Tag Archives: tetrameter couplets

Mary Masters, “On Beauty”

MARY MASTERS

“On Beauty”

Sure, Beauty is a Light Divine,
That does with awful Lustre shine;
Rises more strong at ev’ry View,
And does the proudest Hearts subdue.
Where is the Man, that durst defy                                            5
The blooming Cheek and dazling Eye;
The lovely Shape, the winning Air,
And graceful Motions of the Fair?
Stoicks themselves could find no Arms
’Gainst Beauty’s bright tremendous Charms:                          10
This CATO by Example prov’d,
A rigid Stoick, yet he lov’d:
And both his am’rous Sons display’d
Their rival Flames for one fair Maid.
Beauty still triumphs o’er the Schools,                                       15
With all their Philosophick Rules;
She breaks their surest best Defence,
Reason, the feeble Guard of Sense.

All feel her Force, her Laws obey,
Compell’d to own her potent Sway.                                             20
But ’tis th’ unblemish’d Form I praise,
Where VIRTUE shines with equal Rays!
For Beauty, stain’d, has lost her Pow’r,
And, VIRTUE gone, she charms no more.

NOTES:

2 Lustre “The quality or condition of shining by reflected light; sheen, refulgence; gloss” (OED).

4 subdue “To bring (an enemy, people, territory, etc.) into subjection by conquest or physical force” (OED).

5 durst Past tense of “dare.”

9 Stoicks “One who practices repression of emotion, indifference to pleasure or pain, and patient endurance” (OED).

11 CATO Cato the Younger (95-46BCE), Roman statesman and famous follower of stoicism.  Cato’s intended first marriage to Aemilia Lepida was possibly motivated by love, though she ended up marrying Scipio, to whom she was previously betrothed (Britannica).

13-14 Masters is using Joseph Addison’s popular play, Cato, a Tragedy (1712) as her source here as Addison exercised “considerable literary license” by creating a plot line in which Cato’s sons, Portius and Marcus, vied for the love of a woman named Lucia.  See Nathan Wolloch, “Cato the Younger in the Enlightenment,” Modern Philology, vol. 106, no. 1 (August 2008), p. 67.

Source: Poems on Several Occasions (London, 1733), pp. 60-61. [Google Books]

Edited by Itzel Rodriguez

Henry James Pye, “The Snow-Drop”

HENRY JAMES PYE

“The Snow-Drop”

 

Hail earliest of the opening flowers!
Fair Harbinger of vernal hours!
Who dar’st unveil each silken fold
Ere SOL dispels the wintry cold,
And with thy silver leaves display’d                                                   5
Spread lustre through the dreary glade.­—-
What though no fragrance like the rose
Tincturing the ZEPHYR as it blows,
Thy humble flowers from earth exhale
To scent the pinions of the gale;                                                        10
What though no hues of gaudy dye
Strike with their dazzling charms the eye,
Nor does thy sober foliage shew
Each blended tint of IRIS’ bow;
Yet in thy meek unsullied grace                                                          15
Imagination’s eye shall trace
The glowing blossoms that appear
Proudly to paint the vernal year,
And smiling MAIA’s blushing dyes,
And jocund Summer’s cloudless skies,                                              20
And Autumn’s labors which succeed
To bid the purple vintage bleed,
Our hopes anticipating see
Led on in radiant train by thee.

NOTES:

3 dar’st Dares.

4 Ere Before; SOL Sun.

8 Tincturing “Tinge; imbue” (OED); ZEPHYR In Greek Mythology, “the god of the west wind” (OED).

10 pinions Wings (OED).

14 IRIS’ bow “In Greek mythology, the personification of the rainbow” (Britannica).

19 MAIA “In Roman Mythology, a goddess of fertility and of the Spring” (OED).

SOURCE: Poems on Various Subjects. Vol. I (London, 1787), pp. 39-40. [Google Books]

 Edited by Jiyun An

Edward Cobden, “A Letter to a Friend, on the Death of his Cow”

EDWARD COBDEN

“A Letter to a Friend, on the Death of his Cow”

 

Tu semper urges flebilibus modis
Raptam Juvencam, nec tibi vespere
Surgente decedunt amores,
Nec rapidum fugiente solem.       Hor[ace].

 “You, with incessant Wails, deplore,
That gentle Mully is no more:
Ev’ning and Morn bring no Relief,
No Milking to assuage your Grief.”

This Moment, Brother, I receiv’d
The News, at which I’m much aggriev’d,
That she, your Favourite of late,
Dear Mully, has resign’d to Fate:
Mully, from whose indulgent Side                                 5
You were so lavishly supply’d
With what might decently afford
A Dish successive on the Board.

When Pudding enters, all are pleas’d,
Their Bowels seem already eas’d;                                10
And if the Butter richly flow,
Glibly the luscious Morsels go.

Happy’s the Table then partakes
Of tender Custards, frail Cheese-cakes,
Or Syllabub, by Artists beat                                           15
To an obliging, empty Cheat.
Too like the Kisses of the Fair,
So light, you almost nothing share;
So tempting, that you can’t forebear.

The Dinner with perfuming Cheese                      20
Is nobly crown’d. Now each of these,
All understanding Housewives know,
Their Essence to a Dairy owe.

A thousand Pleasures, inter Meals,
The Monarch of a Dairy feels:                                        25
With purest Cream now softens Tea,
Now calls for Posset-Drink, and Whey:
Commands Variety of Good,
Either for Physic, or for Food.
With friendly Visits always pleas’d,                               30
He unprovided can’t be seiz’d:
A hearty Welcome ne’er refuses,
Nor gives, instead of that, Excuses.

