Tag Archives: occasional poem

Mary Leapor, “On Sickness”

MARY LEAPOR

“On Sickness”

 

WHEN Heav’n’s almighty King prepares,
The angry Shaft to throw;
Ev’n Fortitude itself despairs
To bear the deadly Blow.

Cold Tremors shake each fainting Limb,                                  5
That weeps a sickly Dew;
The Features, chang’d to pale and dim,
Resign their cheerful Hue.

No more soft Eloquence shall flow,
Nor dress the silent Tongue;                                               10
But the dull Heart refuse to glow,
Tho’ charm’d by melting Song.

Those laughing Eyes, that lately shone
So sprightly and so gay,
Sunk down with Sickness, faint and wan,                                  15
Decline the piercing Day.

And scarcely bear a cheerful Beam,
To light the drooping Soul;
While round the weak afflicted Brain
Romantick Vapours roll.                                                          20

Deceitful Earth and all its Joys
Elude our grasping Hands:
Tho’ Nature all her Skill employs,
To bind the failing Bands.

Death drives us to the horrid Steep;                                             25
And while we vainly mourn,
He pointing shews th’ unmeasur’d Deep,
From whence we ne’er return.

There the grim Spectre, with a Smile,
His panting Victim fees:                                                             30
Who fain wou’d linger here a while,
To swallow nauseous Lees.

Who Death’s great Empire wou’d dispute,
And hugs the gilded Pill,
Not knowing That his faithful Mute,                                                35
Whose Business is to kill.

The lost, the slipp’ry Hold to save,
To lenient Arts we run;
They cast us headlong on the Wave,
And we are twice undone.                                                          40

The Pow’r who stamp’d the reas’ning Mind,
Its Partner can restore;
There we a lasting Cordial find,
And learn to sigh no more.

But if the slow-consuming Ill                                                               45
Shou’d lead us to the Grave,
Our Faith persuades us that he will
The trembling Spirit save.

O thou, whose Bounty all things taste,
Whose Anger none can bear;                                                        50
Revive the melancholy Breast,
Nor let the Wretch despair.

NOTES:

6 Dew  “Perspiration, sweat” (OED).

8  Hue  “External appearance of the face and skin, complexion,” color (OED).

15 wan  “Lacking light, or lustre” (OED).

20 Romantick “Fantastic, extravagant, quixotic” (OED).

29 Spectre  “An apparition, phantom, or ghost” (OED).

32 Lees  “Basest part, ‘dregs’, ‘refuse’” (OED).

38 lenient Arts Here a reference to gentle, or “soothing” medical practices (OED).

43 Cordial “A medicine, food or beverage which invigorates the heart and stimulates the circulation” (OED).

Source:  Poems Upon Several Occasions (London, 1748), pp. 263-266. [Google Books]  

Edited by Kaitlan Gomez  

Rev. Anthony Freston, “The Poet’s Farewell to his Muse”

REV. ANTHONY FRESTON

The Poet’s Farewell to his Muse

 

FAREWELL sweet Muse, that oft in slipshod guise
Hast led astray my song-enraptur’d soul;
Oft call’d me forth beneath the Moon’s pale rise,
Or turn’d my wrapt eye to the starry pole.

IN giddy youth by partial friends misled,                                     5
I trod (adventurous wight) poetic ground;
But soon the green bay wither’d on my head,
I got five shillings, and I lost five pound.

NO longer can the Bard a patron find,
Poor Merit, now neglected, droops, I cried;                                         10
False-flattering Fancy fill’d my feeble mind,
And what I took for merit was but pride.

PRIDE led me on to snatch poetic fame,
To crop with daring hand Parnassian bays;
T’intrude with Dryden’s and with Pope’s my name,                             15
And live to future times in living lays.

TO climb the summit of cold Haemus’ hill,
“Of antique Bards the arduous steps to try;”
And largely quaffing the Pierian rill,
Meet the keen glances of the public eye.                                               20

BUT sober Reason now resumes her reign,
Tells me ‘tis better far to read than write;
One may reap pleasure, t’other must bear pain,
The world’s neglect, the critic’s ranc’rous spite:

ENVY that pines at merit not her own,                                            25
Low purse-proud Ignorance’ consequential sneer;
Exalted Meanness frowning into stone,
The grin of Folly, and the gibe severe.

