fix’d by Choice”  Quoted From William Congreve’s “Epistle to the Right Honourable Charles Lord Halifax” (Line 4).

19 Pygmalion A sculptor from Cyprus who fell in love with the sculpture that he carved (Ovid, Metamorphoses, Book X, ll. 243-297).

24 Venus  The Roman goddess of love, beauty, and desire grants Pygmalion his wish for his sculpture to come to life (Ovid, Metamorphoses, Book X, ll. 243-297).

SOURCE:  Poems, Moral and Divine (Norwich, 1754), pp. 21-22. [Google Books]

Edited by Paul Madariaga

Charlotte Lennox, “To Aurelia, on her attempting to write Verses”


“To Aurelia, on her attempting to write Verses.”

Long had Aurelia vainly stove
To write in melting strains of Love;
Ambitious of a Poet’s Name,
She wept, she sigh’d, she long’d for Fame;
While of the great Design possest                                            5
She thus the Delian God addrest:
Brightest of heavenly Powers above,
Immortal Son of thund’ring Jove;
Oh glorious Deity impart
To me the soft poetic Art;                                                          10
Vouchsafe to me thy sacred Fire,
And with thyself my Soul inspire.
She Spake — the God indulgent hears
The beauteous Maid, and grants her Prayers.
On Clio turns his radiant Eyes,                                                  15
And to the tuneful Goddess cries,
Fly hence to fair Aurelia’s Aid,
In heavenly Strains instruct the Maid:
The Muse obeys the God’s Commands
With Joy, and swift as Thought descends,                                20
And at Aurelia’s Side attends.
Conscious of her new Power, the Maid
With Thanks the glorious Gift repay’d:
Now Waller’s Sweetness, Granville’s fire,
At once her tuneful Breast inspire:                                            25
No more she vainly strives to please,
The ready Numbers flow with ease:
All soft, harmonious and divine;
Apollo shines in every Line.
The Delian God with Rapture fill’d                                              30
Upon his lovely Pupil smil’d.
Daphne, his once-lov’d charming Care,
Appear’d to him not half so fair:
For the lost Nymph he mourns no more;
Nor in his Songs her Loss deplore;                                            35
But from the slighted Tree he tears
It’s Leaves, to deck Aurelia’s Hairs.
A Poet now by all she’s own’d,
And with immortal Honour crown’d.


6 Delian God Apollo.

8 Jove Jupiter, also known as Jove, is the god of the sky and thunder and king of the gods in Ancient Roman religion and mythology. He is also remembered as Zeus, his name among the Greeks (New World Encyclopedia).

11 Vouchsafe “To give or grant something to someone in a gracious or condescending manner” (OED).

15 Clio The muse of history.

24 Waller’s Sweetness Edmund Waller (1606-1687), poet and politician, known in the period for his panegyric verse and “sweet” lyric poetry (Britannica); Granville’s fire  George Granville, Baron Lansdowne (1666-1735), poet, playwright, and politician, a poetic imitator of Waller, but also known for his fiery political speeches (Britannica).

29 Apollo In this context, the god of song and poetry.

30 Rapture “A state, condition or fit of intense delight or enthusiasm” (OED).

32 Daphne In Greek mythology, to escape Apollo’s pursuit, Daphne was turned into a bay laurel tree, whose leaves formed into a garland symbolize poetic excellence (Brittanica).

Source: Poems on Several Occasions (London, 1747), pp. 28-30. [Google Books]

Edited by Astrid Regalado Sibrian

Matthew Pilkington, “The Lost Muse”

“The Lost Muse”

Clio the sweetest Muse of Nine
Who charm the Gods with Lays divine,
Private and unperceiv’d withdrew,
And swift from sacred Pindus flew,
On some exalted Project bent,                                                    5
But told no Creature her Intent.

The God of Numbers heard it said,
His fav’rite, sweet-tongu’d Muse was fled,
And he had oft observ’d, of late
That she was absent from her Seat,                                        10
When all her tuneful Sister-Train
Were forming some immortal Strain.

