Tag Archives: tetrameter couplets

Matthew Prior, “To a Gentleman in Love. A Tale”

   MATTHEW PRIOR

“To a Young Gentleman in Love.  A Tale”

 

From publick Noise and factious Strife,
From all the busie Ills of Life,
Take me, My CELIA, to Thy Breast;
And lull my wearied Soul to Rest:
For ever, in this humble Cell,                                                       5
Let Thee and I, my Fair One, dwell;
None enter else, but LOVE——and He
Shall bar the Door, and keep the Key.

To painted Roofs, and shining Spires
(Uneasie Seats of high Desires)                                                   10
Let the unthinking Many croud,
That dare be Covetous and Proud:
In golden Bondage let Them wait,
And barter Happiness for State:
But Oh! My CELIA, when Thy Swain                                            15
Desires to see a Court again;
May Heav’n around This destin’d Head
The choicest of its Curses shed:
To sum up all the Rage of Fate,
In the Two Things I dread and hate;                                          20
May’st Thou be False, and I be Great.

Thus, on his CELIA’s panting Breast,
Fond CELADON his Soul exprest;
While with Delight the lovely Maid
Receiv’d the Vows, She thus repaid:                                           25

Hope of my Age, Joy of my Youth,
Blest Miracle of Love and Truth!
All that cou’d e’er be counted Mine,
My Love and Life long since are Thine:
A real Joy I never knew;                                                                30
‘Till I believ’d Thy Passion true:
A real Grief I ne’er can find;
‘Till Thou prov’st Perjur’d or Unkind.
Contempt, and Poverty, and Care,
All we abhor, and all we fear,                                                      35
Blest with Thy Presence, I can bear.
Thro’ Waters, and thro’ Flames I’ll go,
Suff’rer and Solace of Thy Woe:
Trace Me some yet unheard-of Way,
That I Thy Ardour may repay;                                                     40
And make My constant Passion known,
By more than Woman yet has done.

Had I a Wish that did not bear
The Stamp and Image of my Dear;
I’d pierce my Heart thro’ ev’ry Vein,                                           45
And Die to let it out again.
No: VENUS shall my Witness be,
(If VENUS ever lov’d like Me)
That for one Hour I wou’d not quit
My Shepherd’s Arms, and this Retreat,                                    50
To be the PERSIAN Monarch’s Bride,
Part’ner of all his Pow’r and Pride;
Or Rule in Regal State above,
Mother of Gods, and Wife of JOVE.

O happy these of Human Race!                                             55
But soon, alas! our Pleasures pass.
He thank’d her on his bended Knee;
Then drank a Quart of Milk and Tea;
And leaving her ador’d Embrace,
Hasten’d to Court, to beg a Place.                                             60
While She, his Absence to bemoan,
The very Moment He was gone,
Call’d THYRSIS from beneath the Bed;
Where all this time He had been hid.

MORAL

WHILE Men have these Ambitious Fancies;                              65
And wanton Wenches read Romances;
Our Sex will——What? Out with it. Lye;
And Their’s in equal Strains reply.
The Moral of the Tale I sing
(A Posy for a Wedding Ring)                                                        70
In this short Verse will be confin’d:
Love is a Jest; and Vows are Wind.

NOTES:

15 Swain A shepherd, here figured as a young lover or suitor.

23 CELADON A pastoral name for a shepherd.

33 prov’st Have proved to be; Perjur’d “A person that has committed or is guilty of perjury; that has deliberately broken an oath, promise, etc.” (OED).

47 VENUS “The ancient Roman goddess of beauty and love” (OED).

54 Wife of JOVE “Jove, a poetical equivalent of Jupiter, name of the highest deity of the ancient Romans; Jove’s wife is Juno, a woman of stately beauty” (OED).

63 THYRSIS A pastoral name for a shepherd; used by Virgil in his Seventh Eclogue.

70 Posy “A small bunch of flowers…a nosegay or small bouquet” (OED).

SOURCE: Poems on Several Occasions (London, 1718), p. 99-101. [Google Books]

Edited by Kaori Okamoto

Charlotte Lennox, “To Moneses Singing”

[CHARLOTTE  LENNOX]

To MONESES Singing

 

 Be hush’d as Death, Moneses sings,
Moneses strikes the sounding Strings;
Let sacred Silence dwell around,
And nought disturb the Magick Sound;
Let not the softly whisp’ring Breeze                                             5
Sob amidst the rustling Trees;
Murmur, ye plaintive Streams, no more,
But glide in Silence to the Shore:
Even Philomel thy Note suspend,
And to a sweeter Song attend;                                                      10
Ah! soft, ah! dang’rous, pow’rful Charm,
An Angel’s Voice, an Angel’s Form;
Attentive to the heav’nly Lay,
I hear and gaze my Soul away;
Now tender Wishes, melting Fires,                                                15
Infant Pains, and young Desires,
Steal into my softned Soul,
And bend it to the sweet Controul;
Yet, let me fly, e’er ‘tis too late,
The sweet Disease, and shun my Fate.                                          20
But ah! that softly, dying Strain
Arrests my Steps, I strive in vain.
Again I to the Syren turn,
Again with gentle Fires I burn;
Cease lovely Youth th’ inchanting Sound,                                       25
Too deep already is the Wound;
Thro’ all my Veins the Poison steals,
My Heart the dear Infection feels:
I faint, I die, by love opprest,
The Sigh scarce heaves my panting Breast;                                     30
Before my View dim Shadows rise,
And hides Thee from my ravish’d Eyes:
Thy Voice, like distant Sounds, I hear,
It dies in murmurs on my Ear:
In the too pow’rful Transport tost,                                                      35
Ev’n Thought, and ev’ry Sense is lost.