FAREWELL sweet Muse, henceforth beguile no more,
No Critic “hangs me on his turn’d-up nose;”                                            30
No flattering gale shall tempt me from the shore,
Or lure me from the land of humble prose.

NOTES:

1 slipshod “Untidy” (OED).

4 starry pole “The polestar […] a guiding light” (OED).

6 wight An archaic term for a human being (OED).

7 green bay The bay laurel. In classical antiquity, its leaves were “woven into a wreath or garland to reward a conqueror or poet” (OED).

11 Fancy “The process, and the faculty, of forming mental representations of things not present to the senses; fancy and imagination […] are commonly distinguished: fancy being used to express aptitude for the invention of illustrative or decorative imagery, while imagination is the power of giving to ideal creations the inner consistency of realities” (OED).

14 Parnassian bays Symbolic of poetic excellence. In ancient Greece, Mount Parnassus was “the source of literary, esp. poetic, inspiration” as well the home of the Muses (OED).

15 Dryden John Dryden (1631-1700), English poet, dramatist, and essayist; Pope Alexander Pope (1688-1744), English poet and critic (Encyclopedia Britannica).

16 living lays That is, his published poetry.

17 Haemus’ hill The Balkan Mountains, known during the classical period by the Latin name, Haemus Mons (Encyclopedia Britannica).

18 try “Contracta sequi vestigia vatum. The word contracta has singular force and beauty: it brings to our view the shortened and careful steps of those who walk in dangerous, narrow, and slippery paths” [Author’s note].  Possibly also an allusion to lines in Pope’s Essay on Criticism (1711): “Hear how learn’d Greece her useful rules indites, / When to repress, and when indulge our flights: / High on Parnassus’ top her sons she show’d, / And pointed out those arduous paths they trod; / Held from afar, aloft, th’ immortal prize, / And urg’d the rest by equal steps to rise” (ll. 91-95).

19 Pierian rill Variation of “Pierian spring,” a metaphorical source of knowledge sacred to the Greek Muses.

28 gibe Alternate spelling of “jibe,” a taunt, flout, or jeer (OED).

30 “hangs me on his turn’d up nose” Unable to trace this as a quotation; to turn one’s nose up at something is to be disdainful or scornful of it.

SOURCE:  Poems on Several Subjects (London, 1787), pp. 80-82. [Google Books]

Edited by Michael Shufro

Stephen Duck, “On Two Young Ladies leaving the Country”

STEPHEN DUCK

“On Two Young Ladies leaving the Country”

 

SAY, lovely Nymphs! who fly from rural Sweets,
To noisy Crowds, thick Air, and smoaky Streets,
Do Balls, or Plays, your graceful Steps invite?
Can Balls, or Plays, like Richmond Groves, delight?
No tuneful PHILOMEL, in Town, complains,                                                            5
To charm your list’ning Ear with vary’d Strains;
No fragrant Gales refresh the sick’ning Fields,
No chearful flow’ry Scenes the City yields:
But Mists, and lambent Fogs, where-e’er you pass,
Shall cloud the Graces, that adorn your Face;                                                         10
While those bright Eyes, like sully’d Gems, appear,
Or Stars, just glimm’ring thro’ the dusky Air.

NOR will you only Change of Beauty find;
Illusive Scenes will mock your pensive Mind:
In cloudless Mornings, when you’ve drank your Tea,                                             15
And read a Page in SHERLOCK, or in —– GAY;
Perhaps your Thoughts, transported, here may rove,
And, to your Mind, present the blissful Grove:
You’ll think to walk by silver Thames’s Shore;
Or trace the verdant Mead, as heretofore:                                                               20
When at the Door, the rural Vision flies,
Smoak, Coaches, Fops, and Carmen meets your Eyes:
Straight back you’ll turn, vex’d with the fruitless Search;
Bid ROBERT call a Chair, and go to Church.

