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“C—-s.” “In Ridicule of the Prevailing Rage for Air Balloons”

“C—-s.” 

“In Ridicule of the Prevailing Rage for Air Balloons”

Men have long built castles in the air: how to reach them
Montgolfier has now first the honour to teach them.

How odd this whim to mount on air-stuft pillions!
‘Twill ruin all our coachmen and postillions,
Who, if men travel in these strange sky-rockets,
Will quickly feel the loss in — empty pockets.
And most of them, I fear, must quite despair,                                            5
Like new philosophers, to live — on air.
The scheme’s not novel, ‘faith, for by the bye
I long have thought our gentry meant to fly,
Tho’ hitherto content, instead of wings,
With four stout horses, and four easy springs;                                         10
But now the case is alter’d, for, depend on’t,
If flying once comes up — there’ll be no end on’t.
Our grandfathers were pleas’d, poor tender souls!
“To waft a sigh from Indus to the Poles;”
Whilst our enlighten’d age a way discovers,                                               15
Instead of sighs to waft — substantial lovers:
Montgolfier’s silk shall Cupid’s wings supply,
And swift as thought convey them thro’ the sky.
Nor will their travels be to earth confin’d,
They’ll quickly leave this tardy globe behind.                                              20
Posting towards Gretna formerly you’ve seen us;
The ton will soon be to elope — to Venus:
Hot-headed rivals now shall steer their cars,
To fight their desperate duels — snug — in Mars,
Whilst gentler daemons, in the rhiming fit,                                                  25
Shall fly to little Mercury for — wit.
“John, fill the large balloon,” my lady cries,
“I want to take an airing — in the skies.”
Nimbly she mounts her light machine, and in it
To Jupiter’s convey’d in half a minute,                                                          30
Views his broad belt, and steals a pattern from it —
Then stops to warm her fingers — at a comet.
The concert of the spheres she next attends,
Hears half an overture — and then descends.
Trade too, as well as love and dissipation,                                          35
Shall profit by this airy navigation:
Herschell may now with telescopes provide us,
Just fresh imported from — his Georgium Sidus.
Smart milleners shall crowd the stage-balloon,
To bring new fashions weekly — from the moon:                                      40
Gardeners in shoals from Battersea will run,
To raise their kindlier hot-beds — in the sun:
And all our city fruitshops in a trice
From Saturn daily be supplied with ice.
Albion once more her drooping head shall rear,                                 45
And roll her thunders through each distant sphere;
Whilst, led by future Rodneys, British tars
Shall pluck bright honor — from the twinkling stars.

NOTES:

Subtitle Montgolfier One of the Montgolfier brothers; Joseph-Michel (1740-1810) and Jacques-Étienne Montgolfier(1745-1799) were pioneer developers of the hot-air balloon and they conducted the first untethered flights (Britannica).

1 pillions “A type of saddle” (OED).

2 postillions “A person who rides the (leading) nearside (left-hand side) horse drawing a coach or carriage, especially when one pair only is used and there is no coachmen” (OED).

14 A slight variation of line 58 from Alexander Pope’s “Eloisa to Abelard.”

21 Gretna Gretna Green, a Scottish town very close to the border with England, and famously the goal for young English couples seeking a quick marriage without their parents’ permission, due to the difference in Scottish marriage laws (Britannica).

22 ton “Fashion; the vogue” (OED).

37 Herschell William Herschel (1738-1822), a German-British astronomer who, in 1781, discovered the planet Uranus (Britannica).

38 Georgium Sidus Latin for “George’s Star,” Herschel’s initial name for planet Uranus, named for then King of England, George III (Britannica).

39 milleners “A person who designs, makes, or sells women’s hats” (OED).

41 shoal “A place where the water is of little depth; a shallow; a sandbank or bar” (OED); Battersea A neighborhood in south London, much of which extends directly along the River Thames.

43 in a trice “Instantly, forthwith; without delay” (OED).

45 Albion “The nation of Britain or England, often with references to past times, or to a romanticized concept of the nation” (OED).

47 Rodneys George Bridges Rodney (1718-1792), a famous British naval officer (Britannica); tars Sailors (OED).

 SOURCE: The Gentleman’s Magazine (May 1784), p. 367. [J. Paul Leonard Library]

 Edited by Gregory McCulloh

Matthew Prior, “Hymn to the Sun”

MATTHEW PRIOR

“Hymn to the Sun”

Set by Dr. PURCEL,
And Sung before their Majesties on New-Year’s Day, 1693/4.

 

Light of the World, and Ruler of the Year,
With happy Speed begin thy great Career;
And, as thou dost thy radiant Journeys run,
Through every distant Climate, own,
That in fair Albion thou hast seen                                                      5
The greatest Prince, the brightest Queen,
That ever sav’d a Land, or blest a Throne,
Since first thy Beams were spread, or Genial Power was known.

So may thy Godhead be confest,
So the returning Year be blest,                                                          10
As its Infant Months bestow
Springing Wreaths for William’s Brow;
As its Summers Youth shall shed
Eternal Sweets around Maria’s Head:
From the Blessings they bestow,                                                       15
Our Times are dated, and our AEra’s move;
They govern, and enlighten all below,
As Thou dost all above.

Let our Hero in the War
Active and fierce, like Thee, appear;                                                 20
Like Thee, great Son of Jove, like Thee,
When clad in rising Majesty
Thou marchest down o’er Delos Hills confest,
With all thy Arrows arm’d, in all thy Glory drest.
Like Thee, the Hero does his Arms imploy,                                            25
The raging Python to destroy,
And give the injur’d Nations Peace and Joy.

From fairest Years, and Times more happy Stores,
Gather all the smiling Hours;
Such as with friendly Care have guarded                                           30
Patriots and Kings in rightful Wars;
Such as with Conquest have rewarded
Triumphant Victors happy Cares;
Such as Story has recorded
Sacred to Nassau’s long Renown,                                                          35
For Countries sav’d, and Battels won.

March them again in fair Array,
And bid them form the happy Day,
The happy Day design’d to wait
On William’s Fame, and Europe’s Fate.                                                     40
Let the happy Day be crown’d
With great Event and fair Success;
No brighter in the Year be found,
But that which brings the Victor home in Peace.

