“R.”, “The Toasts. A Fable.”

“R.”

“The Toasts. A Fable”

 

Satan one day (one night I mean,
For days in Hell are seldom seen)
At Pandemonium in state
Among his peers carousing sat,
To celebrate our parents fall                                                            5
In draughts of liquid fire and gall;
The toasts in bumpers flew around,
The palace roofs the toasts resound,
And all was noise, yet all unite
To pelt Heav’n with their blunted spite: —                                  10
Beelzebub gave his harlot PRIDE,
To match whose charms he Hell defy’d;
ENVY by Baäl then was given,
Foe to herself, to earth, and Heav’n;
AV’RICE was Mammon’s toast, a vice                                            15
Wou’d make a Hell of Paradise: —
My toast, cries Ashteroth, shall be
That Janus-prude, HYPOCRISY;
And mine, quo’ Belial, — IDLENESS,
Whose charms both fiends and men confess;                             20
Dear IDLENESS! to whom we owe
Myriads on myriads here below; —
Dagon gave FALSEHOOD, a mean jest,
Still mask’d, and cloath’d in rainbow-vest;
A will o’ th’ wisp, that leads astray,                                                25
A coward vice, that dreads the day; —
Moloch gave blood-stain’d CRUELTY, —
And Thammuz, INFIDELITY;
But to that toast they all objected
As one, no fiend there recollected,                                                30
(For, tho’ such weeds on earth may grow,
There are no infidels below);
Thammuz on this, — since change he must, —
Gave that sweet creature, Madam LUST:
In short, each demon, in his toast,                                                 35
Avow’d which fair he honour’d most.

The turn at length to Satan came
To bumper round his darling flame;
“I own that all your toasts,” he cried,
“Are beauties long approv’d and try’d,                                          40
But I’ll give one, in whom alone
The quintessence of Hell is shown,
INGRATITUDE! – of vices first,
Most infamous, and most accurst,
That fiend in grain! that hydra-pest!                                              45
(Behold her image on my breast)
To her Hell’s empire owes its birth,
To her I owe those swarms from earth;
When other vices rule the mind,
VIRTUE, by fits, may entrance find,                                                 50
But let INGRATITUDE bear sway,
Not VIRTUE’s shade dare cross her way;
E’en Hell itself, when she appears,
A more than double darkness wears; —
Then in a bumper toast the belle,                                                    55
As premier beauty here in Hell .”
The fiends aloud the toast proclaim,
And Hell rethunders with her name;
“INGRATITUDE! of vices first,
Most infamous, and most accurst.”                                                60
York.

NOTES:

Title Toasts “Any person, male or female, whose health is proposed and drunk to” (OED).

1 Satan “In Christian theology: the proper name of the Devil, the supreme embodiment or spirit of evil” (OED).

3 Pandemonium “A place represented by Milton in Paradise Lost as the capital of hell, containing the council chamber of the Evil Spirits” (OED).

4 carousing “To drink a full bumper to his or her health” (OED).

6 draughts “The drawing of liquid into the mouth or down the throat; an act of drinking” (OED); gall “A wind of considerable strength” (OED)

7 bumpers “A cup or glass of alcoholic drink filled to the brim, esp. for a toast” (OED).

11 Beelzebub “In the Bible, the prince of the devils” (Britannica).

13 Baäl A Canaanite god; one of the seven princes of Hell.

15 AV’RICE “Inordinate desire of acquiring and hoarding wealth”(OED); Mammon The personification of avarice and greed in Milton’s Paradise Lost (Book I, line 678); sometimes figured as one of the seven princes of Hell (OED).

17 Ashteroth Variant of “Astaroth” who, along with Lucifer and Beelzebub, made up the evil trinity in Hell (The Occult Encyclopedia).

18 Janus Ancient Roman deity, “regarded as the doorkeeper of heaven, as guardian of doors and gates, and as presiding over the entrance upon or beginning of things” (OED).

19 Belial “The spirit of evil personified; used from early times as a name for the Devil or one of the fiends, and by Milton as the name of one of the fallen angels (Paradise Lost, Book I, line 490) (OED).

22 Myriads “A countless number of specified things,” here alluding to souls in Hell (OED).

23 Dagon “The national deity of the ancient Philistines; represented with the head, chest, and arms of a man, and the tail of a fish;” also referenced by Milton in Paradise Lost (Book I, line 462).