NOTES:

4 Richmond Groves In the early eighteenth century, Richmond upon Thames was still considered a rural retreat from London, offering open spaces, groves of trees, and prospects from Richmond Hill.

5 PHILOMEL “A poetic or literary name for the nightingale (in allusion to the myth of the maiden Philomela’s transformation into that bird)” (OED).

9 lambent “Playing lightly upon or gliding over a surface” (OED).

16 SHERLOCK William Sherlock (c. 1641-1707), Anglican clergyman and religious writer, his A Practical Discourse Concerning Death (1689) went to many editions in the eighteenth century; GAY John Gay (1685-1732), poet and dramatist.

20 verdant Green-hued (OED).

22 Fops Foolish and vain persons, typically applied to men (OED); Carmen “Member of a Company of the City of London concerned with transportation” (OED).

24 ROBERT The Footman [Author’s note]; Chair “An enclosed chair or covered vehicle for one person, carried on poles by two men; a sedan” (OED).

SourcePoems on Several Occasions (London, 1736)pp. 158-59.  [Google Books]

Edited by Clementine Johnson

Anonymous, “Verses occasion’d by a Horse’s biting a Lady’s Breast”

ANONYMOUS

“Verses occasion’d by a Horse’s biting a Lady’s Breast”

 

See how unlimited is Beauty’s Sway!
An Ass once spoke (as antient Records say)
Charm’d with an Angel offer’d to his View,
The Story’s strange, but we must swear ‘tis true—
—I deal in Wonders of a merrier Kind,                                                   5
Not done by Angels, but by Woman-kind.
Nothing unnatural shall here accrue,
The Story’s strange, but not more strange than true,
—A Horse (descended from a long-told Race
Of well-bred Hunters, whom no Vice disgrace)                                     10
For Beauty fam’d, in Speed out strip’d by none,
A Creature fit to mount a Goddess on;
This Horse a mighty Favourite became
To a most Noble, Puissant, Princely Dame,
Illustrious for her Titles, Beauty, Fame;                                                      15
Pleas’d oft she’d tell his well-descended Race,
Smooth his fine Neck, his Main in Ringlets trace,
Nor lies the Muse who sings she kiss’d his Face.
He by those dear repeated Favours fir’d,
By the warm Stroaks of her soft Hand inspir’d,                                      20
Conceiv’d (strange of a Horse to tell) a Flame
For his fond Lady—and who dare him blame,
Or who so kindly us’d, but must have had the same
—His Love unable longer to suppress,
He furiously the charming D——s press’d,                                              25
And mark’d his Kisses on her bleeding breast—
—She frighten’d at the Creature’s rude Embrace,
Scream’d out for Aid, and fled the dangerous Place—
Away the disappointed Horse was led,
He neigh’d aloud, and wanton turn’d his Head—                                  30
—The D——s sigh’d, and went alone to Bed—
Which Tale’s most nat’ral, which most hits your Taste,
Which does in Beauty, which in Sense surpass,
B————d the Angel, or the Horse the Ass?

NOTES:

2-3 An Ass once spoke . . . View  These lines allude to a portion of a biblical story in Numbers 22. Balaam, riding his donkey, is blocked three times by an angel as he tries to follow the princes of Moab. Balaam cannot see the angel, and beats his donkey when she balks. Finally, she is given the ability to speak and asks what she has done to deserve the three beatings. He threatens to kill her, but the angel reveals himself, and rebukes Balaam (Numbers 22: 21-34).

10 Hunters  Horses trained to be used for foxhunting.

14 Puissant  “Possessed of or wielding power; having great authority or influence” (OED).

17 Main  Variant spelling of “mane”: the hair flowing from a horse’s crest, or top of the neck.

25 D——s  Probably “Duchess” (see note to line 34 below).

34 B——–d  Possibly a reference to Diana Russell (nee Spencer) (1710-1735).  She was known for her beauty in this period, but did not become Duchess of Bedford until October 1732.  The poet may be taking the liberty of referring to her future title knowing that her husband was the sole heir to the Bedford dukedom (Massey, The First Lady Diana).

