Tag Archives: blason

Anonymous, “The Picture”

Leave a reply

ANONYMOUS

 “The Picture”

 

The rising front, by grandeur form’d,
The graceful brow serene,
The cheeks, by health and nature warm’d,
The lips of Cypria’s queen.

The more than sweetly dimpled chin,                                     5
The neck of polish high,
The arm of grace, the purple vein,
The lustre-darting eye.

The wavy ringlets of her hair,
In jetty blackness fine,                                                        10
Her skin most exquisitely fair,
Her nose the Aquiline.

The heaving softness of her breast,
Which trembling courts the touch,
I strive to paint,– but here I rest,                                              15
Lest I should paint too much.

NOTES:

1 front “Forehead, face” (OED); grandeur “The quality of being grand or imposing as an object of contemplation; majesty of appearance; sublimity, magnificence” (OED).

4 Cypria’s queen Aphrodite, the Greek goddess of love; she came from the island of Cyprus, also known as Cypria during this period.

12 Aquiline “Eagle-like; esp. of the nose or features: Curved like an eagle’s beak, hooked” (OED).

Source: The Gentleman’s Magazine (January 1766), p. 89.

Edited by Rhea Segismundo

Elizabeth Tollet, “On a Death’s Head”

Leave a reply

ELIZABETH TOLLET

 “On a Death’s Head”

 Est illic Lethaeus Amor, qui pectora sanat,
Inque suas gelidam lampadas addit aquam.
                                                                                 Ovid.

On this Resemblance, where we find
A Portrait drawn for all Mankind,
Fond Lover! gaze a while, to see
What Beauty’s Idol Charms shall be.
Where are the Balls that once cou’d dart                                               5
Quick Lightning thro’ the wounded Heart?
The Skin, whose Teint cou’d once unite
The glowing Red and polish’d White?
The Lip in brighter Ruby drest?
The Cheek with dimpled Smiles imprest?                                               10
The rising Front, where Beauty sate
Thron’d in her Residence of State;
Which, half-disclos’d and half-conceal’d,
The Hair in flowing Ringlets veil’d;
‘Tis vanish’d all! remains alone                                                                   15
This eyeless Scalp of naked Bone:
The vacant Orbits sunk within:
The Jaw that offers at a Grin.
Is this the Object then that claims
The Tribute of our youthful Flames?                                                          20
Must am’rous Hopes and fancy’d Bliss,
Too dear Delusions! end in this?
How high does Melancholy swell!
Which Sighs can more than Language tell:
Till Love can only grieve or fear;                                                                  25
Reflect a while, then drop Tear
For all that’s beautiful or dear.

NOTES:

Title Death’s Head A picture or depiction of a human skull as a symbol of mortality (OED).

Epigraph “Lethaean Love is there, who makes hearts whole, and pours cool water upon his torch” (Ovid, The Remedies of Love from The Art of Love and Other Poems, p. 214).

Epigraph Lethaean “Causing oblivion or forgetfulness of the past. From the river Lethe in Hades, whose water when drunk made the souls of the dead forget their life on earth” (OED).

7 Teint “Colour; shade” (Johnson).

11 Front “The face or forehead” (Johnson).

16 Scalp Originally denoting the “skull” or “cranium” (OED).

18 Orbits “The eyeball; the eye” (OED).

20 Flames “The passion of love” (Johnson).

Source: Poems on Several Occasions. With Anne Boleyn to King Henry VIII. An Epistle (London, 1755), pp. 58-59. [Google Books]

Edited by Carrie Siskind