Again Thy Godhead we implore,                                                          45
(Great in Wisdom as in Power,)
Again, for good Maria’s Sake, and ours,
Chuse out other smiling Hours;
Such as with joyous Wings have fled,
When happy Counsels were advising;                                            50
Such as have lucky Omens shed
O’er forming Laws, and Empires rising;
Such as many Courses ran,
Hand in Hand a goodly Train,
To bless the great Eliza’s Reign;                                                           55
And in the Typic Glory show,
What fuller Bliss Maria shall bestow.

As the solemn Hours advance,
Mingled send into the Dance,
Many fraught with all the Treasures,                                                 60
Which thy Eastern Travel views;
Many wing’d with all the Pleasures,
Man can ask, or Heav’n diffuse.
That great Maria all those Joys may know,
Which from her Cares upon her Subjects flow.                                  65

For Thy own Glory sing our Sov’raign’s Praise
(God of Verses and of Days,)
Let all Thy tuneful Sons adorn
Their lasting Work with William’s Name;
Let chosen Muses yet unborn                                                           70
Take great Maria for their future Theam:
Eternal Structures let Them raise,
On William’s and Maria’s Praise:
Nor want new Subject for the Song,
Nor fear they can exhaust the Store,                                          75
‘Till Nature’s Musick lyes unstrung;
‘Till thou great God shalt lose thy double Pow’r;
And touch thy Lyre, and shoot thy Beams no more.

NOTES:

 Subtitle Dr. PURCEL Henry Purcell (c.1659-1695), “English composer of the middle Baroque period, most remembered for his more than 100 songs” (Britannica); Their Majesties William and Mary, reigned jointly 1689-1694; after Mary’s death, William reigned alone until 1702 (Britannica).

 5 Albion  “The nation of Britain or England, often with reference to past times, or to a  romanticized concept of the nation” (OED).

8 Genial “Pleasantly warm or temperate” (OED).

21 Son of Jove Mars, the Roman god of war, son of Jupiter and Juno (OCD).

23 Delos Remote Greek island where Leto gave birth to Apollo (OCD).

26 Python A huge serpent in Greek mythology, slain by Apollo at Delphi (Britannica).

35 Nassau’s A reference to William III, whose Dutch title was Prince of Orange-Nassau (Britannica).

55 Eliza’s Reign Queen Elizabeth I, reigned 1558-1603.

60 fraught “Filled; equipped with” (OED).

70 Muses A reference to future poets.

78 Lyre “A musical instrument of ancient Greece” (Britannica).

 SOURCE: Poems on Several Occasions (London, 1709), pp. 39-43. [HathiTrust]

 Edited by Eric Sandoval

 

 

 

Henry James Pye, “The Snow-Drop”

HENRY JAMES PYE

“The Snow-Drop”

 

Hail earliest of the opening flowers!
Fair Harbinger of vernal hours!
Who dar’st unveil each silken fold
Ere SOL dispels the wintry cold,
And with thy silver leaves display’d                                                   5
Spread lustre through the dreary glade.­—-
What though no fragrance like the rose
Tincturing the ZEPHYR as it blows,
Thy humble flowers from earth exhale
To scent the pinions of the gale;                                                        10
What though no hues of gaudy dye
Strike with their dazzling charms the eye,
Nor does thy sober foliage shew
Each blended tint of IRIS’ bow;
Yet in thy meek unsullied grace                                                          15
Imagination’s eye shall trace
The glowing blossoms that appear
Proudly to paint the vernal year,
And smiling MAIA’s blushing dyes,
And jocund Summer’s cloudless skies,                                              20
And Autumn’s labors which succeed
To bid the purple vintage bleed,
Our hopes anticipating see
Led on in radiant train by thee.

NOTES:

3 dar’st Dares.

4 Ere Before; SOL Sun.

8 Tincturing “Tinge; imbue” (OED); ZEPHYR In Greek Mythology, “the god of the west wind” (OED).

10 pinions Wings (OED).

14 IRIS’ bow “In Greek mythology, the personification of the rainbow” (Britannica).

19 MAIA “In Roman Mythology, a goddess of fertility and of the Spring” (OED).

SOURCE: Poems on Various Subjects. Vol. I (London, 1787), pp. 39-40. [Google Books]

 Edited by Jiyun An

Mary Alcock, “Instructions, Supposed to be Written in Paris, for the Mob in England”

MARY ALCOCK

“Instructions, Supposed to be Written in Paris, for the Mob in England”

Of Liberty, Reform, and Rights I sing,
Freedom I mean, without or Church or King;
Freedom to seize and keep whate’er I can,
And boldly claim my right–The Rights of Man:
Such is the blessed liberty in vogue,                                                  5
The envied liberty to be a rogue;
The right to pay no taxes, tithes, or dues;
The liberty to do whate’er I chuse;
The right to take by violence and strife
My neighbour’s goods, and, if I please, his life;                                10
The liberty to raise a mob or riot,
For spoil and plunder ne’er were got by quiet;
The right to level and reform the great;
The liberty to overturn the state;
The right to break through all the nation’s laws,                             15
And boldly dare to take rebellion’s cause:
Let all be equal, every man my brother;
Why one have property, and not another?
Why suffer titles to give awe and fear?
There shall not long remain one British peer;                                  20
Nor shall the criminal appalled stand
Before the mighty judges of the land;
Nor judge, nor jury shall there longer be,
Nor any jail, but every pris’ner free;
All law abolish’d, and with sword in hand                                          25
We’ll seize the property of all the land,
Then hail to Liberty, Reform, and Riot!
Adieu Contentment, Safety, Peace, and Quiet!

NOTES:

1 Liberty Article 4 of “The Declaration of the Rights of Man and the Citizen” defined “liberté” as “being able to do anything that does not harm others;” Reform “The action or process of making changes in an institution, organization, or aspect of social or political life, so as to remove errors, abuses, or other hindrances to proper performance” (OED).

4 Rights of Man The guiding document of the French Revolution was “The Declaration of the Rights of Man and the Citizen” (1789).  Alcock may also be thinking of Thomas Paine’s two-part book, The Rights of Man (1791/2), written in support of the French Revolution.

5  vogue “Popularity; general acceptance or currency” (OED).