SOURCE:  Gentleman’s Magazine (vol. 2, March 1732), p. 672.  [Google Books]

Edited by Elizabeth Eckert

Priscilla Pointon, “A Valentine”

PRISCILLA POINTON

“A Valentine”

 

Pardon me, Sir, nor think the maid too bold,
That sends you this, the custom being old:
This day our sex does oft by VALENTINE
Chuse those they like, so I have chose you mine.
Antient’s the custom, as I name above,                                                          5
Mine is but friendship, others may be love;
With me, ye Pow’rs! let friendship ever reign,
I ask no more, nor let me ask in vain:
For shou’d I love, and meet with no return,
How wou’d my bosom, like to Sappho, burn!                                               10
Pity on me, perhaps, they might bestow,
But pity cannot ease the pangs of woe.
The very thought alarms my soul, ‘tis true,
Tho’ Love’s soft passion never yet I knew:
Thus may my heart from love be ever free,                                                   15
And still a vot’ress to DIANA be.
In single state we ev’ry beauty wear,
Wise as MINERVA, and as VENUS fair;
But when once wed, we find it, to our cost,
That in the wife the goddess soon is lost:                                                       20
No more you sigh, no more in transport view,
For strait we’re mortals, and mere husbands you.
Nay, dare to tell us in provoking strain,
That over woman, man was born to reign;
Him to obey should be her chiefest care:                                                        25
Adieu— P.P. such dire thoughts can’t bear.

NOTES:

1-4  Pardon me, Sir… I have chose you mine  The celebration of Valentine’s Day dates back to the Roman fertility festival, Lupercalia (Encyclopedia Britannica)By the mid eighteenth century in England, it was common for lovers or friends to exchange small tokens of affection or handwritten notes.

9-10  For shou’d I love…like to Sappho burn Pointon is referencing a well-known story about the Greek lyric poet Sappho (c. 630-570 BCE) that was popularized by Joseph Addison in Spectator no. 223 (15 November 1711).  Addison provides a translation (by Ambrose Phillips) of the only known complete poem by Sappho, “An Hymn to Venus,” written after pursuing an “inconstant lover,” the sailor Phaon, to Sicily.  Addison notes that “her Hymn was ineffectual for the procuring that happiness which she prayed for in it.”  According to this tradition, Sappho died because of her unrequited love for Phaon by leaping from a cliff that was supposed to cure her passion (p. 204).

16  vot’ress to DIANA  Pointon is claiming herself devoted to Diana, “an ancient Italian female divinity, the moon-goddess, patroness of virginity and of hunting” and, thus, committed to remaining chaste (OED).

18  MINERVA  A Roman goddess, regarded as the patron of handicrafts and the arts, and later also of wisdom and prowess in war (OED); VENUS  “The ancient Roman goddess of beauty and love,” notably “sensual love” (OED). 

26  P.P.  An abbreviation of the author’s own name which appears in several of her direct addresses in Poems on Several Occasions.

Source: Poems on Several Occasions. By Miss Priscilla Pointon, of Lichfield (Birmingham, 1770), pp. 24-25.  [Google Books]

Edited by Lee Hammel

[Anne Wharton], “The Retirement”

[ANNE WHARTON]

“The Retirement”

 