NOTES:

Title MONESES A made up pastoral name for an unidentified addressee.

7 plaintive “Mournful, sad” (OED).

9 Philomel “A poetic or literary name for the nightingale,” known for its sweet song (OED).

23 Syren “One who, or that which, sings sweetly, charms, allures, or deceives like the Sirens” (OED).

SOURCE:  Poems on Several Occasions. Written by a Young Lady (London, 1747), pp. 23-25. [Google Books]

Edited by Tomas E. Raudales-Beleche

 

 

 

 

Elizabeth Moody, “A Dialogue between Beauty and Time”

ELIZABETH MOODY

“A Dialogue between Beauty and Time”

 

As BEAUTY somewhat in decay
Was loit’ring tedious hours away;
Reflecting on her faded charms
That now no Lover’s heart alarms;
On Time her pensive thought was bent,                          5
Till rising spleen enforced a vent.

O TIME ! rapacious thief, she cry’d,
Why dost thou pillage thus our pride?
Encroaching still from day to day,
Some fav’rite charm thou steal’st away;                            10
O what a booty hast thou got!
Of hair, teeth, skin, and God knows what!
Detested plunderer ! —could but we
Retaliate thefts and rifle thee!
What bands of females would arise                                  15
In quest of ringlets, lips and eyes!
But thou tenacious of thy store,
Will’t keep possession evermore;
Nor ever restitution make
Of any treasure thou dost take.                                          20
How artful thy insidious paces
Assailing by degrees our faces!
A tiny wrinkle first appears,
A sallower hue complexion wears;
A tooth perchance shall pass away,                                   25
An auburn lock be ting’d with grey;
A blotch displays a patch of red,
And here and there a pimple’s head.
Thus by a progress dimly seen,
Thou mak’st a wreck of Beauty’s mien.                              30

“TIME, who was mowing on his way,
Attentive to his daily prey,
Hearing his name aloud repeated,
And with respect so little treated,
Started and made a sudden stand,                                      35
His scythe suspended in his hand,
While thus he spoke,—Thou silly fair!
Thy froward petulance forbear!
For know, that those who thus complain,
Who thus indulge the peevish strain,                                   40
Do but accelerate my power,
And uglier grow through every hour.
Go to thy glass, and that will show
From storms of rage that wrinkes flow.
Good-nature Beauty keeps alive,                                           45
Her dying charms it bids revive;
Still o’er herself a conquest gains,
And binds all others in her chains.
What though the skin be furrow’d o’er.
And hardness grows on every pore!                                     50
What though the eyes of beams bereft,
Have scarce a glimmering sparkle left;
Her sex its softness still retains
The angel temper still remains;
Still glows with every virtuous sense,                                   55
Its latest dream—benevolence.

Have I not told thee I would make
Some recompense for what I take?
Have I not told thee thou should’st find
Amendment in thy better mind;                                            60
Have I not promis’d to dispense
Prudence, philosophy and sense?
And that when Beauty wither’d lies,
Virtue from her dead flowers shall rise;
Learn then submission—be resign’d:                                    65
Meet me with smiles, and find me kind,
Yield to me calmly all I ask,—
Resisting Time’s a bootless task.

Submission? ——scornful BEAUTY cries,
What—give thee both my radiant eyes,                                70
My hair, my neck, my arms, my skin,
And not one murmur pass within?
No wish indulg’d one charm to save
A little longer from thy grave?
Time’s spoils his wisdom ill supplies,                                      75
Inadequate the compromise.

What canst thou give for Beauty’s face;
For Beauty’s freshness, vigour, grace?
What give in lieu of happy youth,
Her native innocence and truth?                                            80
What—for her open generous heart?
But cold reserve in folds of art?
What—for her unsuspecting trust?
But caution’s fear, and doubt unjust.
What for the converse youth bestows?                                85
Thought that reciprocally flows.
Gay intercourse that TIME derides,
“With Laughter holding both her sides.”
When Mirth’s allow’d to be in season,
Nor stands control’d by crabbed Reason.                            90
For this—say what dost thou engage?
The dull garrulity of Age.
The tedious half-remember’d stories,
Of cocks and bulls, and Whigs and Tories.
Remnants of tales of ancient courts,                                    95
Of vicious Monarchs and their sports;
Of Statesmen and their various tricks,
And furious jars of Politicks.
With tribes of legendary themes,
Prophetic visions, ghosts and dreams.                                 100