6  rogue “A dishonest, unprincipled person” (OED).

7  tithes “A tenth of annual produce or earnings, taken as a tax (originally in kind) for the support of the church and clergy;…now chiefly historical” (OED).

12 plunder “The action of plundering or taking something as spoil in time of war or civil disorder” (OED).

17 equal Article 6 of “The Declaration” stipulated that “all citizens were equal before the law and were to have the right to participate in legislation directly or indirectly” (Britannica).

20 peer “A member of a rank of hereditary nobility in Britain” (OED).

SOURCE:  Poems, & c. &c. By the Late Mrs. Mary Alcock (London, 1799), pp. 48-49. [Google Books]

Edited by Nadine French

Anna Seward, “Invocation of the Comic Muse”

ANNA SEWARD

“Invocation of the Comic Muse”

Prize Poem at Bath-Easton

 

On this mirth-devoted day,
From these festal bowers away,
In your sable vestments flee,
Train of sad MELPOMENE!
Ye, who midnight horrors dart                                                   5
Through the palpitating heart;
Fear, that flies its shadowy cause,
With hurried step and startled pause;
Straw-crown’d Phrenzy’s glaring gaze,
Chaunting shrill her changing lays:                                             10
Nor let dim-ey’d Grief appear,
Weaving mournful garlands here,
Cypress-buds, and fading flowers,
Wet with cold November’s showers;
Nor with the damp, wan brow, and streaming wound,                   15
Let stern, self-pierc’d Despair her hollow groans resound.

THALIA come, fantastic Fair,
Enthron’d in pantomimic car!
Thine open brow with roses bind,
By morning’s lucid rays entwin’d;                                                 20
Thine azure vest flow lightly down,
And vivid glow thy rainbow zone!
Haste thee, Nymph, with sunny hair,
With varied voice, and jocund air,
Adorn’d with all the laughing grace,                                             25
That decks the sweet bewitching face
Of her, who o’er the knee of snow
Archly snaps young Cupid’s bow;
For O! in that more beauteous maid
Than Grecian pencil e’er display’d,                                              30
Bright from ANGELICA’s unrival’d hand,
Goddess, thy portrait glows, and charms the gazing Land.

Nor let this Delphic Vase alone
Thy all-enlivening influence own;
Exert then still thy magic power                                                     35
To whiten every passing hour
For him, whose taste decided shines
In the fair Priestess of these shrines;
For her, who guides the devious feet
Of Genius to this fair retreat,                                                          40
Her verdant prize extending there; —
Ah still for them, the generous Pair,
Collect thou each idea bright
From Fancy’s shrine of missive light;
From Health, from Love, from Virtue’s ray,                                    45
To gild through life their varied day,
Illume the night, and bless the rising morn,
And with the beams of bliss the golden sun adorn.

NOTES:

Title Comic Muse Thalia, the muse of comedy.

Subtitle Prize Poem at Bath-Easton Seward wrote and performed this poem in 1778, her first  submission to one of Lady Anna Miller’s fortnightly poetry contests associated with her literary salon at Batheaston, a village just northeast of Bath (Claudia T. Kairoff, Anna Seward and the End of the Eighteenth Century, pp. 32-41).

1 mirth-devoted Joyful, happy (OED).

2 bowers “A vague poetic word for an idealized abode” (OED).

3 sable vestments Black clothing (OED).

4 MELPOMENE “One of the nine Muses, patron of tragedy and lyre playing” (Britannica).

9 Phrenzy An archaic spelling of “frenzy,” meaning “agitation or disorder of the mind likened to madness” (OED).

10 lays Poetry, verses.

18 car “A chariot, esp. of war, triumph, splendour, or pageantry” (OED).

24 jocund “Mirthful, merry…light-hearted” (OED).

31-32 ANGELICA “Alluding to a celebrated picture of Mrs. Kauffman’s, THE NYMPHS DISARMING CUPID” [Author’s note].  Angelica Kauffman (1741-1802) was a Swiss painter who live and worked in England from 1766-1781.  She was a founding member of the Royal Academy, and was well-known for her paintings of mythological subjects (Britannica).

33 Delphic Vase A reference to the ancient urn that the Millers brought back from Italy in 1772; contestants for the salon’s poetry prize would submit their poems by rolling them up and placing them in the urn (Kairoff, p. 35).

37 him Sir John Miller, Lady Anna Miller’s husband.

38 the fair Priestess of these shrines That is, Lady Anna Miller.

40 Genius Specifically, poetic genius in the context of the poetry competition.

44 Fancy Poetic imagination.

SOURCE: The Poetical Works of Anna Seward With Extracts from Her Literary Correspondence, Volume 2, ed. Walter Scott (Edinburgh: J. Ballantyne and Company, 1810), pp. 22-24. [Google Books]

Edited by Hannah Mayer

Elizabeth Singer Rowe, “A Hymn on Heaven”

ELIZABETH SINGER ROWE

“A Hymn on Heaven”

 

What glorious things of thee, O glorious place!
Shall my bold muse in daring numbers speak?
While to immortal strains I tune my lyre,
And warbling imitate angelic airs:
While ecstasy bears up my soul aloft,                                          5
And lively faith gives me a distant glimpse
Of glories unreveal’d to human eyes.

Ye starry mansions, hail! my native skies!
Here in my happy, pre-existent state,
(A spotless mind) I led the life of gods.                                        10
But passing, I salute you, and advance
To yonder brighter realm’s allow’d access.

Hail, splendid city of th’ almighty king!
Celestial Salem, situate above:
Magnificent thy prospect, and august,                                          15
Thy walls sublime, thy tow’rs and palaces
Illustrious far, with orient gems appear.
There, regent angels, crown’d with stars, command,
High in the midst, the awful throne of God
Ascends, the utmost empyrean arch,                                             20
The heav’n of heavens; where in conceiveless light,
Such as infinity alone can prove,
He enjoys th’ extremest bounds of happiness,
And was in perfect blessedness the same
Ere any thing existed but himself;                                                    25
Ere time, or place, or motion, had a name;
Before the spheres began their tuneful round;
Or through the air the sun had spread his beams;
Ere at his feet the flaming seraphs bow’d,
And cast their shining crowns before his throne;                          30
Ere smiling angels tun’d their golden harps,
Or sung one hallelujah to his praise.
But mighty love, which mov’d him to create,
Still moves him to communicate his bliss.