All flie th’ unhappy, and I all wou’d flie,
Knew I but where to go, or how to die.
A Tomb of Sorrow is a dreadful Sight,
No wonder that a moving Grave shou’d fright.
Abandon’d, helpless, and alone I came                                                            5
From nothing to this World; from Ease to Pain
My infant Sighs did the small Fabric shake,
As Winds Pent in when from the Earth they Break,
Which Mortal Men for dismal Omens take.
‘Twas then alas! by certain Instinct taught,                                                      10
As if inspir’d by some prophetic Thought,
My Parents fled that World, to which this Wretch they brought.
They fear’d to see what I was Born to prove,
They fled from Youth, from Beauty, and from Love,
But ‘twas to meet again in Groves above.                                                        15
An Assignation justly tim’d, and kept,
The last undaunted went, and boldly leapt
That Gulph of Death her dearer half had past,
Desire of Liberty her Hopes encreas’d;
Love lent her Wings and added to her Hast                                                     20
But all too Slow, too late she was releas’d.
Too late for me, for had she sooner fled,
She with her own, had burst my twisted Thred;
That Thred, which since the Sisters Wove so Strong
As if they meant to prove their Force was young.                                           25
As in the Worlds bright dawn, when sprightly Life
Was Proof against Diseases, Age, and Grief.
Then Men cou’d live in Spight of every dart
That Death cou’d fling, nor fear’d a broken Heart.
But I, who had observ’d their Force Decay,                                                      30
And that each Chance cou’d clear to Death the Way;
From Grief expected long that mournful Ease,
And learn’t to smile at every Pains Encrease.
But now alas! those Fatal Hopes decay,
Inspite of Sorrow I must longer Stay;                                                                35
My Pilgrimage is hard and long the Way.
Too long the Way thro’ which I still must grieve,
Ah! for what Crime am I condemn’d to live?
“Else thro’ th’ Abyss I’d Steer my airy Race,
And view the Secrets of the boundless Space.                                                 40
Survey those glittering Particles of Light,
That with dissembled Day supply the Night.
Thence to the Source of Day direct my wondrous Flight.
The Hidden Cause of things unknown discrie,
The Strange Vicissitudes of Earth, of Air, and Skye.                                         45
Why some so prone to change, to some again
Such firm, and Stedfast, constant Rules Remain
I wou’d go on but that the towring flight,
Makes me grow giddy, with the dreadful hight,
Yes I wou’d forward, and my Voice I’d raise,                                                    50
Join with the Spheres in my Creator’s Praise,
In Songs Eternal, and no mortal Lays.
As ‘tis his Will; but who that will can see
Involv’d in such dark Clouds of Mistery.”
We know not what his will commands us here,                                              55
Less can we tell our future duty there.
Yes, here I’m lost, for none of all the dead,
Return to tell what a Soul is when fled.
Of what we there will do, we here may boast,
But there for ought we know All thought is lost.                                            60
To live, or Die why should I not submit?
Or why delay My death, or hasten it?
Since all is guided by his boundless Will,
For sure the Soul his Wisdom made, his Pow’r continues Still.

NOTES:

 Author “The Retirement” first appeared in print (unattributed) in Charles Gildon’s A New Miscellany of Original Poems, On Several Occasions (1701). However, in her The Surviving Works on Anne Wharton (1997), Germaine Greer attributes “The Retirement” to Anne Wharton through an earlier, undated manuscript version of the poem, titled “Thoughts occasioned by her retirement into the Countrey,” which Greer uses as her copy-text. The two versions differ substantially in word/spelling variation, but most notably in length, as the MS poem contains 89 lines (25 more than the 1701 text). Greer attributes these textual variations to the “editorial principles” of Gildon, who was known for both pirating and editing other poets’ work.

1 flie Fly “To leave;…to pass away” (Johnson).

4 fright. Punctuation added to the end of this line (printer’s error).

7 Fabric The OED definition references a “frame” or “structure,” which here is the infant’s small body.

8 Pent Emended from “Pen’t” in the copy text (printer’s error).

9 dismal “Boding or bringing misfortune; sinister” (OED).

12 fled “Pass away quickly and suddenly” (OED).

16 Assignation “An appointment to meet; used generally of love appointments” (Johnson).

20 Hast Archaic spelling of “haste.”

24 Sisters Wove A reference to the Three Fates in Greek mythology, who are often personified as women “who spin the thread of human destiny” (Encyclopedia Britannica).

25 Force “Power to influence, affect, or control” (OED).

28 Spight Alternative spelling of “spite.”

38 Crime Emended from “Crime;” (printer’s error).

39 airy “Celestial; immaterial” (OED).

44 discrie Alternative spelling of “descry,” “To catch sight of, observe, discover” (OED).

45 Skye Emended from “Siye” (printer’s error).

51 Spheres Emended from “Sphere’s” (printer’s error); Creator’s Emended from “Creators” (printer’s error)

54 Mistery Alternative spelling of “mystery.”

59 here Emended from “hear” (printer’s error).

 SOURCE: A New Miscellany of Original Poems, on Several Occasions (London, 1701), pp. 288-292.