That prudence too, experience, sense,
Which thou so boastest to dispense:
What form they, but a case of steel,
That aged bosoms may not feel?
And thy Philosophy, O say!                                                     105
Will it drive racking Gout away?
Or for its pangs such ease prepare,
As flannel and an elbow chair?
Then wherefore barter Time, with thee,
On no Exchange shall we agree.                                           110

Time frown’d and scowling fierce reply’d,
Is this my proffer’d grace deny’d?
Go then—retain thy abject mind!
Such as thou view’st me thou shalt find.
For thee no wisdom I’ll prepare,                                           115
No solace for thy age’s care,
No veil I’ll spread thy faults to hide,
Replete with ignorance and pride,
Long as the glass my motion shows,
Through which life’s sandy current flows;                           120
Thou slave of Folly shalt be seen,
The same at sixty, as sixteen.

NOTES:

6 spleen “Excessive dejection or depression of spirits” (OED).

7 rapacious “Inordiately given to grasping or taking” (OED).

24 sallower hue “Sickly; yellow” (Johnson).

30 mien “The look, bearing, manner, or conduct of a person, as showing character, mood” (OED).

38 froward “Ungovernable; angry” (Johnson).

88 With Laughter holding both her sides A variation of line 32 from John Milton’s L’Allegro (1645), “And Laughter holding both his sides.”

89 Mirth “Joy, happiness” (OED).

92 garrulity “The quality of talking too much; talkativeness” (Johnson).

94 Whigs and Tories The two main British political parties from the 1680s to the mid 1800s.

106 Gout “A disease that causes painful swelling of the joints especially the toes” (Britannica).

SOURCE: Poetic Trifles (London, 1798) pp. 13-18. [Google Books]

Edited by Luke Bushey

Mary Masters, “On Beauty”

MARY MASTERS

“On Beauty”

Sure, Beauty is a Light Divine,
That does with awful Lustre shine;
Rises more strong at ev’ry View,
And does the proudest Hearts subdue.
Where is the Man, that durst defy                                            5
The blooming Cheek and dazling Eye;
The lovely Shape, the winning Air,
And graceful Motions of the Fair?
Stoicks themselves could find no Arms
’Gainst Beauty’s bright tremendous Charms:                          10
This CATO by Example prov’d,
A rigid Stoick, yet he lov’d:
And both his am’rous Sons display’d
Their rival Flames for one fair Maid.
Beauty still triumphs o’er the Schools,                                       15
With all their Philosophick Rules;
She breaks their surest best Defence,
Reason, the feeble Guard of Sense.

All feel her Force, her Laws obey,
Compell’d to own her potent Sway.                                             20
But ’tis th’ unblemish’d Form I praise,
Where VIRTUE shines with equal Rays!
For Beauty, stain’d, has lost her Pow’r,
And, VIRTUE gone, she charms no more.

NOTES:

2 Lustre “The quality or condition of shining by reflected light; sheen, refulgence; gloss” (OED).

4 subdue “To bring (an enemy, people, territory, etc.) into subjection by conquest or physical force” (OED).

5 durst Past tense of “dare.”

9 Stoicks “One who practices repression of emotion, indifference to pleasure or pain, and patient endurance” (OED).

11 CATO Cato the Younger (95-46BCE), Roman statesman and famous follower of stoicism.  Cato’s intended first marriage to Aemilia Lepida was possibly motivated by love, though she ended up marrying Scipio, to whom she was previously betrothed (Britannica).

13-14 Masters is using Joseph Addison’s popular play, Cato, a Tragedy (1712) as her source here as Addison exercised “considerable literary license” by creating a plot line in which Cato’s sons, Portius and Marcus, vied for the love of a woman named Lucia.  See Nathan Wolloch, “Cato the Younger in the Enlightenment,” Modern Philology, vol. 106, no. 1 (August 2008), p. 67.

Source: Poems on Several Occasions (London, 1733), pp. 60-61. [Google Books]

Edited by Itzel Rodriguez

Henry James Pye, “The Snow-Drop”

HENRY JAMES PYE

“The Snow-Drop”

 

Hail earliest of the opening flowers!
Fair Harbinger of vernal hours!
Who dar’st unveil each silken fold
Ere SOL dispels the wintry cold,
And with thy silver leaves display’d                                                   5
Spread lustre through the dreary glade.­—-
What though no fragrance like the rose
Tincturing the ZEPHYR as it blows,
Thy humble flowers from earth exhale
To scent the pinions of the gale;                                                        10
What though no hues of gaudy dye
Strike with their dazzling charms the eye,
Nor does thy sober foliage shew
Each blended tint of IRIS’ bow;
Yet in thy meek unsullied grace                                                          15
Imagination’s eye shall trace
The glowing blossoms that appear
Proudly to paint the vernal year,
And smiling MAIA’s blushing dyes,
And jocund Summer’s cloudless skies,                                              20
And Autumn’s labors which succeed
To bid the purple vintage bleed,
Our hopes anticipating see
Led on in radiant train by thee.

NOTES:

3 dar’st Dares.