If, when the Day declines, by Hap
Some unexpected Guests should rap,                        35
And tarry, till the Heifer roars
For Susan, to unload her Stores;
His open Soul, dispos’d to treat
With Dainties exquisitely sweet
A Portion small of gen’rous Wines                               40
With grated Spice and Sugar joins,
Then summons Sue to stream upon’t
Milk smoking from the native Font:
Forwith ambrosial Curds arise,
Beneath while flowing Nectar lies.                              45
They lade or suck (there’s little Odds)
Immortal Medley, fit for Gods!

I might, in counting Blessings, tire;
All which in Mully now expire.

But here imprudently I dwell                                50
On what you recollect too well,
Not suffer’d by your grateful Mind
To lye in this Account behind.
Severe’s your Fate, must be allow’d!
Stupid the Mortal is, that wou’d                                   55
Be unconcern’d in such a Case:
Yet that you gently screw your Face,
Nor take this over-much to Heart,
Resistless Reasons I’ll impart.

Consider, willingly, or no,                                        60
You must endure th’ uneasy Blow.
Then why disconsolately grieve
At what no Conduct can retrieve?
Then lodge this Truth within your Breast,
All Things are order’d for the best.                                 65
Misfortunes from the Stars are sent
In Kindness, more than Punishment.

You say, You had not valu’d half
So much the Loss, but from a Calf
Up the fond Simpleton you brought,                              70
And sucking with your Finger taught:
That long Acquaintance with each Feature
Had much endear’d you to the Creature.

This makes the Affirmation plain,
Which I endeavour’d to maintain,                                   75
That you too warmly lov’d the Brute,
And often stole a sly Salute:
Pretending, with a cunning Fetch,
The Flavour of her Breath to catch.
If so, the Fates have this design’d                                    80
To raise and elevate your Mind
This World’s Uncertainty to show,
And wean you from Concerns below.

This, or whatever be the Reason,
Assure yourself, she dy’d in Season.                               85
Beside, had I this Loss sustain’d,
I had with Justice more complain’d,
Who have, except my Mully, little
For Conversation, or for Vittle.
But, though you are of her bereft,                                  90
Unnumber’d Blessings still are left.
The Charms of an engaging Spouse,
And Plenty smiling round your House.
Your Tulips in the Spring appear,
And Children blooming all the Year.                               95
Then comfort up a fleeting Life;
Since Mully’s gone, e’en kiss your Wife.
This, your Affliction to relieve,
Is what Advice a Friend can give.

If, deaf to Admonition, still                                         100
Your Thoughts lye brooding o’er the Ill;
Rather than endless you repine
Your Fav’rite lost, I’ll lend you mine;
Who, tho’ her usual Bounty, now
She’s near her Time, refuse to flow,                                 105
(She keeping in a leathern Bottle
Her Liquor for the groaning Twattle)
And will your Expectations bilk,
If much they hanker after Milk,
Yet is her Company as good                                              110
As when a Virgin she was woo’d:
And with her Sister, in my Eye,
She might for Wit and Beauty vie:
You’ll hardly one in Thousands find
More suited to relieve your Mind.                                    115
’Twill probably assist your Case,
Oft to survey her comely Face.
And when her rival Lowings ring,
It may some Consolation bring.

Such kindly Visit she shall pay,                                    120
While this Vexation wears away.
But if her young one’s troublesome,
When she’s deliver’d, send them home.
And should you, when (or quickly after)
I lend my Jewel, spare your Daughter,                               125
In harmless Waggery and Play
Engag’d, we’d cheat the sultry Day,
And banish Sorrow far away.
And in this sweet Exchange, tho’ short,
I’ll pawn my Gown and Cassock for’t,                                 130
The lovely Patty shan’t be hurt.
The smiling Charge I’ll safe resign
Again, when Mully shall be mine.

Should Mully’s Issue prove a Nancy,
And, with her Looks, attract your Fancy,                            135
Return the Mother home for Food,
Keep Nan, in Patty’s place, for good.
Thrice happy both! when thus supply’d,
You with a Heifer, I, a Bride.

If, Neighbour, you shall be requir’d                              140
To dignify the Brute expir’d,
And rear some monumental Stones,
Where dying she bequeath’d her Bones;
Which near the Crib we may suppose,
The Work let this Inscription close.                                      145

The Epitaph.

Here, where she oft was stroak’d and fed,
All that remains of Mully’s laid;
Enclos’d within this narrow Bound,
That rang’d the whole Enclosure round.
Her Fate, with Sorrow, is deplor’d,                                       150
Who gave us Pleasure when she roar’d.
Her welcome Plaints kept me alive;
O could she now by mine survive!

NOTES:

 Epigraph  The source is Horace’s Odes, Book 2.9, lines 9-12.  However, Cobden has replaced the phrase “Mysten Ademptum” at line 10, with “Raptam Juvencam” (“raped heifer”).  Cobden’s rather loose translation follows.

15  Syllabub  “A drink or dish made of milk (frequently as drawn from the cow) or cream, curdled by the admixture of wine, cider, or other acid, and often sweetened and flavoured” (OED).

27  Posset-Drink  “A drink made from hot milk curdled with ale, wine, or other liquor, flavoured with sugar, herbs, spices, etc.” (OED).

78  Fetch  “A contrivance, stratagem” (OED).

89  Vittle  “Food or provisions of any kind” (OED).

94  Your Tulips  “The Clergyman was a Florist” [Author’s note].

107  Twattle  “Idle talk, chatter, babble” (OED).

118  Lowings  “The deep resonant vocal sound characteristically made by a cow” (OED).

126  Waggery  “The action or disposition of a wag; drollery, jocularity; in early use chiefly, mischievous drollery, practical joking” (OED).

130  Cassock  “A long close-fitting frock or tunic worn by Anglican clergymen, originally along with and under the gown” (OED).