O, speak! you happy spirits that surround                               35
His dazzling throne, for you alone can tell;
For you alone those raptures can describe,
And stem th’ impetuous floods of joy that rise
Within your breasts, when all unveil’d, you view
The wonders of the beatific sight:                                                      40
When from the bright unclouded face of God
You drink full draughts of bliss and endless love,
And plunge yourselves in life’s immortal fount;
The spring of joy, which from his darling throne
In endless currents smoothly glides away,                                        45
Thro’ all the verdant fields of paradise;
Thro’ balmy groves, where on their flow’ry banks,
To murm’ring waters, and soft whisp’ring winds,
Fair spirits in melodious concert join,
And sweetly warble their heroic loves.                                               50
For love makes half their heav’n, and kindles here
New flames, and ardent life in ev’ry breast;
While active pleasure lightens in their eyes,
And sparkling beauty shines on every face:
Their spotless minds, all pure and exquisite,                                    55
The noblest heights of love prepar’d to act,
In everlasting sympathies unite,
And melt, in flowing joys, eternity away.

To those blest shades, and amaranthine bow’rs,
When dazzled with th’ insufferable beams                                        60
That issue from the open face of God,
For umbrage many a seraphim resorts:
Nor longer here o’er their bright faces clasp
Their gorgeous wings, which open wide, display
More radiance than adorns the chearful sun,                                   65
When first he from the rosy east looks out:
Gentle as love, their looks serene as light,
Blooming and gay as everlasting springs.

But oh! when in the lofty blissful bow’rs,
With heav’nly skill, to the harmonious lyre,                                        70
 The clear, the sweet, the melting voice they join;
The vales of heav’n rejoice, and echoing loud,
Redouble ev’ry charming close again;
While trembling winds upon their fragrant wings
Bear far the soft, melodious sounds away;                                          75
The silver streams their winding journeys stay,
Suspend their murmurs, and attend the song;
The laughing fields new flow’rs and verdure wear,
And all the trees of life bloom out afresh.
The num’rous suns which gild the realms of joy,                                  80
Dance in their lightsome spheres, and brighter day
Thro’ all th’ interminable ether darts,
While to the great unutterable name,
All glory they ascribe in lofty strains,
In strains expressless by a mortal tongue.                                             85
O happy regions! O transporting place!
With what regret I turn my loathing eyes
To yonder earthly globe, my dusky seat!
But ah! I must return; no more allow’d
To breathe the calm, the soft, celestial air,                                              90
And view the mystic wonders of the skies.

 NOTES:

 4 warbling “To modulate the voice in singing; to sing with trills and quavers” (OED).

13 almighty king “Designating a god, especially the Christian God or Christ” (OED).

14 Salem A reference to Jerusalem (Britannica).

17 orient “Eastern countries; the East” (OED).

29 seraphs “Angels” (OED).

37 raptures “Transport of mind…ecstasy esp. ecstatic delight of joy” (OED).

43 fount “A spring” (OED).

59 amaranthine bow’rs “An idealized abode” (OED).

62 seraphim “In Biblical use: the living creatures with six wings, hands and feet and a (presumably) human voice, seen in Isaiah’s version as hovering over the throne of God” (OED).

SOURCE: Poems on Several Occasions (London, 1759), pp. 59-62. [Google Books]

 Edited by Franny Baronian

 

 

Samuel Taylor Coleridge, “Lines on a Friend Who Died of a Frenzy Fever Induced by Calumnious Reports”

SAMUEL TAYLOR COLERIDGE
“Lines on a Friend Who Died of a Frenzy Fever Induced by Calumnious Reports”

 

EDMUND! thy grave with aking eye I scan,
And inly groan for Heaven’s poor outcast, Man!
‘Tis tempest all or gloom: in early youth
If gifted with the Ithuriel lance of Truth
He force to start amid her feign’d caress                                             5
VICE, siren-hag! in native ugliness,
A Brother’s fate will haply rouse the tear,
And on he goes in heaviness and fear!
But if his fond heart call to PLEASURE’S bower
Some pigmy FOLLY in a careless hour,                                                 10
The faithless guest shall stamp th’ inchanted ground
And mingled forms of Mis’ry rise around:
Heart-fretting FEAR, with pallid look aghast,
That courts the future woe to hide the past;
REMORSE, the poison’d arrow in his side;                                            15
And loud lewd MIRTH, to Anguish close allied:
Till FRENZY, fierce-ey’d child of moping pain,
Darts her hot lightning flash athwart the brain.

Rest,injur’d shade! Shall SLANDER squatting near
Spit her cold venom in a DEAD MAN’S ear?                                          20
‘Twas thine to feel the sympathetic glow
In Merit’s joy, and Poverty’s meek woe;
Thine all, that cheer the moment as it flies,
The zoneless CARES, and smiling COURTESIES.
Nurs’d in thy heart the firmer Virtues grew,                                          25
And in thy heart they wither’d! Such chill dew
Wan INDOLENCE on each young blossom shed;
And VANITY her filmy net-work spread,
With eye that roll’d around in asking gaze,
And tongue that traffick’d in the trade of praise.                                 30
Thy follies such! the hard world mark’d them well—
Were they more wise, the PROUD who never fell?
Rest, injur’d shade! the poor man’s prayer of praise
On heaven-ward wing thy wounded soul shall raise.

As oft at twilight gloom thy grave I pass,                                                35
And sit me down upon its recent grass,
With introverted eye I contemplate
Similitude of soul, perhaps of — Fate!
To me hath Heaven with bounteous hand assign’d
Energic Reason and a shaping mind,                                                      40
The daring ken of Truth, the Patriot’s part,
And Pity’s sigh, that breathes the gentle heart—
Sloth-jaundic’d all! and from my graspless hand
Drop Friendship’s precious pearls, like hour glass sand.
I weep, yet stoop not! the faint anguish flows,                                     45
A dreamy pang in Morning’s fev’rish doze.

Is this pil’d Earth our Being’s passless mound?
Tell me, cold grave! is Death with poppies crown’d?
Tir’d Centinel! mid fitful starts I nod,
And fain would sleep, though pillow’d on a clod!                                 50

NOTES:

Title  Frenzy  “Mental derangement; delirium” (OED); Calumnious  “Slanderous, defamatory” (OED).