4 Ere Before; SOL Sun.

8 Tincturing “Tinge; imbue” (OED); ZEPHYR In Greek Mythology, “the god of the west wind” (OED).

10 pinions Wings (OED).

14 IRIS’ bow “In Greek mythology, the personification of the rainbow” (Britannica).

19 MAIA “In Roman Mythology, a goddess of fertility and of the Spring” (OED).

SOURCE: Poems on Various Subjects. Vol. I (London, 1787), pp. 39-40. [Google Books]

 Edited by Jiyun An

Edward Cobden, “A Letter to a Friend, on the Death of his Cow”

EDWARD COBDEN

“A Letter to a Friend, on the Death of his Cow”

 

Tu semper urges flebilibus modis
Raptam Juvencam, nec tibi vespere
Surgente decedunt amores,
Nec rapidum fugiente solem.       Hor[ace].

 “You, with incessant Wails, deplore,
That gentle Mully is no more:
Ev’ning and Morn bring no Relief,
No Milking to assuage your Grief.”

This Moment, Brother, I receiv’d
The News, at which I’m much aggriev’d,
That she, your Favourite of late,
Dear Mully, has resign’d to Fate:
Mully, from whose indulgent Side                                 5
You were so lavishly supply’d
With what might decently afford
A Dish successive on the Board.

When Pudding enters, all are pleas’d,
Their Bowels seem already eas’d;                                10
And if the Butter richly flow,
Glibly the luscious Morsels go.

Happy’s the Table then partakes
Of tender Custards, frail Cheese-cakes,
Or Syllabub, by Artists beat                                           15
To an obliging, empty Cheat.
Too like the Kisses of the Fair,
So light, you almost nothing share;
So tempting, that you can’t forebear.

The Dinner with perfuming Cheese                      20
Is nobly crown’d. Now each of these,
All understanding Housewives know,
Their Essence to a Dairy owe.

A thousand Pleasures, inter Meals,
The Monarch of a Dairy feels:                                        25
With purest Cream now softens Tea,
Now calls for Posset-Drink, and Whey:
Commands Variety of Good,
Either for Physic, or for Food.
With friendly Visits always pleas’d,                               30
He unprovided can’t be seiz’d:
A hearty Welcome ne’er refuses,
Nor gives, instead of that, Excuses.

If, when the Day declines, by Hap
Some unexpected Guests should rap,                        35
And tarry, till the Heifer roars
For Susan, to unload her Stores;
His open Soul, dispos’d to treat
With Dainties exquisitely sweet
A Portion small of gen’rous Wines                               40
With grated Spice and Sugar joins,
Then summons Sue to stream upon’t
Milk smoking from the native Font:
Forwith ambrosial Curds arise,
Beneath while flowing Nectar lies.                              45
They lade or suck (there’s little Odds)
Immortal Medley, fit for Gods!

I might, in counting Blessings, tire;
All which in Mully now expire.

But here imprudently I dwell                                50
On what you recollect too well,
Not suffer’d by your grateful Mind
To lye in this Account behind.
Severe’s your Fate, must be allow’d!
Stupid the Mortal is, that wou’d                                   55
Be unconcern’d in such a Case:
Yet that you gently screw your Face,
Nor take this over-much to Heart,
Resistless Reasons I’ll impart.

Consider, willingly, or no,                                        60
You must endure th’ uneasy Blow.
Then why disconsolately grieve
At what no Conduct can retrieve?
Then lodge this Truth within your Breast,
All Things are order’d for the best.                                 65
Misfortunes from the Stars are sent
In Kindness, more than Punishment.

You say, You had not valu’d half
So much the Loss, but from a Calf
Up the fond Simpleton you brought,                              70
And sucking with your Finger taught:
That long Acquaintance with each Feature
Had much endear’d you to the Creature.

This makes the Affirmation plain,
Which I endeavour’d to maintain,                                   75
That you too warmly lov’d the Brute,
And often stole a sly Salute:
Pretending, with a cunning Fetch,
The Flavour of her Breath to catch.
If so, the Fates have this design’d                                    80
To raise and elevate your Mind
This World’s Uncertainty to show,
And wean you from Concerns below.

This, or whatever be the Reason,
Assure yourself, she dy’d in Season.                               85
Beside, had I this Loss sustain’d,
I had with Justice more complain’d,
Who have, except my Mully, little
For Conversation, or for Vittle.
But, though you are of her bereft,                                  90
Unnumber’d Blessings still are left.
The Charms of an engaging Spouse,
And Plenty smiling round your House.
Your Tulips in the Spring appear,
And Children blooming all the Year.                               95
Then comfort up a fleeting Life;
Since Mully’s gone, e’en kiss your Wife.
This, your Affliction to relieve,
Is what Advice a Friend can give.