SOURCE: Poems on Several Occasions (London, 1748), pp. 87-95.  [Google Books]

Edited by Josiah Taylor

John Ogilvie, “Jupiter and the Clown. A Fable”

JOHN OGILVIE

“Jupiter and the Clown. A Fable”

 

Envy! thou Fiend, whose venomed sting
Still points to Fame’s aspiring wing;
Whose breath, blue sulphur’s blasting steam,
Whose eye the basilisk’s lightning-gleam;
Say, through the dun ile’s solemn round,                                    5
Where Death’s dread foot-step prints the ground,
Lovest thou to haunt the yawning tomb,
And crush fallen Grandeur’s dusty plume?
Or, where the wild Hyaena’s yell
Rings thro’ the hermit’s cavern’d cell,                                            10
Moves thy black wing its devious flight?
(The wing that bloats the cheek of Night)
There oft beneath some hoary wall
Thy stings are dipt in scorpion’s gall;
Thence whizzing springs the forky dart,                                        15
And spreads its poison to the heart.

Hence all th’ unnumber’d cares of life,
Hence malice, fury, rapine, strife;
Hence all exclaim on partial fate;
Hence pale Revenge, and stern Debate;                                       20
Hence man (to every passion prone)
Sees much, loves all;—but hates his own.

Now, Delia, should the chance to know
Some trifling fool, —perhaps—a beau,
The fair at once implores the skies,                                                25
With glowing cheeks and sparkling eyes;
O, hear your Votary’s earnest prayer,
Ye guardian angels of the fair!
Make but this charming creature prove
A victim to the power of love:                                                           30
‘Tis this, Ye Gods, I would implore!
And grant but this;— I ask no more.

The prayer is heard (what power delays
To grant her suit when Delia prays!)
The beau is caught, he swears, and bows,                                     35
Protests, and snuffs, and sweats, and vows
By all the oaths the fool can swear,
That never creature was so fair:
Then adds a thousand more, to tell
That never mortal loved so well.                                                      40

The prize is gain’d—the pleasure o’er;
Lace, bag, and snuff-box charm no more:
No bosom feels the killing smart,
No side-long glance betrays the heart,
No fan conceals a rival’s fears,                                                         45
No cheek is stain’d with spiteful tears.
On new delights her passions fix,
A court perhaps, or coach and six,
She wants a ball, and justly vain,
Admires a title,—or a cane.                                                               50

But ere our reader’s patience fail,
‘Tis time we now begin our tale.

An honest Farmer, old and sage,
(Sure wisdom still attends on age)
One morning rose, when all was fair,                                             55
And joyous breathed the scented air.
Waked by the Zephyr’s tepid wing,
Aurora, fragrant as the Spring,
Rose from her couch, the busy Hours
Stole from their crimson-curtain’d bowers;                                  60
Loose was her robe of saffron hue,
Her locks diffused ambrosial dew;
The sky’s broad gates at once unfold,
The light cloud flames with cinctured gold;
The woodland gleams, the silver stream                                       65
Waves to the broad sun’s fluttering beam;
The feather’d people sing their love,
And music rings along the grove.

Elate, the happy clown surveyed
The field wide-opening thro’ the shade;                                         70
The green ears rustling to the gale
Shot thro’ to thin night’s ruffled veil;
Slow rose to sight the new-born day,
Slow crept the lingering shades away,
‘Till o’er the broad hill’s summit dun                                                75
Obliquely glanc’d the mounting sun;
And all-illumed with rushing light,
The swelling landskip burst to sight.

As the fond Mother’s panting breast
Throbs o’er her infant hush’d to rest,                                              80
Warm in his little hut, the boy
Flutters elate with rising joy;
As by her gentle pressure sway’d,
Swings soft and slow the sleepy bed;
Wild Fancy whispers in her ear,                                                        85
She whirls away the rolling year!
Youth, manhood comes! she marks afar
A robe, a mitre, or a f—r!
Her heart leaps quick! elate with pride!
Each prude’s insulting dress outvyed!                                            90
Each neighbour’s booby son, unseen,
Gnaws the pale lip with fruitless spleen!
Sudden she starts! some rival dress’d,
Swims in the loosely-floating vest,
Her bosom heaves a sullen groan:—-                                            95
Ah! was that charming suit my own!

Such joy ( soon check’d with killing smart)
Shot thro’ the swain’s exulting heart;
He hears the reaper’s sprightly song:
The rustling sickle sweeps along;                                                  100
His barns with swelling sheaves are stored,
Gay Plenty crowns the festive board;
He cries in triumph, with a smile,
“For hopes like these who would not toil,
That neither flatter, nor beguile?”                                                 105
Just as he spoke the word,—behold
A gaudy thing, o’erlaid with gold,
Came fluttering by!—so nicely clad,
With powder’d wig, and laced brocade;
So gay, so rich (though strange to tell!)                                       110
No butterfly look’d half so well.

Struck with the glittering vest he wore,
The clown’s rude eye-ball stared him o’er;
Sly Envy mark’d the secret snare,
The pick’d a chosen dart with care;                                              115
Of power to edge the quickest pain;—-
Then plunged it reeking in his brain.
Inflamed with fury and surprize,
Red Anger flashes from his eyes
“Must I (he cryed and scratch’d his head)                                   120
Supply this prattling thing with bread?
Must Farmers sweat, and wear their cloaths,
To furnish equipage for beaux?
We, Drudges doom’d to ceaseless toil,
For others tear the stubborn soil,                                                125
Our thoughts suspense and fears inflame,
Wretched and curs’d beyond a name;
While these amid’ the balmy bower,
Spend in soft ease the fleeting hour;—-
How fine they look! what charms they show,                            130
Ah! would to heav’n I was a Beau!”