Edited by Katarina Wagner

John Hawes, “On Seeing an Infant Boy Seven Years of Age learning to write”

JOHN HAWES

“On Seeing an Infant Boy of Seven Years of Age learning to write”

 

HIS Infant Fingers, scarce could grasp the Quill
And yet with Ardour, he pursu’d his Skill;
Attention fix’d his Mind, and fill’d his Brain,
His Copy in Perfection to explain;
His Eye pursu’d each Stroke so superfine,                                         5
And strove to improve, each Character and Line;
So far before the common Time of Youth.
Did Art appear in Innocence, and Truth;
He forc’d these Lines, to vindicate his Praise,
And in my Mind did these Ideas raise.                                               10

But when I found Apollo fir’d his Soul,
To Musick’s Charms, and saw his Fingers roll,
I found his Frame with Heavenly Gifts endow’d,
‘Bove vulgar Mortals, blest by mighty Jove.
He joins the sounding Lyre with Infant Voice,                                  15
“By Inclination led, and fix’d by Choice;”
Points full Perfection, in his Time to come,
If Manhood crowns Him, in Time’s fickle Womb.

Thus when Pygmalion strove to carve his Maid,
Each stroke with curious View, his Mind survey’d;                          20
He still pursu’d the chissel, and improv’d
Each Touch Divine, to gain the Art he lov’d.
In Innocence, by his own Skill betray’d,
The Goddess Venus, bless him in his Maid;
Gave Life to Ivory, for his matchless Strife,                                       25
Made his own Genius to become his Wife.

NOTES:

1 Quill  A pen made from the hollow shaft of a bird’s feather (OED).

2 Ardour  Burning with ferocity and intensity (OED).

6 Character  The letters of the alphabet (OED).

9 vindicate  “To clear from censure, criticism, suspicion, or doubt, by means of demonstration; to justify or uphold by evidence or argument” (OED).

11 Apollo  A Greek God of music and poetry, among many things, and known for his youthfulness (OED).

11 fir’d  An archaic contraction of the word “fired”; to ignite (OED).

14 Jove  Refers to Jupiter, the Roman equivalent of Zeus (OED).

15 sounding Lyre  The instrument of Apollo, Greek God of Music (OED).

 16 “By Inclination led, and fix’d by Choice”  Quoted From William Congreve’s “Epistle to the Right Honourable Charles Lord Halifax” (Line 4).

19 Pygmalion A sculptor from Cyprus who fell in love with the sculpture that he carved (Ovid, Metamorphoses, Book X, ll. 243-297).

24 Venus  The Roman goddess of love, beauty, and desire grants Pygmalion his wish for his sculpture to come to life (Ovid, Metamorphoses, Book X, ll. 243-297).

SOURCE:  Poems, Moral and Divine (Norwich, 1754), pp. 21-22. [Google Books]

Edited by Paul Madariaga

Elizabeth Hands, “A Poem, on the Supposition of an Advertisement Appearing in a Morning Paper, of the Publication of a Volume of Poems, by a Servant-Maid”

ELIZABETH HANDS

 “A Poem, on the Supposition of an Advertisement Appearing in a Morning Paper, of the Publication of a Volume of Poems, by a Servant-Maid”

 