If, deaf to Admonition, still                                         100
Your Thoughts lye brooding o’er the Ill;
Rather than endless you repine
Your Fav’rite lost, I’ll lend you mine;
Who, tho’ her usual Bounty, now
She’s near her Time, refuse to flow,                                 105
(She keeping in a leathern Bottle
Her Liquor for the groaning Twattle)
And will your Expectations bilk,
If much they hanker after Milk,
Yet is her Company as good                                              110
As when a Virgin she was woo’d:
And with her Sister, in my Eye,
She might for Wit and Beauty vie:
You’ll hardly one in Thousands find
More suited to relieve your Mind.                                    115
’Twill probably assist your Case,
Oft to survey her comely Face.
And when her rival Lowings ring,
It may some Consolation bring.

Such kindly Visit she shall pay,                                    120
While this Vexation wears away.
But if her young one’s troublesome,
When she’s deliver’d, send them home.
And should you, when (or quickly after)
I lend my Jewel, spare your Daughter,                               125
In harmless Waggery and Play
Engag’d, we’d cheat the sultry Day,
And banish Sorrow far away.
And in this sweet Exchange, tho’ short,
I’ll pawn my Gown and Cassock for’t,                                 130
The lovely Patty shan’t be hurt.
The smiling Charge I’ll safe resign
Again, when Mully shall be mine.

Should Mully’s Issue prove a Nancy,
And, with her Looks, attract your Fancy,                            135
Return the Mother home for Food,
Keep Nan, in Patty’s place, for good.
Thrice happy both! when thus supply’d,
You with a Heifer, I, a Bride.

If, Neighbour, you shall be requir’d                              140
To dignify the Brute expir’d,
And rear some monumental Stones,
Where dying she bequeath’d her Bones;
Which near the Crib we may suppose,
The Work let this Inscription close.                                      145

The Epitaph.

Here, where she oft was stroak’d and fed,
All that remains of Mully’s laid;
Enclos’d within this narrow Bound,
That rang’d the whole Enclosure round.
Her Fate, with Sorrow, is deplor’d,                                       150
Who gave us Pleasure when she roar’d.
Her welcome Plaints kept me alive;
O could she now by mine survive!

NOTES:

 Epigraph  The source is Horace’s Odes, Book 2.9, lines 9-12.  However, Cobden has replaced the phrase “Mysten Ademptum” at line 10, with “Raptam Juvencam” (“raped heifer”).  Cobden’s rather loose translation follows.

15  Syllabub  “A drink or dish made of milk (frequently as drawn from the cow) or cream, curdled by the admixture of wine, cider, or other acid, and often sweetened and flavoured” (OED).

27  Posset-Drink  “A drink made from hot milk curdled with ale, wine, or other liquor, flavoured with sugar, herbs, spices, etc.” (OED).

78  Fetch  “A contrivance, stratagem” (OED).

89  Vittle  “Food or provisions of any kind” (OED).

94  Your Tulips  “The Clergyman was a Florist” [Author’s note].

107  Twattle  “Idle talk, chatter, babble” (OED).

118  Lowings  “The deep resonant vocal sound characteristically made by a cow” (OED).

126  Waggery  “The action or disposition of a wag; drollery, jocularity; in early use chiefly, mischievous drollery, practical joking” (OED).

130  Cassock  “A long close-fitting frock or tunic worn by Anglican clergymen, originally along with and under the gown” (OED).

SOURCE: Poems on Several Occasions (London, 1748), pp. 87-95.  [Google Books]

Edited by Josiah Taylor

John Ogilvie, “Jupiter and the Clown. A Fable”

JOHN OGILVIE

“Jupiter and the Clown. A Fable”

 

Envy! thou Fiend, whose venomed sting
Still points to Fame’s aspiring wing;
Whose breath, blue sulphur’s blasting steam,
Whose eye the basilisk’s lightning-gleam;
Say, through the dun ile’s solemn round,                                    5
Where Death’s dread foot-step prints the ground,
Lovest thou to haunt the yawning tomb,
And crush fallen Grandeur’s dusty plume?
Or, where the wild Hyaena’s yell
Rings thro’ the hermit’s cavern’d cell,                                            10
Moves thy black wing its devious flight?
(The wing that bloats the cheek of Night)
There oft beneath some hoary wall
Thy stings are dipt in scorpion’s gall;
Thence whizzing springs the forky dart,                                        15
And spreads its poison to the heart.

Hence all th’ unnumber’d cares of life,
Hence malice, fury, rapine, strife;
Hence all exclaim on partial fate;
Hence pale Revenge, and stern Debate;                                       20
Hence man (to every passion prone)
Sees much, loves all;—but hates his own.

Now, Delia, should the chance to know
Some trifling fool, —perhaps—a beau,
The fair at once implores the skies,                                                25
With glowing cheeks and sparkling eyes;
O, hear your Votary’s earnest prayer,
Ye guardian angels of the fair!
Make but this charming creature prove
A victim to the power of love:                                                           30
‘Tis this, Ye Gods, I would implore!
And grant but this;— I ask no more.