1  aking  Aching.

2  inly  Inwardly.

4  Ithuriel  Angel from John Milton’s Paradise Lost (1667); associated with truth.

9  bower  “A vague poetic word for an idealized abode” (OED).

13  pallid  “Pale, esp. from illness, shock, etc.” (OED).

18  athwart  “Across in various directions” (OED).

27  Wan  “Faded, sickly… unhealthily pale” (OED); INDOLENCE  “Love of ease… slothfulness” (OED).

41  ken  “Mental perception, recognition” (OED).

49  Centinel  “Sentinel; one who or something which keeps guard” (OED).

50  clod  “A lump of earth or clay adhering together” (OED).

Source: Poems on Various Subjects (London, 1796), pp. 32-35.  [Google Books]

Edited by M. Seydel

 

Eliza Haywood, “An Irregular Ode”

[ELIZA HAYWOOD]

“An Irregular Ode”

To Mr. WALTER BOWMAN, Professor of the Mathematics. Occasion’d by his objecting against my giving the Name of HILLARIUS to Aaron Hill Esq.

 

I Own the Name, which to my Muse owes Birth,
Is far beneath the mighty Wearer’s worth:
But say, what Means can tortur’d Wit invent,
Charms to describe which in Idea pain?
Can Reading show a Word of such extent,                                                          5
To grasp a Glory Thought can scarce contain?
To me, impossible it seems:
But Thou! alas! art far remov’d from Me by vast Extreams.
Unskill’d in Science, in rude Ign’rance bred,
Unhappy that I am,                                                                                         10
(For mine is not the Blame)
Learning’s sweet Paths I ne’er was taught to tread.

But if such Force in well-plac’d Letters dwells
Which can all Heaven Epitomize,
Contract Immensity to narrow Space,                                                                15
Wide different Beauties in one Round comprize,
And blend their Lustre in a mix’d Embrace;
Thine is the Art, great Bard! and thine pow’rful Spells.

Thou! who canst travel Nature’s Secrets o’er,
And all Philosophy’s dark Depths explore!                                                        20
Thou! who to Worlds unknown canst point the way,
And to benighted Reason lend a Ray,
To guide the Wand’rer led too long astray,
Do Thou exert thy oft’-try’d Skill!
And what might thousand Volumes fill                                                           25
(Yet Language seem unable to discharge)
In one all-meaning Fiat speak at large.
By thy inspective Power,
Descry some lucky Hour,
When the sloth-shedding Sway of Saturn yields                                              30
To Mercury’s inspiring Reign,
When vigorous Planets rule the Azure Fields,
And warmly actuate Man’s inventive Brain;
Study can know no nobler Aim,
Than to find out some comprehensive Name                                                  35
For Him, whom to admire, is the best Plea for Fame.

A Name it must be, which implies,
At once the Wonders of his Soul and Eyes!
Cherubial Sweetness! Godlike Majesty!
Numberless Myriads of Divinities,                                                                      40
Which, sparkling, in his Looks, his Words, his Works, we see:
Harmonious let it be in Sound,
Yet with Solemnity abound;
With Heaven-tun’d Notes adorn the nervous Sense,
Soft as his Voice, but lofty as his Mien:                                                              45
Each thrilling Syllable pleas’d-Awe impart,
Which thro’ the Ear, may strike the Heart
With rapt’rous Tremblings; touch the Strings of Life,
Make Extasy within it self at strife
‘Twixt Tenderness and Reverence:                                                                 50
To the Mind’s Eye make every Glory seen,
And the wrapt Soul feel all his Force, tho’ Worlds should rush between:

But if thou seekst what Learning cannot show,
For all in vain, I fear, is human Art,
To the great Source of perfect Knowledge go;
Shake off Mortality, and on a Beam                                                                  55
Of tow’ring Thought, swift thro’ the AEther dart,
Where blazing Galaxies of Light,
Strike the aw’d Eye, and dazzle vulgar Sight;
Nor, till thou reach the Throne of the Supreme,
Let meaner Views retard th’ advent’rous Flight.                                              60
There, MOSES! DAVID! GIDEON! and the rest
Of the immortal Blest,
Who by his deathless Lays more glorious Shine,
Will hail thy glad Approach in shouting Throngs,
And bid thee welcome to the Realms divine;                                                  65
Both Saints and Angels forward thy Request.
(Angels are his Admirers too,
And copy Hallelujahs from his Songs)
Nor shall thy Wishes vainly sue;
Th’ Almighty’s Self will smile with pleas’d regard,                                           70
And give thy daring Genius this reward:
Of all who Tribute paid,
Of Thee it shall be said,
Heaven’s darling Care stands all to thee confest,
Thou know’st Him most, and can’st describe Him best.                                 75

But till that Day, my boastful Pride shall live!
A Pride, so vast, as Empire could not give!
Far as Creation reaches, shall the Name
Eliza chose, tune the whole Voice of Fame;
The wafting Air shall bear the Accents round,                                                80
And all the wide Expanse echo the rapt’rous Sound:
Thro’ every Orb, HILLARIUS shall be heard,
And Altars to his shining Virtues rear’d;
HILLARIUS there, as here, be understood,
By all the Wise, the Brave, the Great, and Good.                                           85

NOTES:

Subtitle  Hillarius  A reference to Aaron Hill (1685-1750), dramatist and poet who, in the early 1720s, developed “a literary coterie dubbed the ‘Hillarian circle’ after the name bestowed on him by one of his fervent admirers, the novelist and dramatist Eliza Haywood” (Christine Gerrard, Aaron Hill: The Muses’ Projector, 1685-1750, pp. 61-2); WALTER BOWMAN (1699-1782), a tutor and antiquary who, in 1717, was considered for the position of “Chair of Mathematics in the Marischal College of Aberdeen University” (Tweedie, “A Study of the Life and Writings of Colin MacLaurin,” p. 134).  Bowman’s connection to Aaron Hill and the Hillarian circle remains obscure.

1  Muse  “The inspiring goddess of a particular poet; [hence] a poet’s particular genius, the character of a particular poet’s style” (OED).