Soft Pity touch’d th’ Almighty Sire:
Jove heard, and granted his desire.
At once his furrow’d brow was smooth,
In all the blooming pride of youth;                                              135
His hair in wavy ringlets flow’d,
His cheek with fine vermilion glow’d;
Not like our modern pigmy race,
With wither’d limbs, and meagre face,
But plump and pruce he’d match’d a score;                              140
Such were the Beaux in days of yore.
Gay pleasure danc’d in every limb,
He skimm’d along with airy swim;
The God, propitious to his prayer,
Gave the soft look, and graceful air;                                           145
But wrapt in his dreams of bliss, the Fool
Forgot his pocket, and his soul.

When thus transform’d, our glittering Beau
Surveyed himself from top to toe,
Stuck at the change with vast surprize,                                     150
He stares, and scarce believed his eyes.
But when he found that all was sure,
He cock’d his hat, and frown’d, and swore;
Applauded by the wondering throng,
The sullen Heroe strode along:                                                   155
And while the swains in rude amaze
Mark his high port with stupid gaze,
Like Jove with solemn pace he trod,
And deign’d—, yet scarcely deign’d,—to nod.

But now to town he takes his way,                                      160
And sees the court, the park, the play;
Attends the Fair, admir’d by all,
Leads the gay dance, and rules the ball.
“Heav’ns! what a shape! fair Daphne cries,
How fine his mien! how bright his eyes!”                                   165
Thus all admire the charms they see,
His cane that dangled at his knee,
His box and hat they view together,—
Some prais’d the paint, and some the feather;
No english taylor’s clumsy fist                                                      170
E’er match’d the sleeve that graced his wrist;
The lace,—from Brussels last;— by chance
He pick’d the brilliant up in France.
His coat so trim! so neat his shoe!
His limbs so shaped to strut, or— bow!                                      175
Fashion, you’d swear, to show her power,
Had left dear Paris half an hour.

But, ah! with grief the muse proceeds:
What power can mend the vulgar’s deeds!
One night a coachman set him down,                                        180
Then rudely ask’d him— half a crown.

He search’d his pocket;—what a curse?
His pocket held—an empty purse!
What should he do!—all aid withdrawn!
Cane, box, and watch, were sent to pawn;                                185
His brilliant too (‘t had vex’d a saint)
Gained a few crowns—and cent per cent!
No friend his money can afford:
He gamed,—a sharper swept the board.

Then scorn’d by all,—in deep despair,                                 190
To Jove once more he made his prayer,
And begg’d the God to ease his pain,
And give him back his plough again.

NOTES:

 Title  Jupiter  “The supreme deity of the ancient Romans” (OED); Clown  “A countryman, rustic” (OED).

4  basilisk  “A fabulous reptile;…ancient authors stated that its hissing drove away all other serpents, and that its breath, and even its look, was fatal” (OED).

5  dun ile’s  [Unable to trace.]

18  rapine  “The act or practice of seizing and taking away by force the property of others; plunder” (OED).

27  Votary  “A person who has dedicated himself or herself to religious service by taking vows; a monk or nun” (OED).

35  beau  “Suitor of a lady,” but also “a man who gives particular, or excessive, attention to dress” (OED).

57  Zephyr  “A gentle, mild wind or breeze” (OED).

58  Aurora  “The (Roman) goddess of dawn, represented as rising with rosy fingers from the saffron-coloured bed of Tithonus” (OED).

64  cinctured  “Girdled” (OED).

88  mitre  “The headdress of a priest” (OED); f–r  Likely “fur,” “worn as a mark of office or state” (OED).

123  equipage for beaux  Articles of dress and ornament for young men (OED).

133  Jove  “A poetical equivalent of Jupiter…the highest deity of the ancient Romans” (OED)

143  swim  “The smooth gliding movement of the body” (OED).

147  pocket  “Any small bag or pouch worn on the person” (OED).

173  brilliant  “A diamond of the finest cut” (OED).

187  cent per cent  “Profit” (OED).

189  sharper  “A fraudulent gamester, a cheat” (OED).

SOURCE:  A Collection of Poems on Several Subjects (London, 1762), pp. 120-28.  [Google Books]

Edited by Jordan Young

 

 

 

 

 

 

 

 

William Broome, “Courage in Love”

WILLIAM BROOME

“Courage in Love”

 

My Eyes with Floods of Tears o’erflow,
My Bosom heaves with constant Woe;
Those Eyes, which thy Unkindess swells,
That Bosom, where thy Image dwells!

How could I hope so weak a Flame                                     5
Could ever warm that matchless Dame,
When none Elysium must behold,
Without a radiant Bough of Gold?
‘Tis hers, in Spheres to shine,
At distance to admire, is mine:                                                    10
Doom’d, like th’ enamour’d Youth, to groan
For a new Goddess form’d of Stone.

While thus I spoke, Love’s gentle Pow’r
Descended from th’ Aethereal Bow’r;
A Quiver at his Shoulder hung,                                                    15
A Shaft he grasp’d, and Bow unstrung.
All Nature own’d and genial God,
And the Spring flourish’d where he trod:
My Heart, no Stranger to the Guest,
Flutter’d, and labour’d in my Breast;                                           20
When with a Smile that kindles Joy
Ev’n in the Gods, began the Boy:

How vain these Tears? is Man decreed,
By being abject, to succeed?
Hop’st thou by meagre Looks to move?                                      25
Are Women frighten’d into Love?
He most prevails who nobly dares;
In Love an Hero, as in Wars:
Ev’n Venus may be known to yield,
But ‘tis when Mars disputes the Field:                                         30
Sent from a daring Hand my Dart
Strikes deep into the Fair-one’s Heart:
To Winds and Waves thy Cares bequeath,
A Sign, is but a waste of Breath:
What tho’ gay Youth, and every Grace                                         35
That Beauty boasts, adorn her Face,
Yet Goddesses have deign’d to wed,
And take a Mortal to their Bed:
And Heav’n, when Gifts of Incense rise,
Accepts it, tho’ it cloud their Skies.                                                40

Mark! how this Marygold conceals
Her Beauty, and her Bosom veils,
How from the dull Embrace she flies
Of Phoebus, when his Beams arise;
But when his Glory he displays,                                                      45
And darts around his fiercer Rays,
Her Charms she opens, and receives
The vigorous God into her Leaves.