The prayer is heard (what power delays
To grant her suit when Delia prays!)
The beau is caught, he swears, and bows,                                     35
Protests, and snuffs, and sweats, and vows
By all the oaths the fool can swear,
That never creature was so fair:
Then adds a thousand more, to tell
That never mortal loved so well.                                                      40

The prize is gain’d—the pleasure o’er;
Lace, bag, and snuff-box charm no more:
No bosom feels the killing smart,
No side-long glance betrays the heart,
No fan conceals a rival’s fears,                                                         45
No cheek is stain’d with spiteful tears.
On new delights her passions fix,
A court perhaps, or coach and six,
She wants a ball, and justly vain,
Admires a title,—or a cane.                                                               50

But ere our reader’s patience fail,
‘Tis time we now begin our tale.

An honest Farmer, old and sage,
(Sure wisdom still attends on age)
One morning rose, when all was fair,                                             55
And joyous breathed the scented air.
Waked by the Zephyr’s tepid wing,
Aurora, fragrant as the Spring,
Rose from her couch, the busy Hours
Stole from their crimson-curtain’d bowers;                                  60
Loose was her robe of saffron hue,
Her locks diffused ambrosial dew;
The sky’s broad gates at once unfold,
The light cloud flames with cinctured gold;
The woodland gleams, the silver stream                                       65
Waves to the broad sun’s fluttering beam;
The feather’d people sing their love,
And music rings along the grove.

Elate, the happy clown surveyed
The field wide-opening thro’ the shade;                                         70
The green ears rustling to the gale
Shot thro’ to thin night’s ruffled veil;
Slow rose to sight the new-born day,
Slow crept the lingering shades away,
‘Till o’er the broad hill’s summit dun                                                75
Obliquely glanc’d the mounting sun;
And all-illumed with rushing light,
The swelling landskip burst to sight.

As the fond Mother’s panting breast
Throbs o’er her infant hush’d to rest,                                              80
Warm in his little hut, the boy
Flutters elate with rising joy;
As by her gentle pressure sway’d,
Swings soft and slow the sleepy bed;
Wild Fancy whispers in her ear,                                                        85
She whirls away the rolling year!
Youth, manhood comes! she marks afar
A robe, a mitre, or a f—r!
Her heart leaps quick! elate with pride!
Each prude’s insulting dress outvyed!                                            90
Each neighbour’s booby son, unseen,
Gnaws the pale lip with fruitless spleen!
Sudden she starts! some rival dress’d,
Swims in the loosely-floating vest,
Her bosom heaves a sullen groan:—-                                            95
Ah! was that charming suit my own!

Such joy ( soon check’d with killing smart)
Shot thro’ the swain’s exulting heart;
He hears the reaper’s sprightly song:
The rustling sickle sweeps along;                                                  100
His barns with swelling sheaves are stored,
Gay Plenty crowns the festive board;
He cries in triumph, with a smile,
“For hopes like these who would not toil,
That neither flatter, nor beguile?”                                                 105
Just as he spoke the word,—behold
A gaudy thing, o’erlaid with gold,
Came fluttering by!—so nicely clad,
With powder’d wig, and laced brocade;
So gay, so rich (though strange to tell!)                                       110
No butterfly look’d half so well.

Struck with the glittering vest he wore,
The clown’s rude eye-ball stared him o’er;
Sly Envy mark’d the secret snare,
The pick’d a chosen dart with care;                                              115
Of power to edge the quickest pain;—-
Then plunged it reeking in his brain.
Inflamed with fury and surprize,
Red Anger flashes from his eyes
“Must I (he cryed and scratch’d his head)                                   120
Supply this prattling thing with bread?
Must Farmers sweat, and wear their cloaths,
To furnish equipage for beaux?
We, Drudges doom’d to ceaseless toil,
For others tear the stubborn soil,                                                125
Our thoughts suspense and fears inflame,
Wretched and curs’d beyond a name;
While these amid’ the balmy bower,
Spend in soft ease the fleeting hour;—-
How fine they look! what charms they show,                            130
Ah! would to heav’n I was a Beau!”

Soft Pity touch’d th’ Almighty Sire:
Jove heard, and granted his desire.
At once his furrow’d brow was smooth,
In all the blooming pride of youth;                                              135
His hair in wavy ringlets flow’d,
His cheek with fine vermilion glow’d;
Not like our modern pigmy race,
With wither’d limbs, and meagre face,
But plump and pruce he’d match’d a score;                              140
Such were the Beaux in days of yore.
Gay pleasure danc’d in every limb,
He skimm’d along with airy swim;
The God, propitious to his prayer,
Gave the soft look, and graceful air;                                           145
But wrapt in his dreams of bliss, the Fool
Forgot his pocket, and his soul.

When thus transform’d, our glittering Beau
Surveyed himself from top to toe,
Stuck at the change with vast surprize,                                     150
He stares, and scarce believed his eyes.
But when he found that all was sure,
He cock’d his hat, and frown’d, and swore;
Applauded by the wondering throng,
The sullen Heroe strode along:                                                   155
And while the swains in rude amaze
Mark his high port with stupid gaze,
Like Jove with solemn pace he trod,
And deign’d—, yet scarcely deign’d,—to nod.