17  Lustre  “Luminosity, brilliancy, bright light; luminous splendor” (OED).

18  Bard  “A lyric or epic poet, a ‘singer’; a poet generally” (OED).

30  sloth-shedding Sway of Saturn.  In astrological terms, Saturn was associated with industriousness and determination.

31  Mercury’s inspiring Reign  In astrological terms, Mercury was associated with reason and wit.

32  Azure Fields  Figurative phrase alluding to the skies or heavens.

39 Cherubial  “Angelic” (OED).

40  Myriads  “Countless numbers” (OED).

45  Mien  “The look, bearing, manner, or conduct of a person, as showing character, mood” (OED).

61  Moses  “A Hebrew prophet and lawgiver…[who] was inspired by God on Mount Sinai to write down the Ten Commandments” (OCB); David  “One of the best-known biblical characters” serves as follower and chosen hero of God in bible (OCB); Gideon  A military leader of the Israelites who won an important battle over a Midianite army despite being outnumbered, a story recounted in Judges 6-8 (OCB).

79  Eliza  A self-reference.

SOURCE: Poems on Several Occasions (London, [1724]), pp. 1-4.  [Google Books]

Edited by Kaitlyn Faherty

 

 

Edward Cobden, “A Letter to a Friend, on the Death of his Cow”

EDWARD COBDEN

“A Letter to a Friend, on the Death of his Cow”

 

Tu semper urges flebilibus modis
Raptam Juvencam, nec tibi vespere
Surgente decedunt amores,
Nec rapidum fugiente solem.       Hor[ace].

 “You, with incessant Wails, deplore,
That gentle Mully is no more:
Ev’ning and Morn bring no Relief,
No Milking to assuage your Grief.”

This Moment, Brother, I receiv’d
The News, at which I’m much aggriev’d,
That she, your Favourite of late,
Dear Mully, has resign’d to Fate:
Mully, from whose indulgent Side                                 5
You were so lavishly supply’d
With what might decently afford
A Dish successive on the Board.

When Pudding enters, all are pleas’d,
Their Bowels seem already eas’d;                                10
And if the Butter richly flow,
Glibly the luscious Morsels go.

Happy’s the Table then partakes
Of tender Custards, frail Cheese-cakes,
Or Syllabub, by Artists beat                                           15
To an obliging, empty Cheat.
Too like the Kisses of the Fair,
So light, you almost nothing share;
So tempting, that you can’t forebear.

The Dinner with perfuming Cheese                      20
Is nobly crown’d. Now each of these,
All understanding Housewives know,
Their Essence to a Dairy owe.

A thousand Pleasures, inter Meals,
The Monarch of a Dairy feels:                                        25
With purest Cream now softens Tea,
Now calls for Posset-Drink, and Whey:
Commands Variety of Good,
Either for Physic, or for Food.
With friendly Visits always pleas’d,                               30
He unprovided can’t be seiz’d:
A hearty Welcome ne’er refuses,
Nor gives, instead of that, Excuses.

If, when the Day declines, by Hap
Some unexpected Guests should rap,                        35
And tarry, till the Heifer roars
For Susan, to unload her Stores;
His open Soul, dispos’d to treat
With Dainties exquisitely sweet
A Portion small of gen’rous Wines                               40
With grated Spice and Sugar joins,
Then summons Sue to stream upon’t
Milk smoking from the native Font:
Forwith ambrosial Curds arise,
Beneath while flowing Nectar lies.                              45
They lade or suck (there’s little Odds)
Immortal Medley, fit for Gods!

I might, in counting Blessings, tire;
All which in Mully now expire.

But here imprudently I dwell                                50
On what you recollect too well,
Not suffer’d by your grateful Mind
To lye in this Account behind.
Severe’s your Fate, must be allow’d!
Stupid the Mortal is, that wou’d                                   55
Be unconcern’d in such a Case:
Yet that you gently screw your Face,
Nor take this over-much to Heart,
Resistless Reasons I’ll impart.

Consider, willingly, or no,                                        60
You must endure th’ uneasy Blow.
Then why disconsolately grieve
At what no Conduct can retrieve?
Then lodge this Truth within your Breast,
All Things are order’d for the best.                                 65
Misfortunes from the Stars are sent
In Kindness, more than Punishment.

You say, You had not valu’d half
So much the Loss, but from a Calf
Up the fond Simpleton you brought,                              70
And sucking with your Finger taught:
That long Acquaintance with each Feature
Had much endear’d you to the Creature.

This makes the Affirmation plain,
Which I endeavour’d to maintain,                                   75
That you too warmly lov’d the Brute,
And often stole a sly Salute:
Pretending, with a cunning Fetch,
The Flavour of her Breath to catch.
If so, the Fates have this design’d                                    80
To raise and elevate your Mind
This World’s Uncertainty to show,
And wean you from Concerns below.

This, or whatever be the Reason,
Assure yourself, she dy’d in Season.                               85
Beside, had I this Loss sustain’d,
I had with Justice more complain’d,
Who have, except my Mully, little
For Conversation, or for Vittle.
But, though you are of her bereft,                                  90
Unnumber’d Blessings still are left.
The Charms of an engaging Spouse,
And Plenty smiling round your House.
Your Tulips in the Spring appear,
And Children blooming all the Year.                               95
Then comfort up a fleeting Life;
Since Mully’s gone, e’en kiss your Wife.
This, your Affliction to relieve,
Is what Advice a Friend can give.

If, deaf to Admonition, still                                         100
Your Thoughts lye brooding o’er the Ill;
Rather than endless you repine
Your Fav’rite lost, I’ll lend you mine;
Who, tho’ her usual Bounty, now
She’s near her Time, refuse to flow,                                 105
(She keeping in a leathern Bottle
Her Liquor for the groaning Twattle)
And will your Expectations bilk,
If much they hanker after Milk,
Yet is her Company as good                                              110
As when a Virgin she was woo’d:
And with her Sister, in my Eye,
She might for Wit and Beauty vie:
You’ll hardly one in Thousands find
More suited to relieve your Mind.                                    115
’Twill probably assist your Case,
Oft to survey her comely Face.
And when her rival Lowings ring,
It may some Consolation bring.