NOTES:

7  Elysium  “The supposed state or abode of the blessed after death in Greek mythology” (OED).

11  Youth  “Polyderus, who pined to death for the Love of a beautiful Statue” [Author’s note].

13  Love’s gentle Pow’r  Cupid.

14   Aethereal   “Of or relating to heaven, God, or the gods; heavenly, celestial” (OED).

29  Venus  “Roman goddess of beauty and love” (OED).

30  Mars  “The god of war of the ancient Romans” (OED).

41  Marygold  “A plant with golden or yellow flowers” (OED).

44  Phoebus  “Apollo as the god of light or of the sun; the sun personified” (OED).

SOURCE: Poems on Several Occasions, Second Edition (London, 1739), pp. 226-229.  [Google Books]

Edited by Charlie May

 

 

Elizabeth Tollet, “On a Death’s Head”

ELIZABETH TOLLET

“On a Death’s Head”

 

Esi illic Lethaeus Amor, qui pectora sanat,
Inque suas gelidam lampadas addit aquam.
                                                                           Ovid.

 

On this Resemblance, where we find
A Portrait drawn for all Mankind,
Fond Lover! gaze a while, to see
What Beauty’s Idol Charms shall be.
Where are the Balls that once cou’d dart                                          5
Quick Lightning thro’ the wounded Heart?
The Skin, whose Teint cou’d once unite
The glowing Red and polish’d White?
The Lip in brighter Ruby drest?
The Cheek with dimpled Smiles imprest?                                         10
The rising Front, where Beauty sate
Thron’d in her Residence of State;
Which, half-disclos’d and half-conceal’d,
The Hair in flowing Ringlets veil’d;
‘Tis vanish’d all! remains alone                                                            15
This eyeless Scalp of naked Bone:
The vacant Orbits sunk within:
The Jaw that offers at a Grin.
Is this the Object then that claims
The Tribute of our youthful Flames?                                                   20
Must am’rous Hopes and fancy’d Bliss,
Too dear Delusions! end in this?
How high does Melancholy swell!
Which Sighs can more than Language tell:
Till Love can only grieve or fear;                                                           25
Reflect a while, then drop a Tear
For all that’s beautiful or dear.

NOTES:

Epigraph “There dwells Lethean Love, who heals the heartsick/And quenches in cold water his fierce flame.” From Ovid, Remedia Amoris (The Cures for Love), ll. 551-52 (Ovid: The Love Poems, trans. A.D. Melville [Oxford and New York: OUP, 1990], p. 166).

4  Idol  “False” (OED).

5 Balls  Eyeballs.

7  Teint  Taint, “color, hue, tint” (OED).

11  sate  “To be placed or situated” (OED).

16  Scalp  “Skull” (OED).

17  Orbits  “Eye sockets” (OED).

SOURCE: Poems on Several Occasions. With Anne Boleyn to King Henry VIII, an Epistle (London, 1755), pp. 58-59.  [Google Books]

 Edited by Terry Luo

Mary Barber, “Jupiter and Fortune. A Fable”

 MARY BARBER

“Jupiter and Fortune.  A Fable”

 

Once JUPITER, from out the Skies,
Beheld a thousand Temples rise;
The Goddess FORTUNE all invok’d,
To JOVE an Altar seldom smoak’d:
The God resolv’d to make Inspection,                                             5
What had occasion’d this Defection;
And bid the Goddess tell the Arts,
By which she won deluded Hearts.

My Arts! (says she) Great JOVE, you know,
That I do ev’ry Thing below:                                                              10
I make my Vot’ries dine on Plate;
I give the gilded Coach of State;
Bestow the glitt’ring Gems, that deck
The fair LAVINIA’S lovely Neck;
I make NOVELLA Nature’s Boast,                                                     15
And raise VALERIA to a Toast;
‘Tis I, who give the Stupid, Taste,
(Or make the Poets lie, at least);
My fav’rite Sons, whene’er they please,
Can Palaces in Desarts raise,                                                             20
Cut out Canals, make Fountains play,
And make the dreary Waste look gay;
Ev’n Vice seems Virtue by my Smiles;
I gild the Villian’s gloomy Wiles,
Nay, almost raise him to a God,                                                        25
While crowded Levees wait his Nod.

ENOUGH– the Thunderer reply’d;
But say, whom have you satisfy’d?
These boasted Gifts are thine, I own;
But know, Content is mine alone.                                                     30

NOTES:

Title  Jupiter  “Known as ‘Jove’ is the god of sky and thunder in Ancient Roman Mythology and the chief of the gods. Father of Fortuna and great protector”(Britannica); Fortune Fortuna is the goddess of fortune and luck in ancient Roman mythology.