He us’d to send her, now and then,
With Hints to some peculiar Men,
To Pope, Delany, Gay, or Swift,                                                    15
But now he cou’d not guess her Drift,
And wonders much, that she wou’d venture
To visit Bards, except he sent her;
So, half-provok’d, away he flies,
Takes Hermes with him in Disguise,                                          20
Resolv’d to roam the World around,
’Till Clio’s private Haunt is found.

The Gods, impatient of Delay,
To fam’d Eblana wing their Way,
And prudent, first at Swift’s descend,                                      25
Apollo’s best-regarded Friend,
And whom the God of Verse and Wit,
Inspir’d in ev’ry Line he writ;
There might they hope their Prize to gain
Where ev’ry Muse delights to Reign;                                        30
But she, to execute her Scheme,
Had left him just before they came.

Quick as descending Rays of Light,
To Delville next they take their Flight:
Delville, where all the Wise resort,                                            35
Where oft the Muses keep their Court;
And veil’d from ev’ry mortal Eye
Thro’ all the Doctor’s Rooms they pry,
They search his arbour’d Seats, and Garden,
(Fit Place to find a Muse or Bard in:)                                         40
Then turn’d his Papers o’er with Care,
And plainly found she had been there,
Such Learning, Elegance, and Ease,
Appear in all Delany’s Lays,
Such Beauties in his Numbers shine,                                      45
As prove their Origin divine.

With these their Disappointments vext,
They fly to fair Saphira’s next,
And found her, forming into Rhime
A Thought exalted and Sublime,                                              50
Perceiv’d such Excellence and Wit,
Such Charms in all she spoke and writ,
As soon convinc’d their wond’ring Eyes,
The Muse was with her in Disguise,
And, fond the rising Age to bless,                                            55
Assum’d a mortal Form and Dress.

The God, delighted, calms his Rage,
And crys, there Live, to charm the Age,
Be thou a gay inspiring Guest,
And fill, the soft Delights, her Breast,                                     60
That Breast with all that’s good replete,
But Clio, this will be thy Fate,
Thou shalt contrive the deathless Lays,
But see Saphira win the Praise.


1 Clio “Proper name of the Muse of epic poetry and history” (OED).

4 Pindus A range of mountains in west central Greece, stretching from the border with Albania southwards to the Gulf of Corinth (OED).

7 God of Numbers Apollo, God of poetry (OED).

15 Pope Alexander Pope ( 1688–1744 ), an English poet and a major figure of the Augustan age who is famous for his caustic wit and metrical skill, in particular his use of the heroic couplet (OED); Delany Patrick Delany (?1685–1768) an Irish clergyman and writer, friend of Jonathan Swift (OED); Gay John Gay (1685–1732) an English poet and playwright who is chiefly known for The Beggar’s Opera (1728) (OED); Swift Jonathan Swift (1667–1745) an Irish satirist, poet, and Anglican cleric; known as Dean Swift. He is best known for Gulliver’s Travels (1726) (OED).

18 Bards Poets (OED).

20 Hermes “In Greek mythology, a deity, the son of Zeus and Maia, represented as the messenger of the gods, the god of science, commerce, eloquence, and many of the arts of life” (OED).

24 Eblana Name recorded in Ptolemy’s geography (2nd cent. ad) for the site of what is now Dublin (OED).

26 Apollo The god of the sun, truth, music, poetry, dance and healing. Poets and bards put themselves under his protection (OED).

34 Delville The Delany estate located in Glasnevin, Ireland; a separate village in the eighteenth century, now part of Dublin.

48 Saphira Mary Barber (c. 1685-c.1755), poet and friend of Swift and Delany (Memoirs of Laetitia Pilkington, vol. I, ed. A.C. Elias, Jr, 393).

49 Rhime “Metre, measure” (in verse) (OED).

Source: Poems on Several Occasions (1730), pp. 52-58. [Google Books]

Edited by August Braddock