The tea-kettle bubbled, the tea things were set,
The candles were lighted, the ladies were met;
The how d’ye’s were over, and entering bustle,
The company seated, and silks ceas’d to rustle:
The great Mrs. Consequence open’d her fan;                                                         5
And thus the discourse in an instant began:
(All affected reserve, and formality scorning,)
I suppose you all saw in the paper this morning,
A volume of Poems advertis’d—’tis said
They’re produced by the pen of a poor Servant Maid.                                         10
A servant write verses! says Madam Du Bloom;
Pray what is the subject—a Mop, or a Broom?
He, he, he, —says Miss Flounce; I suppose we shall see
An Ode on a Dishclout—what else can it be?
Says Miss Coquettilla, why ladies so tart?                                                                15
Perhaps Tom the Footman has fired her heart;
And she’ll tell us how charming he looks in new clothes,
And how nimble his hand moves in brushing the shoes;
Or how the last time that he went to May-Fair,
He bought her some sweethearts of ginger-bread ware.                                      20
For my part I think, says old lady Marr-joy,
A servant might find herself other employ:
Was she mine I’d employ her as long as ’twas light,
And send her to bed without candle at night.
Why so? says Miss Rhymer, displeas’d; I protest                                                      25
’Tis pity a genius should be so deprest!
What ideas can such low-bred creatures conceive,
Says Mrs. Noworthy, and laught in her sleeve.
Says old Miss Prudella, if servants can tell
How to write to their mothers, to say they are well,                                                30
And read of a Sunday the Duty of Man;
Which is more I believe than one half of them can;
I think ’tis much properer they should rest there,
Than be reaching at things so much out of their sphere.
Says old Mrs. Candour, I’ve now got a maid                                                              35
That’s the plague of my life—a young gossiping jade;
There’s no end of the people that after her come,
And whenever I’m out, she is never at home;
I’d rather ten times she would sit down and write,
Than gossip all over the town ev’ry night.                                                                  40
Some whimsical trollop most like, says Miss Prim,
Has been scribbling of nonsense, just out of a whim,
And conscious it neither is witty or pretty,
Conceals her true name, and ascribes it to Betty.
I once had a servant myself, says Miss Pines,                                                            45
That wrote on a Wedding, some very good lines:
Says Mrs. Domestic, and when they were done,
I can’t see for my part what use they were on;
Had she wrote a receipt, to’ve instructed you how
To warm a cold breast of veal, like a ragou,                                                              50
Or to make a cowslip wine, that would pass for Champaign;
It might have been useful, again and again.
On the sofa was old lady Pedigree plac’d,
She own’d that for poetry she had no taste,
That the study of heraldry was more in fashion,                                                     55
And boasted she knew all the crests in the nation.
Says Mrs. Routella, —Tom, take out the urn,
And stir up the fire, you see it don’t burn.
The tea-things remov’d, and the tea-table gone,
The card-tables brought, and the cards laid thereon,                                            60
The ladies ambitious for each others crown,
Like courtiers contending for honours sat down.

NOTES:

Title Supposition “Position laid down;…imagination yet unproved” (Johnson).

13 Flounce “To express displeasure or ill-temper by agitated movements” (OED).

14 Dishclout Dishcloth.

15 Coquettilla A play on the word “coquette,” “a girl who endeavors to attract notice” (Johnson).

19 May-Fair A district in London, “Mayfair was developed from the mid-17th century, and its proximity to St. James’s Palace made it a fashionable neighborhood” (Encyclopedia Britannica). Mayfair, with its growing “aristocratic village[s],” attracted buyers and sellers to popular “modish shopping centre[s],” such as Regents Park and Bond Street, which were places known for “carriage folk” (Richardson, “Shops and Shopkeeping Throughout the Ages,” p. 616).

21 Marr “To hamper or hinder” (OED).

26 deprest “To humble; to deject; to sink” (Johnson); “to lower in station, fortune, or influence” (OED).

27 low-bred “Of humble origin or social statue; not respectable of welcome in good society” (OED).

31 Duty of Man Short title for The Whole Duty of Man: Laid Down in a Plain and Familiar Way for the Use of All but Especially the Meanest Reader, “first published anonymously in 1658 and variously attributed to Lady Dorothy Pakington, Archbishop Richard Sterne, Bishop John Fell, Humphrey Henchman and others, although now generally attributed to Richard Allestree” (ESTC); “the dominant book of religious instruction throughout the eighteenth century” (Lehmberg, Cathedrals Under Siege, p. 115)

34 sphere “A standard of comparison to denote a great difference in rank, intelligence, etc.” (OED).

35 Candour “Sweetness of temper; purity of mind; openness; ingenuity; kindness” (Johnson).

36 jade “A term of reprobation applied to a woman” (OED).

41 trollop “An untidy or slovenly woman; a slut; a morally loose woman” (OED).

50 ragou Alternate spelling of “ragout,” “a highly seasoned dish, usually consisting of meat cut into small pieces and stewed with vegetables” (OED).