11  Vot’ries  A devoted or zealous worshipper of a particular god [or] goddess” (OED).

16  Toast  “The reigning belle of the season” (OED).

26  Levees  “A morning assembly held by a prince or a person of distinction” (OED).

SOURCE:  Poems on Several Occasions (London, 1735), pp. 63-64.  [Google Books]

 Edited by Raven Valdivia

Anonynmous, “On the Art of Writing: Sent to MIRA”

ANONYMOUS

On the Art of Writing : Sent to MIRA”

 

Hail sacred art! by Gods above
Design’d the messenger of love,
In pity to th’ immortal mind,
In earthly prison close confin’d.
Without thee, what were Mira’s grace?                              5
Or beauteous Helen’s fatal face?
Like sparks that glitt’ring upward fly,
Scarce known to live before they dye.
Thalia too, celestial maid,
Implor’d by bards, implores thy aid.                                          10
If you refuse, how vain her song!
The numbers perish on her tongue.
Fly hence! on light’ning’s wings away,
And to my lovely Mira say,
That London’s wealth, and mirth, and pride,                             15
With all things apt to charm beside,
Enamel’d lawns, and waving trees,
From Mira take their power to please.
For when my Fair is out of sight,
These are but shadows of delight.                                               20
Away! thou love-relieving art!
To dearest Mira bear my heart,
Bid her, in Cupid’s name, return
That heart, for which I rave, I burn.
But shou’d she scorn the archer’s skill,                                       25
Great Pallas, guardian of her will,
Bid her dismiss her needless fears,
For lo! Sincerity appears.
Say, Hymen waits with ardent care,
To give the World a happy pair:                                                    30
And Cupid too stands armed by,
To wound the first that dares to fly.
Thus Love and Reason shall combine,
And like twin-stars alternate shine;
Whatever Reason shall approve,                                                   35
Shall seem th’ effects of yielding Love:
Whatever Love shall deign to name,
Applauding Reason shall proclaim.
Reason, like Sol to Tellus kind,
Ripens the products of the mind,                                                  40
Dispells the anxious cares of life,
Those mists of sorrow and of strife:
And when old Time shall envious prove,
In this is Beauty, Youth, and Love.
But Love, if Reason’s out of sight,                                           45
Is all opaque and void of light,
Like the dull Moon, which oft resigns
Those borrow’d beams by which she shines:
The pleasure then it brags of most,
Is but what brutes themselves can boast.                                    50
Once more, thou heav’n-born art, away!
My soul’s impatient of delay:
As quick as thought again return,
And bring that heart for which I burn.

NOTES:

6  Helen  Helen of Troy or Helen of Sparta, mortal daughter of Zeus and Leda, recognized for her perfect beauty, which was also considered as it led her to be abducted by Theseus as a young girl. Helen wed with Menelaus of Sparta but eventually fled to Troy from his kingdom with Paris, effectively starting the Trojan war. Helen was returned to Sparta with Menelaus once Troy was captured and is now memorialized in Greek mythology for the conflict and death that her beauty caused (Britannica).

9  Thalia  One of the nine Muses that acted as goddesses of the arts; Thalia was patron of comedy and pastoral poetry; frequently depicted with a comic mask and shepherd’s staff (Britannica).

23  Cupid  “In Roman Mythology, the god of love, son of Mercury and Venus, identified with the Greek Eros” (OED).

26  Pallas  Epithet for Athena, Greek goddess of wisdom and war.

29  Hymen  Greek god of marriage.

39  Sol  Roman god of the sun; Tellus  “Ancient Roman earth goddess” (Britannica).

SOURCE:  The Gentleman’s Magazine, vol. 8 (October 1738), p. 544.  [HathiTrust]

 Edited by Shyla Jackson

[John Duncan], “Small Beer”

[JOHN DUNCAN]

“Small Beer”

 

If ever yet, Aonian maids,
You bless’d poor bard with timely aids;
Haste now — and help without suspension,
Bring spirit, numbers, rhyme, invention.
Here in sad plight your vot’ry view,                                                  5
I’m left — e’en as I bake, to brew;
Spare, gentle critics, each default,
You’ll find much water, little malt.
Bless me! an ague-fit I fear;
O theme to kill a Muse, small Beer.                                                  10
Thy name, base draff, a verse degrades,
Drink of penurious, musty maids,
Or drudging rogues, who sing like parrots,
Wedg’d in close stalls, or fulsome garrets.
Tasteless, weak, flatulent remains —                                              15
Squeez’d from impoverish’d husks and grains,
Fit swill for Bedlam’s residentiaries,
Or Bridewell’s chastned penitentiaries,
Hard beveridge of the starv’ling wit,
Thou very ratsbane to the cit.                                                           20
Sad sob’rer in his midnight hours,
When wine th’ insensate brain o’er pow’rs —
To what hard streights, thy poys’nous juice,
The good old dame does oft reduce,
When souerly belching from her pipes,                                          25
On Gin she calls to ease her gripes.
In vain — no Gin — (once cheap relief)
Is now — from guts to chase the grief.
Close pent, from bowels swoln and tore,
Thou’rt heard in many a fearful roar,                                               30
Imposer on the frugal purse,
In using bad, in keeping worse.
Stale, thou’rt mere verjuice; gall, when mild;
At best thou‘rt but good water spoil’d.
Stay — some who own for truth my satire,                               35
May yet accuse her of ill nature.
For once (if Sire Apollo will
A proof of genius and of skill)
I’ll act the casuist in my lays,
In one line lash, with t’other praise.                                                    40
Small Beer, cool, elegant, regale,
Thou royal child of good king Ale:
In massy tankard bright and stable,
Oft brought up to the princely table;
To temp’rance, chastity and quiet,                                                      45
Thou friend — sworn foe to feuds and riot;
Rescuer of captivated reason,
From trait’rous wine’s effected treason!
Oft known the deadly fever’s flame,
(By the scorch’d Patient crav’d) to tame;                                             50
To the sick wretch debar’d admission,
Thro’ envy of the sly Physician;
Thee grateful Sailor’s plenteous sip,
Converted to ambrosial flipp.
And thee, to heat, the good wife learns                                               55
(Safe junket for unfuddling bearns)
With sugar, mingled sweet, and spice,
The saving huswife’s rare device;
Dear to the school-boy’s liqu’rish chops,
In posset boil’d, or sugar sops;                                                              60
Or by the alewife’s cunning art,
Work’d up in bottles fresh and smart,
Thou’rt serv’d on holidays in glasses,
Choice fare with ‘prentice youths and lasses.
Ah me! I’m at a sad extreme,                                                           65
Quite, quite exhausted, rhyme and theme;
Tir’d fancy lags, dull numbers droop;
My muse, like barrel, all a-stoop,
Creeps on her lees, runs thick and slow,
Help, Phoebus! I’m a cup too low.                                                           70

NOTES:

Author Attribution based on information provided by Emily Lorraine de Montluzin, The Poetry of the Gentleman’s Magazine, 1731-1800: An Electronic Database of Titles, Authors, and First Lines (https://www.gmpoetrydatabase.org/db/).