24 rainbow-vest Colourful clothing.

25 will o’ th’ wisp “A phosphorescent light seen hovering or floating at night over marshy ground” (OED).

27 Moloch “A Canaanite diety associated in biblical sources with the practice of child sacrifice” (Britannica).

28 Thammuz “A Syrian diety” and minor demon, also represented in Milton’s parade of demons in Hell (Paradise Lost Book I, line 446) (OED).

32 infidels “A disbeliever in religion or divine revelation generally” (OED).

36 Avow’d “To declare, affirm” (OED).

42 quintessence “The most perfect embodiment of a certain type of person or thing” (OED).

43 INGRATITUDE “Mortal sin is … ingratitude towards the most constant love; it is the adultery of the soul” (OED).

45 hydra-pest “And I stood upon the sand of the sea, and saw a beast rise up out of the sea, having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the name of blasphemy” (Revelations 13:1-10).

58 Rethunders “To make a loud, echoing sound like that of thunder; to resound. Frequently poetic” (OED).

SOURCE: The Gentleman’s Magazine, vol. 46 (January 1776), pp. 229-230.  [J. Paul Leonard Library]

Edited by Alban Fenn

Aphra Behn, “On a Juniper-Tree, cut down to make Busks”

APHRA BEHN

“On a Juniper-Tree, cut down to make Busks.”

Whilst happy I Triumphant stood,
The Pride and Glory of the Wood;
My Aromatick Boughs and Fruit,
Did with all other Trees dispute.
Had right by Nature to excel,                                             5
In pleasing both the tast and smell:
But to the touch I must confess,
Bore an Ungrateful Sullenness.
My Wealth, like bashful Virgins, I
Yielded with some Reluctancy;                                           10
For which my vallue should be more,
Not giving easily my store.
My verdant Branches all the year
Did an Eternal Beauty wear;
Did ever young and gay appear.                                         15
Nor needed any tribute pay,
For bounties from the God of Day:
Nor do I hold Supremacy,
(In all the Wood) o’er every Tree.
But even those too of my own Race,                                  20
That grow not in this happy place.
But that in which I glory most,
And do my self with Reason boast,
Beneath my shade the other day,
Young Philocles and Cloris lay,                                               25
Upon my Root she lean’d her head,
And where I grew, he made their Bed:
Whilst I the Canopy more largely spread.
Their trembling Limbs did gently press,
The kind supporting yielding Grass:                                    30
Ne’er half so blest as now, to bear
A Swain so Young, a Nimph so fair:
My Grateful Shade I kindly lent,
And every aiding Bough I bent.
So low, as sometimes had the blisse,                                 35
To rob the Shepherd of a kiss,
Whilst he in Pleasures far above
The Sence of that degree of Love:
Permitted every stealth I made,
Unjealous of his Rival Shade.                                                40
I saw ‘em kindle to desire,
Whilst with soft sighs they blew the fire:
Saw the approaches of their joy,
He growing more fierce, and she less Coy,
Saw how they mingled melting Rays,                                  45
Exchanging Love a thousand ways.
Kind was the force on every side,
Her new desire she could not hide:
Nor wou’d the Shepherd be deny’d.
Impatient he waits no consent                                             50
But what she gave by Languishment,
The blessed Minute he pursu’d;
And now transported in his Arms,
Yeilds to the Conqueror all her Charmes,
His panting Breast, to hers now join’d,                               55
They feast on Raptures unconfin’d;
Vast and Luxuriant, such as prove
The Immortality of Love.
For who but a Divinitie,
Could mingle Souls to that Degree;                                     60
And melt ‘em into Extasie.
Now like the Phenix, both Expire,
While from the Ashes of their fire,
Sprung up a new, and soft desire.
Like Charmers, thrice they did invoke,                                65
The God! and thrice new vigor took.
Nor had the Mysterie ended there,
But Cloris reassum’d her fear,
And chid the Swain, for having prest,
What she alas wou’d not resist:                                            70
Whilst he in whom Loves sacred flame,
Before and after was the same,
Fondly implor’d she wou’d forget
A fault, which he wou’d yet repeat.
From Active Joyes with some they hast,                              75
To a Reflexion on the past;
A thousand times my Covert bless,
That did secure their Happiness:
Their Gratitude to every Tree
They pay, but most to happy me;                                         80
The Shepherdess my Bark carest,
Whilst he my Root, Love’s Pillow, kist;
And did with sighs, their Fate deplore,
Since I must shelter them no more;
And if before my Joyes were such,                                        85
In having heard, and seen too much,
My Grief must be as great and high,
When all abandon’d I shall be,
Doom’d to a silent Destinie.
No more the Charming strife to hear,                                 90
The Shepherds Vows, the Virgins fear:
No more a joyful looker on,
Whilst Loves soft Battel’s lost and won.
With grief I bow’d my murmering Head,
And all my Christal Dew I shed.                                             95
Which did in Cloris Pity move,
(Cloris whose Soul is made of Love;)
She cut me down, and did translate,
My being to a happier state.
No Martyr for Religion di’d                                                      100
With half that Unconsidering Pride;
My top was on that Altar laid,
Where Love his softest Offerings paid:
And was as fragrant Incense burn’d,
My body into Busks was turn’d:                                              105
Where I still guard the Sacred Store,
And of Loves Temple keep the Door.