Such kindly Visit she shall pay,                                    120
While this Vexation wears away.
But if her young one’s troublesome,
When she’s deliver’d, send them home.
And should you, when (or quickly after)
I lend my Jewel, spare your Daughter,                               125
In harmless Waggery and Play
Engag’d, we’d cheat the sultry Day,
And banish Sorrow far away.
And in this sweet Exchange, tho’ short,
I’ll pawn my Gown and Cassock for’t,                                 130
The lovely Patty shan’t be hurt.
The smiling Charge I’ll safe resign
Again, when Mully shall be mine.

Should Mully’s Issue prove a Nancy,
And, with her Looks, attract your Fancy,                            135
Return the Mother home for Food,
Keep Nan, in Patty’s place, for good.
Thrice happy both! when thus supply’d,
You with a Heifer, I, a Bride.

If, Neighbour, you shall be requir’d                              140
To dignify the Brute expir’d,
And rear some monumental Stones,
Where dying she bequeath’d her Bones;
Which near the Crib we may suppose,
The Work let this Inscription close.                                      145

The Epitaph.

Here, where she oft was stroak’d and fed,
All that remains of Mully’s laid;
Enclos’d within this narrow Bound,
That rang’d the whole Enclosure round.
Her Fate, with Sorrow, is deplor’d,                                       150
Who gave us Pleasure when she roar’d.
Her welcome Plaints kept me alive;
O could she now by mine survive!

NOTES:

 Epigraph  The source is Horace’s Odes, Book 2.9, lines 9-12.  However, Cobden has replaced the phrase “Mysten Ademptum” at line 10, with “Raptam Juvencam” (“raped heifer”).  Cobden’s rather loose translation follows.

15  Syllabub  “A drink or dish made of milk (frequently as drawn from the cow) or cream, curdled by the admixture of wine, cider, or other acid, and often sweetened and flavoured” (OED).

27  Posset-Drink  “A drink made from hot milk curdled with ale, wine, or other liquor, flavoured with sugar, herbs, spices, etc.” (OED).

78  Fetch  “A contrivance, stratagem” (OED).

89  Vittle  “Food or provisions of any kind” (OED).

94  Your Tulips  “The Clergyman was a Florist” [Author’s note].

107  Twattle  “Idle talk, chatter, babble” (OED).

118  Lowings  “The deep resonant vocal sound characteristically made by a cow” (OED).

126  Waggery  “The action or disposition of a wag; drollery, jocularity; in early use chiefly, mischievous drollery, practical joking” (OED).

130  Cassock  “A long close-fitting frock or tunic worn by Anglican clergymen, originally along with and under the gown” (OED).

SOURCE: Poems on Several Occasions (London, 1748), pp. 87-95.  [Google Books]

Edited by Josiah Taylor

John Ogilvie, “Jupiter and the Clown. A Fable”

JOHN OGILVIE

“Jupiter and the Clown. A Fable”

 

Envy! thou Fiend, whose venomed sting
Still points to Fame’s aspiring wing;
Whose breath, blue sulphur’s blasting steam,
Whose eye the basilisk’s lightning-gleam;
Say, through the dun ile’s solemn round,                                    5
Where Death’s dread foot-step prints the ground,
Lovest thou to haunt the yawning tomb,
And crush fallen Grandeur’s dusty plume?
Or, where the wild Hyaena’s yell
Rings thro’ the hermit’s cavern’d cell,                                            10
Moves thy black wing its devious flight?
(The wing that bloats the cheek of Night)
There oft beneath some hoary wall
Thy stings are dipt in scorpion’s gall;
Thence whizzing springs the forky dart,                                        15
And spreads its poison to the heart.

Hence all th’ unnumber’d cares of life,
Hence malice, fury, rapine, strife;
Hence all exclaim on partial fate;
Hence pale Revenge, and stern Debate;                                       20
Hence man (to every passion prone)
Sees much, loves all;—but hates his own.

Now, Delia, should the chance to know
Some trifling fool, —perhaps—a beau,
The fair at once implores the skies,                                                25
With glowing cheeks and sparkling eyes;
O, hear your Votary’s earnest prayer,
Ye guardian angels of the fair!
Make but this charming creature prove
A victim to the power of love:                                                           30
‘Tis this, Ye Gods, I would implore!
And grant but this;— I ask no more.

The prayer is heard (what power delays
To grant her suit when Delia prays!)
The beau is caught, he swears, and bows,                                     35
Protests, and snuffs, and sweats, and vows
By all the oaths the fool can swear,
That never creature was so fair:
Then adds a thousand more, to tell
That never mortal loved so well.                                                      40

The prize is gain’d—the pleasure o’er;
Lace, bag, and snuff-box charm no more:
No bosom feels the killing smart,
No side-long glance betrays the heart,
No fan conceals a rival’s fears,                                                         45
No cheek is stain’d with spiteful tears.
On new delights her passions fix,
A court perhaps, or coach and six,
She wants a ball, and justly vain,
Admires a title,—or a cane.                                                               50

But ere our reader’s patience fail,
‘Tis time we now begin our tale.

An honest Farmer, old and sage,
(Sure wisdom still attends on age)
One morning rose, when all was fair,                                             55
And joyous breathed the scented air.
Waked by the Zephyr’s tepid wing,
Aurora, fragrant as the Spring,
Rose from her couch, the busy Hours
Stole from their crimson-curtain’d bowers;                                  60
Loose was her robe of saffron hue,
Her locks diffused ambrosial dew;
The sky’s broad gates at once unfold,
The light cloud flames with cinctured gold;
The woodland gleams, the silver stream                                       65
Waves to the broad sun’s fluttering beam;
The feather’d people sing their love,
And music rings along the grove.

Elate, the happy clown surveyed
The field wide-opening thro’ the shade;                                         70
The green ears rustling to the gale
Shot thro’ to thin night’s ruffled veil;
Slow rose to sight the new-born day,
Slow crept the lingering shades away,
‘Till o’er the broad hill’s summit dun                                                75
Obliquely glanc’d the mounting sun;
And all-illumed with rushing light,
The swelling landskip burst to sight.