But now to town he takes his way,                                      160
And sees the court, the park, the play;
Attends the Fair, admir’d by all,
Leads the gay dance, and rules the ball.
“Heav’ns! what a shape! fair Daphne cries,
How fine his mien! how bright his eyes!”                                   165
Thus all admire the charms they see,
His cane that dangled at his knee,
His box and hat they view together,—
Some prais’d the paint, and some the feather;
No english taylor’s clumsy fist                                                      170
E’er match’d the sleeve that graced his wrist;
The lace,—from Brussels last;— by chance
He pick’d the brilliant up in France.
His coat so trim! so neat his shoe!
His limbs so shaped to strut, or— bow!                                      175
Fashion, you’d swear, to show her power,
Had left dear Paris half an hour.

But, ah! with grief the muse proceeds:
What power can mend the vulgar’s deeds!
One night a coachman set him down,                                        180
Then rudely ask’d him— half a crown.

He search’d his pocket;—what a curse?
His pocket held—an empty purse!
What should he do!—all aid withdrawn!
Cane, box, and watch, were sent to pawn;                                185
His brilliant too (‘t had vex’d a saint)
Gained a few crowns—and cent per cent!
No friend his money can afford:
He gamed,—a sharper swept the board.

Then scorn’d by all,—in deep despair,                                 190
To Jove once more he made his prayer,
And begg’d the God to ease his pain,
And give him back his plough again.

NOTES:

 Title  Jupiter  “The supreme deity of the ancient Romans” (OED); Clown  “A countryman, rustic” (OED).

4  basilisk  “A fabulous reptile;…ancient authors stated that its hissing drove away all other serpents, and that its breath, and even its look, was fatal” (OED).

5  dun ile’s  [Unable to trace.]

18  rapine  “The act or practice of seizing and taking away by force the property of others; plunder” (OED).

27  Votary  “A person who has dedicated himself or herself to religious service by taking vows; a monk or nun” (OED).

35  beau  “Suitor of a lady,” but also “a man who gives particular, or excessive, attention to dress” (OED).

57  Zephyr  “A gentle, mild wind or breeze” (OED).

58  Aurora  “The (Roman) goddess of dawn, represented as rising with rosy fingers from the saffron-coloured bed of Tithonus” (OED).

64  cinctured  “Girdled” (OED).

88  mitre  “The headdress of a priest” (OED); f–r  Likely “fur,” “worn as a mark of office or state” (OED).

123  equipage for beaux  Articles of dress and ornament for young men (OED).

133  Jove  “A poetical equivalent of Jupiter…the highest deity of the ancient Romans” (OED)

143  swim  “The smooth gliding movement of the body” (OED).

147  pocket  “Any small bag or pouch worn on the person” (OED).

173  brilliant  “A diamond of the finest cut” (OED).

187  cent per cent  “Profit” (OED).

189  sharper  “A fraudulent gamester, a cheat” (OED).

SOURCE:  A Collection of Poems on Several Subjects (London, 1762), pp. 120-28.  [Google Books]

Edited by Jordan Young

 

 

 

 

 

 

 

 

William Broome, “Courage in Love”

WILLIAM BROOME

“Courage in Love”

 

My Eyes with Floods of Tears o’erflow,
My Bosom heaves with constant Woe;
Those Eyes, which thy Unkindess swells,
That Bosom, where thy Image dwells!

How could I hope so weak a Flame                                     5
Could ever warm that matchless Dame,
When none Elysium must behold,
Without a radiant Bough of Gold?
‘Tis hers, in Spheres to shine,
At distance to admire, is mine:                                                    10
Doom’d, like th’ enamour’d Youth, to groan
For a new Goddess form’d of Stone.

While thus I spoke, Love’s gentle Pow’r
Descended from th’ Aethereal Bow’r;
A Quiver at his Shoulder hung,                                                    15
A Shaft he grasp’d, and Bow unstrung.
All Nature own’d and genial God,
And the Spring flourish’d where he trod:
My Heart, no Stranger to the Guest,
Flutter’d, and labour’d in my Breast;                                           20
When with a Smile that kindles Joy
Ev’n in the Gods, began the Boy:

How vain these Tears? is Man decreed,
By being abject, to succeed?
Hop’st thou by meagre Looks to move?                                      25
Are Women frighten’d into Love?
He most prevails who nobly dares;
In Love an Hero, as in Wars:
Ev’n Venus may be known to yield,
But ‘tis when Mars disputes the Field:                                         30
Sent from a daring Hand my Dart
Strikes deep into the Fair-one’s Heart:
To Winds and Waves thy Cares bequeath,
A Sign, is but a waste of Breath:
What tho’ gay Youth, and every Grace                                         35
That Beauty boasts, adorn her Face,
Yet Goddesses have deign’d to wed,
And take a Mortal to their Bed:
And Heav’n, when Gifts of Incense rise,
Accepts it, tho’ it cloud their Skies.                                                40

Mark! how this Marygold conceals
Her Beauty, and her Bosom veils,
How from the dull Embrace she flies
Of Phoebus, when his Beams arise;
But when his Glory he displays,                                                      45
And darts around his fiercer Rays,
Her Charms she opens, and receives
The vigorous God into her Leaves.