NOTES:

3 Boughs “An arm or large shoot of a tree, bigger than a branch, yet not always distinguished from it” (Johnson).

6 tast Variant for “taste.”

13 verdant Green.

17 God of Day Helios, Greek god of the sun.

44 Coy Modest.

56 Raptures “Ecstasy; transport; violence of any pleasing passion; enthusiasm; uncommon heat of imagination” (Johnson).

62 Phenix Phoenix. An ancient mythological bird associated with the worship of the sun. “As its end approached, the phoenix fashioned a nest of aromatic boughs and spices, set it on fire, and was consumed in the flames” (Britannica).

105 Busks Popular in women’s fashion as an undergarment during the 16th to early 20th century. “A strip of wood, whalebone, steel, or other rigid material attached vertically to the front section of a corset so as to stiffen and support it. Hence occasionally: the corset itself” (OED).

SOURCE: Poems Upon Several Occasions: with a Voyage to the Island of Love (London, 1684), pp. 19-24. [Google Books]

Edited by Alana Croft

[Mary Barber], “The Oak and its Branches. A Fable.”

[MARY BARBER]

The Oak and its Branches. A Fable.”

Ocassion’d by seeing a dead Oak beautifully encompass’d with Ivy.

 

An Oak, with spreading Branches crown’d,
Beheld an Ivy on the Ground,
Expos’d to ev’ry trampling Beast,
That roam’d around the dreary Waste.
The Tree of Jove, in all his State,                                             5
With Pity view’d the Ivy’s Fate;
And kindly told her, She should find
Security around his Rind:
Nor was that only his Intent,
But to bestow some Nourishment.                                       10

The Branches saw, and griev’d to see
Some Juices taken from the Tree.
Parent, say they, in angry Tone,
Your Sap should nourish us alone:
Why should you nurse this Stranger-Plant,                         15
With what your Sons, in time, may want?
May want, to raise us high in Air,
And make us more distinguish’d there.

‘Tis well — the Parent-Tree reply’d;
Must I, to gratify your Pride,                                                   20
Act only with a narrow View
Of doing Good to none but you?
Know, Sons, tho’ JOVE hath made me great,
I am not safe from Storms of Fate.
Is it not prudent then, I pray,                                                   25
To guard against another Day?
Whilst I’m alive, You crown my Head;
This graces me alive, and dead.

NOTES:

 2 Ivy “A well-known climbing evergreen shrub (Hedera Helix), indigenous to Europe and parts of Asia and Africa” (OED).

 5 Tree of Jove The god Jupiter, also known as Jove, is the Romanized Zeus, and a sky god who uses the oak tree as a symbol of worship (Britannica).

 8 Rind Alluding to the bark of the oak tree.

 14 Sap “The vital juice or fluid which circulates in plants” (OED).

 SOURCE: Poems on Several Occasions (London, 1735) pp. 48-49. [Google Books]

 Edited by Nick LoBue

[John Scott], “Verses occasioned by the Description of the Eolian Harp”

[JOHN SCOTT]

“Verses occasioned by the Description of the EOLIAN HARP”