51 cowslip wine A wine made from cowslip-blossoms,“a well-known wild plant in pastures… with drooping fragrant yellow flowers” (OED).

53 Pedigree “The system of social rank based on genealogy” (OED).

55 heraldry “Heraldic title, rank, or precedence” (OED).

56 crests “The ornament of the helmet in heraldry” (Johnson), “also used separately, as a cognizance, upon articles of personal property, as a seal, plate, note-paper, etc.” (OED).

57 Routella The root word, “rout,” means“to cry; to roar; to bellow; to shout” (OED).

SOURCE: The Death of Amnon: A Poem. With an Appendix: Containing Pastorals, and Other Poetical Pieces (Coventry, 1789), pp. 47-50. [Google Books]

Edited by Katarina Wagner

 

Jane Cave, “Written by Desire of a Mother, on the Death of an Only Child”

JANE CAVE

 “Written by Desire of a Mother, on the Death of an Only Child”

 

As with delight we view the op’ning rose
Expand, and all her fragrant sweets disclose,
So did MATERNA view her lovely maid,
In all the charms of innocence array’d;
Oft had her little all, her only child,                                               5
The tedious hour with pleasing chat beguil’d,
But Heav’n, all-good, and infinitely wise,
Remov’d this darling idol to the skies,
Ere her young heart had been obdur’d by sin,
Or guilt, tormenting fiend, could brood therein,                         10
Ere she arriv’d at years that might destroy,
By one false step, a tender mother’s joy.

Behold she soars to yon celestial fields,
Where ev’ry plant aethereal odour yields;
With pitying eye, methinks she looks below,                                 15
Commis’rates a tender mother’s woe,
Bids her dejected heart from earth retire,
And all her future thoughts to Heav’n aspire;
Prepare, she cries,—prepare to meet the blest,
And join your SALLY in eternal rest.                                                 20

NOTES:

3 maid In this context, “a female infant” (OED).

4 charms “Fascinating quality; charmingness, attractiveness” (OED).

9 obdur’d “To harden in wickedness, or against moral influence” (OED).

13 celestial “Of or pertaining to the sky or material heavens” (OED).

14 aethereal “Of or relating to heaven, God, or the gods; heavenly, celestial” (OED).

Source: Poems on Various Subjects: Entertaining, Elegiac, and Religious (Bristol, 1786), pp. 49-50. [Google Books]

Edited by Marivic Victoria

George Woodward, “Upon an Ugly Fellow…”

GEORGE WOODWARD

 “Upon an Ugly Fellow, who Thought Himself Handsome, because the Girls Gaz’d upon Him So Much”

 

Poor Jack’s of late grown
The Talk of the Town,
The merest Self-Dotard in Fashion;
From a Sloven turns Smart,
And thinks from his Heart,                                                              5
He’s the Handsomest Man in the Nation.

If a Girl does but place
Her Eyes on his Face,
In order her Laughter to move;
The Fool seems in Anguish,                                                             10
Looks aside with Languish,
And concludes the poor Girl is in Love.

Come, Jack! then attend,
I speak as a Friend,
Prithee! never look out with that View:                                   15
Don’t think to prevail,
Where a Thousand may fail,
Perhaps, ten Times as Pretty as You.

Should You think e’ery Miss
In Love with that Phyz,                                                                        20
Who looks at You, as I may do now;
E’en think you’re a Bait,
And enjoy your Conceit,
By my Soul! you’ll have Lovers enough.

NOTES:

 3 Dotard “An imbecile; a silly or stupid person” (OED).

4 Sloven “An untidy or dirty person; a person who is habitually indolent, negligent, or careless with regard to appearance, personal hygiene, household cleanliness, etc.” (OED); Smart “A person who affects smartness in dress, manners, or speech” (OED).

11 languish “A tender or amorous look or glance” (OED).

13 attend “To turn one’s ear to, listen to” (OED).

15 Prithee “ ‘I pray thee’, ‘I beg of you’; please” (OED).

20 Phyz “A face or facial expression; countenance” (OED).

Source: Poems on Several Occasions (Oxford, 1730), pp. 150-51. [Google Books]

 Edited by Estrellita Rui