NOTES:

7  Elysium  “The supposed state or abode of the blessed after death in Greek mythology” (OED).

11  Youth  “Polyderus, who pined to death for the Love of a beautiful Statue” [Author’s note].

13  Love’s gentle Pow’r  Cupid.

14   Aethereal   “Of or relating to heaven, God, or the gods; heavenly, celestial” (OED).

29  Venus  “Roman goddess of beauty and love” (OED).

30  Mars  “The god of war of the ancient Romans” (OED).

41  Marygold  “A plant with golden or yellow flowers” (OED).

44  Phoebus  “Apollo as the god of light or of the sun; the sun personified” (OED).

SOURCE: Poems on Several Occasions, Second Edition (London, 1739), pp. 226-229.  [Google Books]

Edited by Charlie May

 

 

Elizabeth Tollet, “On a Death’s Head”

ELIZABETH TOLLET

“On a Death’s Head”

 

Esi illic Lethaeus Amor, qui pectora sanat,
Inque suas gelidam lampadas addit aquam.
                                                                           Ovid.

 

On this Resemblance, where we find
A Portrait drawn for all Mankind,
Fond Lover! gaze a while, to see
What Beauty’s Idol Charms shall be.
Where are the Balls that once cou’d dart                                          5
Quick Lightning thro’ the wounded Heart?
The Skin, whose Teint cou’d once unite
The glowing Red and polish’d White?
The Lip in brighter Ruby drest?
The Cheek with dimpled Smiles imprest?                                         10
The rising Front, where Beauty sate
Thron’d in her Residence of State;
Which, half-disclos’d and half-conceal’d,
The Hair in flowing Ringlets veil’d;
‘Tis vanish’d all! remains alone                                                            15
This eyeless Scalp of naked Bone:
The vacant Orbits sunk within:
The Jaw that offers at a Grin.
Is this the Object then that claims
The Tribute of our youthful Flames?                                                   20
Must am’rous Hopes and fancy’d Bliss,
Too dear Delusions! end in this?
How high does Melancholy swell!
Which Sighs can more than Language tell:
Till Love can only grieve or fear;                                                           25
Reflect a while, then drop a Tear
For all that’s beautiful or dear.

NOTES:

Epigraph “There dwells Lethean Love, who heals the heartsick/And quenches in cold water his fierce flame.” From Ovid, Remedia Amoris (The Cures for Love), ll. 551-52 (Ovid: The Love Poems, trans. A.D. Melville [Oxford and New York: OUP, 1990], p. 166).

4  Idol  “False” (OED).

5 Balls  Eyeballs.

7  Teint  Taint, “color, hue, tint” (OED).

11  sate  “To be placed or situated” (OED).

16  Scalp  “Skull” (OED).

17  Orbits  “Eye sockets” (OED).

SOURCE: Poems on Several Occasions. With Anne Boleyn to King Henry VIII, an Epistle (London, 1755), pp. 58-59.  [Google Books]

 Edited by Terry Luo

Mary Barber, “Jupiter and Fortune. A Fable”

 MARY BARBER

“Jupiter and Fortune.  A Fable”

 

Once JUPITER, from out the Skies,
Beheld a thousand Temples rise;
The Goddess FORTUNE all invok’d,
To JOVE an Altar seldom smoak’d:
The God resolv’d to make Inspection,                                             5
What had occasion’d this Defection;
And bid the Goddess tell the Arts,
By which she won deluded Hearts.

My Arts! (says she) Great JOVE, you know,
That I do ev’ry Thing below:                                                              10
I make my Vot’ries dine on Plate;
I give the gilded Coach of State;
Bestow the glitt’ring Gems, that deck
The fair LAVINIA’S lovely Neck;
I make NOVELLA Nature’s Boast,                                                     15
And raise VALERIA to a Toast;
‘Tis I, who give the Stupid, Taste,
(Or make the Poets lie, at least);
My fav’rite Sons, whene’er they please,
Can Palaces in Desarts raise,                                                             20
Cut out Canals, make Fountains play,
And make the dreary Waste look gay;
Ev’n Vice seems Virtue by my Smiles;
I gild the Villian’s gloomy Wiles,
Nay, almost raise him to a God,                                                        25
While crowded Levees wait his Nod.

ENOUGH– the Thunderer reply’d;
But say, whom have you satisfy’d?
These boasted Gifts are thine, I own;
But know, Content is mine alone.                                                     30

NOTES:

Title  Jupiter  “Known as ‘Jove’ is the god of sky and thunder in Ancient Roman Mythology and the chief of the gods. Father of Fortuna and great protector”(Britannica); Fortune Fortuna is the goddess of fortune and luck in ancient Roman mythology.

11  Vot’ries  A devoted or zealous worshipper of a particular god [or] goddess” (OED).

16  Toast  “The reigning belle of the season” (OED).

26  Levees  “A morning assembly held by a prince or a person of distinction” (OED).

SOURCE:  Poems on Several Occasions (London, 1735), pp. 63-64.  [Google Books]

 Edited by Raven Valdivia