Aonian maids  The Muses. Aonia is “a region of ancient Boeotia that contained the Helicon and Cithaeron mountains, sacred to the Muses” (OED).

5  vot’ry  A devotee.

9  ague-fit  “A state or bout of distress” (OED).

11  draff  “Grains of malt after brewing” (OED).

12  penurious  Poor.

15  flatulent  “Generating or apt to generate gas in the alimentary canal” (OED).

17  swill  “Liquid, or partly liquid, food” typically given to pigs (OED); Bedlam The Hospital of St. Mary of Bethlehem, notorious mental asylum in the eighteenth century.

18  Bridewell  A London prison; penitentiaries Inmates.

20  ratsbane  “Rat poison” (OED).

33  verjuice  “The acid juice of green or unripe grapes, crabapples, or other sour fruit” (OED); gall Here a type of “intensely bitter substance” (OED).

39  casuist  A person “who studies and resolves cases of conscience or doubtful questions regarding duty and conduct” (OED).

52  sly  “Deceitful” (OED).

54  ambrosial flipp  A delightful “mixture of beer and spirit sweetened with sugar and heated with a hot iron” (OED).

56  bearns  Variation of “bairns,” children.

59  liqu’rish chops  “Fond of delicious fare” (OED).

60  posset  “A drink made from hot milk curdled with ale, wine, or other liquor, flavoured with sugar, herbs, spices, etc.” (OED).

60  sugar sops  “A dish composed of steeped slices of bread, sweetened and sometimes spiced” (OED).

69  lees  The sediment of alcoholic beverages in the barrel.

70  Phoebus  “Apollo as the god of light or of the sun; the sun personified” (OED).

Source: The Gentleman’s Magazine, vol. 7 (June 1737), p. 376. [Hathi Trust]

Edited by Rafe Abd Al Illah Kassim

 

 

 

John Bancks, “The Wish”

JOHN BANCKS

“The Wish”

 