As the fond Mother’s panting breast
Throbs o’er her infant hush’d to rest,                                              80
Warm in his little hut, the boy
Flutters elate with rising joy;
As by her gentle pressure sway’d,
Swings soft and slow the sleepy bed;
Wild Fancy whispers in her ear,                                                        85
She whirls away the rolling year!
Youth, manhood comes! she marks afar
A robe, a mitre, or a f—r!
Her heart leaps quick! elate with pride!
Each prude’s insulting dress outvyed!                                            90
Each neighbour’s booby son, unseen,
Gnaws the pale lip with fruitless spleen!
Sudden she starts! some rival dress’d,
Swims in the loosely-floating vest,
Her bosom heaves a sullen groan:—-                                            95
Ah! was that charming suit my own!

Such joy ( soon check’d with killing smart)
Shot thro’ the swain’s exulting heart;
He hears the reaper’s sprightly song:
The rustling sickle sweeps along;                                                  100
His barns with swelling sheaves are stored,
Gay Plenty crowns the festive board;
He cries in triumph, with a smile,
“For hopes like these who would not toil,
That neither flatter, nor beguile?”                                                 105
Just as he spoke the word,—behold
A gaudy thing, o’erlaid with gold,
Came fluttering by!—so nicely clad,
With powder’d wig, and laced brocade;
So gay, so rich (though strange to tell!)                                       110
No butterfly look’d half so well.

Struck with the glittering vest he wore,
The clown’s rude eye-ball stared him o’er;
Sly Envy mark’d the secret snare,
The pick’d a chosen dart with care;                                              115
Of power to edge the quickest pain;—-
Then plunged it reeking in his brain.
Inflamed with fury and surprize,
Red Anger flashes from his eyes
“Must I (he cryed and scratch’d his head)                                   120
Supply this prattling thing with bread?
Must Farmers sweat, and wear their cloaths,
To furnish equipage for beaux?
We, Drudges doom’d to ceaseless toil,
For others tear the stubborn soil,                                                125
Our thoughts suspense and fears inflame,
Wretched and curs’d beyond a name;
While these amid’ the balmy bower,
Spend in soft ease the fleeting hour;—-
How fine they look! what charms they show,                            130
Ah! would to heav’n I was a Beau!”

Soft Pity touch’d th’ Almighty Sire:
Jove heard, and granted his desire.
At once his furrow’d brow was smooth,
In all the blooming pride of youth;                                              135
His hair in wavy ringlets flow’d,
His cheek with fine vermilion glow’d;
Not like our modern pigmy race,
With wither’d limbs, and meagre face,
But plump and pruce he’d match’d a score;                              140
Such were the Beaux in days of yore.
Gay pleasure danc’d in every limb,
He skimm’d along with airy swim;
The God, propitious to his prayer,
Gave the soft look, and graceful air;                                           145
But wrapt in his dreams of bliss, the Fool
Forgot his pocket, and his soul.

When thus transform’d, our glittering Beau
Surveyed himself from top to toe,
Stuck at the change with vast surprize,                                     150
He stares, and scarce believed his eyes.
But when he found that all was sure,
He cock’d his hat, and frown’d, and swore;
Applauded by the wondering throng,
The sullen Heroe strode along:                                                   155
And while the swains in rude amaze
Mark his high port with stupid gaze,
Like Jove with solemn pace he trod,
And deign’d—, yet scarcely deign’d,—to nod.

But now to town he takes his way,                                      160
And sees the court, the park, the play;
Attends the Fair, admir’d by all,
Leads the gay dance, and rules the ball.
“Heav’ns! what a shape! fair Daphne cries,
How fine his mien! how bright his eyes!”                                   165
Thus all admire the charms they see,
His cane that dangled at his knee,
His box and hat they view together,—
Some prais’d the paint, and some the feather;
No english taylor’s clumsy fist                                                      170
E’er match’d the sleeve that graced his wrist;
The lace,—from Brussels last;— by chance
He pick’d the brilliant up in France.
His coat so trim! so neat his shoe!
His limbs so shaped to strut, or— bow!                                      175
Fashion, you’d swear, to show her power,
Had left dear Paris half an hour.

But, ah! with grief the muse proceeds:
What power can mend the vulgar’s deeds!
One night a coachman set him down,                                        180
Then rudely ask’d him— half a crown.

He search’d his pocket;—what a curse?
His pocket held—an empty purse!
What should he do!—all aid withdrawn!
Cane, box, and watch, were sent to pawn;                                185
His brilliant too (‘t had vex’d a saint)
Gained a few crowns—and cent per cent!
No friend his money can afford:
He gamed,—a sharper swept the board.

Then scorn’d by all,—in deep despair,                                 190
To Jove once more he made his prayer,
And begg’d the God to ease his pain,
And give him back his plough again.

NOTES:

 Title  Jupiter  “The supreme deity of the ancient Romans” (OED); Clown  “A countryman, rustic” (OED).

4  basilisk  “A fabulous reptile;…ancient authors stated that its hissing drove away all other serpents, and that its breath, and even its look, was fatal” (OED).

5  dun ile’s  [Unable to trace.]

18  rapine  “The act or practice of seizing and taking away by force the property of others; plunder” (OED).

27  Votary  “A person who has dedicated himself or herself to religious service by taking vows; a monk or nun” (OED).

35  beau  “Suitor of a lady,” but also “a man who gives particular, or excessive, attention to dress” (OED).

57  Zephyr  “A gentle, mild wind or breeze” (OED).

58  Aurora  “The (Roman) goddess of dawn, represented as rising with rosy fingers from the saffron-coloured bed of Tithonus” (OED).

64  cinctured  “Girdled” (OED).

88  mitre  “The headdress of a priest” (OED); f–r  Likely “fur,” “worn as a mark of office or state” (OED).

123  equipage for beaux  Articles of dress and ornament for young men (OED).

133  Jove  “A poetical equivalent of Jupiter…the highest deity of the ancient Romans” (OED)

143  swim  “The smooth gliding movement of the body” (OED).

147  pocket  “Any small bag or pouch worn on the person” (OED).

173  brilliant  “A diamond of the finest cut” (OED).

187  cent per cent  “Profit” (OED).

189  sharper  “A fraudulent gamester, a cheat” (OED).

SOURCE:  A Collection of Poems on Several Subjects (London, 1762), pp. 120-28.  [Google Books]

Edited by Jordan Young