In dire Machine, of quadrate Figure,
Expos’d to all the pinching Rigour
Of Hunger, Poverty, and Cold,
I by my Bum, and Belly hold;
Pendant, betwixt the Earth and Skie,                                             5
Like dying Thief – tho’ not so high;
Branded with Weaver’s odious Name,
Thro’ all the World, a Mark of shame.
In this forlorn, neglected Station,
For me to think of Alteration;                                                          10
And, like a true son of Apollo,
To wish for what will never follow;
Must be, I think, by all allow’d
A Project highly just and good.
So many of the rhimeing Tribe                                                       15
Their Means and course of Life prescribe;
And tho’, because they wish for too much,
Dame Fortune seldom cares to do much;
Yet Fancy gives them such a Prop,
They still Rhime on, and live by Hope.                                           20
’Tis Prudence never to Despair,
Tho’ all our Stars against us are;
For if the Mind but keeps Decorum,
We’re in the Number Beatorum.
Tho’ some may blame me to begin                                         25
With what is oft’ the Root of sin;
Since that must make the Mare to go,
I’ll wish, as other People do,
For Money, the Delight of Kings,
The Queen of Men, and Queen of Things.                                     30
Of this, I’d have sufficient store,
(For who’s respected when he’s poor?)
Enough for all the Needs of Life,
Both of my self, and of a Wife.
If Heav’n a little more should give,                                                   35
Than what may serve us just to Live,
A common Stock the Rest should be
Between my Kindred, Friends, and me.
But here I’m whisper’d by the Muse,
Who, if she might be bold to chuse,                                                40
Could wish ’twould please impartial Fate
To let it be a Free Estate.
For having heard how hard ’tis found
For Bards to make the Year go round:
That sometimes Pegasus is rash,                                                      45
And flies away from heaps of Cash:
That oft’ Poetic Influence
Deprives the Mind of common Sense;
And makes, amidst a croud of Fancies,
The Poet Act Extravagancies:                                                            50
She fearing this might be my Lot,
If Master of my All I got,
Believes it will be more secure
To have my yearly Income sure:
That if by chance, my Stock I spend,                                                55
Next Quarter the Defect may mend.
The next Thing in my Inventory,
Shall be a Wife – A Husband’s Glory –
The greatest Curse, or greatest Blessing,
We’re capable of e’er Possessing.                                                     60
Tho’ some, perhaps, may Reasons bring
To prove a Wife a needless Thing;
I can’t be brought to their Opinion,
Nor care I for their Proofs an Onion.
Since Woman was for Man design’d,                                        65
I think ’tis fit they should be joyn’d:
And therefore hoping to be Blest,
I’ll wish for her among the rest.
Besides, I am not quite so stupid,
As not to fear the Force of Cupid:                                                     70
Cupid, that Fowling, Shooting Boy,
Who hampers all in his Decoy;
And makes us Love, with Dart and Bow,
Whether we willing are, or no.
’Tis like, if he were not so busy,                                                        75
Most Men unmarry’d might be easy:
Old Maids might then be very plenty;
And scarce a marry’d Wife in Twenty:
Strephon would not for Delia Mourn;
Nor Daphnis Sigh for Love’s return;                                                  80
But whilst he makes such Work about ’em,
There’s few can be Content without ’em;
For when he throughly does his Duty,
Wry Necks and crooked Backs make Beauty.
Since then he Rules so absolute,                                                       85
’Tis vain for Mortals to Dispute:
For Man to love a Woman is
As natural, as Welshman Cheese:
And if I love, I’ll have a Wife,
Because I chuse an honest Life.                                                         90
Well ’tis agreed – But now let’s see
What sort of Woman she must be;
I’d have her Modest, Brisk and Young,
And Woman all – except her Tongue:
As Pious as the very best;                                                                    95
Yet not a Bigot to her Priest:
Good-natur’d, Gentle, full of Duty,
And Mistress of a little Beauty:
So Witty, Secret, and Discreet,
That Wife and Friend, in one might meet.                                        100
Her Portion – be it great or small,
Or, if Fate please, be’t none at all.
My Former Wish shall this prevent,
If I’ve enough, I’ll be Content:
Tho’ few are easy in their Station,                                                     105
For once I’d step besides the Fashion.
When Hymen has the Business done,
And she and I are joyn’d in one;
For fear my dearest Bride should mutter,
Because I’ve got no where to put her;                                               110
As well as to divert my Mind,
If e’er my Charmer prove unkind;
I’d have a pleasant Country Seat,
By Nature made, for Love’s retreat:
A purling Stream should murmur by,                                                115
And Woods, and Meadows should be nigh:
The Woods, at Noon, for Shade I’d use;
At Night, the Meads should please the Muse.
My Garden fill’d with Trees and Flow’rs
Should yield an hundred shady Bowers:                                           120
And all the tuneful, feather’d Quire
Should dwell therein, to wake my Lyre.
Here, if the Fumes of too much Study
Should make the Spring of Fancy muddy;
My Spirits I’d exhilerate,                                                                       125
In Consort with my lovely Mate:
Our Conversation, soft and kind,
Should turn on what came first in Mind:
Yet so we’d always wind the String up,
That Love alone, the Rear should bring up.                                      130
My House should be of comely Size,
I think the Ground should round it rise:
It’s little Front should meet the Morn,
And that, a Dial should adorn:
A Court, before you could arrive at                                                    135
The Door, should make it Safe, and Private:
In fine, I’d have to make’t compleat,
Nothing superfluous, all Things neat:
’Twould be a kind of petty Throne,
If ’twere a Manour, and my own.                                                         140
Were I to chuse my Furniture,
I’d have what’s Needful, and no more:
But whilst I wanted not for Treasure,
My Spouse in this should use her Pleasure:
For if we cross a Woman’s Fancy,                                                        145
We know what spiteful Things she can say.
Of the best Books I’d have a few,
Whose Wit and Sense, would still be New:
Both Ancient, of establish’d Fame:
And Modern of a rising Name.                                                              150
These I’d on all Occasions use,
T’inform, or please me, or amuse:
From these I’d choicest Maxims draw,
And make them, of my Life, the Law.
For Servants ­– if I must have any,                                                  155
They should be Sober, and not many:
A Couple would sufficient be,
My Wife a Maid, a Man for me.
A Friend’s a Thing so seldom known,
’Tis very hard to meet with one;                                                            160
Yet I might chuse, I would have two,
Of my own Sex, Good, Wise, and True:
Who could direct an infant Muse;
Knew when to blame, and when t’excuse:
With these I’d ev’ry Day converse,                                                        165
To them each rising Thought rehearse;
Their Judgment should the Sentence give
To which should Die, and which should Live.
In Fortunes Mazes, if perplext,
Or with Domestic Troubles vext;                                                           170
To them I’d straight repair for Rest,
And leave my Sorrows in their Breast.
To welcome these, I’d spread my Board
With what the Country would afford:
A Chearful, but a mod’rate Glass                                                          175
Should, as a sign of Friendship, pass
Thus far my pensive Mind had gone,
And, thinking ev’ry Thing my own,
To Rapture I was almost brought,
’Till stopping to correct a Thought,                                                       180
I found ’twas all a Dream, a Fable,
A false Chimaera, nothing stable;
Still in the Loom I must remain,
All higher Thoughts, I doubt, are vain.

 NOTES:

 1  quadrate  “Something which is square or rectangular in shape,” in this case a weaver’s hand loom (OED).

5  Pendant  Suspended, “in a hanging position” (OED).

11  Apollo  Greek god associated with poetry (Britannica).

24  Beatorum  Latin: prosperous, of the blessed.

27  that must make the Mare to go  “Money makes the mare to go” is a proverbial phrase that means “without money little can be achieved” (ODP).

42  Free Estate  Freehold, the “permanent and absolute tenure of land or property with freedom to dispose of it at will” (OED).

45  Pegasus  In Greek Mythology, the winged horse that is “often represented as the favourite steed of the Muses, bearing poets on their flights of poetic inspiration” (OED).

49  croud  Archaic spelling of “crowd.”

 70  Cupid  “In Roman Mythology, the god of love” (OED).

101  Portion  Marriage portion, “dowry” (OED).

107  Hymen  “In Greek and Roman mythology: The god of marriage, represented as a young man carrying a torch and veil” (OED).

113  Country Seat  “A (large) country house and estate inhabited by a family belonging to the nobility, landed gentry, or other wealthy class, usually as its principal rural residence” (OED).

120  Bower  “Idealized abode” (OED).

121  Quire  Archaic spelling of “choir” (OED).

122  Lyre  “A stringed instrument of the harp kind, used by the Greeks for accompanying song and recitation” (OED).

133  should  Emended from “shold” (printer’s error).

134  Dial  Sundial.

173  Board  “A table spread for a repast” (OED).

182  Chimaera  “An unreal creature of the imagination” (OED).

SOURCE: The Weavers Miscellany: Or, Poems on Several Subjects (London, 1730), pp. 9-15. [Google Books]

Edited by Devin Logan