Untaught o’er strings to draw the rosin’d bow,
Or melting strains on the soft flute to blow,
With others long I mourn’d the want of skill,
Resounding roofs with harmony to fill;
Till happy ! now the Eolian lyre is known,                                        5
And all the pow’rs of musick are my own.
Swell all thy notes, delightful harp , O swell!
Inflame thy poet to describe thee well,
When the full chorus rises with the breeze,
Or slowly sinking lessens by degrees,                                              10
To sounds more soft than am’rous gales disclose,
At evening panting on the blushing rose;
More sweet than all the notes that organs breathe,
Or tuneful echoes, when they die, bequeathe.
Oft where some sylvan temple decks the grove,                          15
The slave of easy indolence I rove;
There the wing’d breeze the lifted sash pervades,
Each breath is musick, vocal all the shades;
Charm’d with the soothing sound at ease reclin’d,
To fancy’s pleasing pow’r I yield my mind:                                     20
And now enchanted scenes around me rise,
And some kind Ariel the soft air supplies:
Now lofty Pindus through the shades I view,
Where all the nine their tuneful art persue,
To me the sound the parting gale conveys,                                  25
And all my heart is extasy and praise:
Now to Arcadian plains at once convey’d,
Some shepherd’s pipe delights his fav’rite maid;
Mix’d with the murmurs of a neighb’ring stream,
I hear soft notes that suit an am’rous theme;                              30
Ah! then a victim to the fond deceit,
My heart begins with fierce desires to beat;
To fancy’d sighs I real sighs return,
By turns I languish, and by turns I burn.
Ah Delia haste! and here attentive prove,                                      35
Like me that ‘music is the voice of love,’
So shall I mourn my rustic strains no more,
While pleas’d you listen who could frown before.
Hertfordshire, Nov. 15, 1754.

NOTES:

 Author This poem is signed “R.S”; identified by Emily Lorraine de Montluzin as John Scott of Amwell (1731-1783), a Quaker poet who published a number of poems in the GM between 1753-1758 (“The Poetry of the Gentleman’s Magazine, 1731-1800”).

Title EOLIAN HARP “A stringed instrument producing musical sounds on exposure to a current of air” (OED).  Named after Aeolus, the Greek god of wind.  The “description” Scott is responding to appeared in the GM, vol. 24 (February 1754), p. 74.

15 sylvan Of the woods (OED).

23 Pindus Grecian mountain range that includes Mount Parnassus, home of the nine muses.

27 Arcadian Belonging to Arcadia; ideally rural or rustic (OED).

36 ‘music is the voice of love’ Quoted from James Thomson, Spring (1735), line 569.

SOURCE: The Gentleman’s Magazine, vol. 24 (November, 1754), p. 525. [Internet Archive]

Edited by Neil Donovan

 

David Mallet, “The Discovery”

DAVID MALLET

“The Discovery”

Upon reading some Verses, written by a young
Lady at a Boarding-School.  Sept. 1760.

 

Apollo lately sent to know,
If he had any sons below;
For, by the trash he long has seen
In male and female Magazine,
A hundred quires not worth a groat,                                     5
The race must be extinct, he thought.

His messenger to court repairs;
Walks softly with the croud up stairs:
But when he had his errand told,
The courtiers sneer’d, both young and old.                         10
Augustus knit his royal brow,
And bade him let Apollo know it,
That from his infancy till now,
He lov’d nor poetry nor poet.

His next adventure was the park,                                    15
When it grew fashionably dark:
There beauties, boobies, strumpets, rakes,
Talk’d much of commerce, whist and stakes;
Who tips the wink, who drops the card:
But not one word of verse or bard.                                          20

The stage, APOLLO’s old domain,
Where his true sons were wont to reign,
His courier now past frowning by:
Ye modern DURFEYS tell us why.

Slow, to the city last he went:                                              25
There, all was prose, of cent per cent.
There, alley-omnium, script, and bonus,
(Latin, for which a Muse would stone us,
Yet honest GIDEON’s classic stile)
Made our poor Nuntio stare and smile.                                   30

And now the clock had struck eleven:
The messenger must back to Heaven;
But, just as he his wings had ty’d,
Look’d up Queen-Square, the North-east side.
A blooming Creature there he found,                                       35
With pen and ink and books around,
Alone and writing by a taper:
He read unseen, then stole her paper.
It much amus’d him on his way;
And reaching Heaven by break of day,                                      40
He shew’d APOLLO what he stole.
The God perus’d, and lik’d the whole:
Then, calling for his pocket-book,
Some right celestial vellum took;
And what he with a sun-beam there                                          45
Writ down, the Muse thus copies fair:
“If I no men my sons must call,
Here’s one fair Daughter worth ’em all:
Mark then the sacred words that follow,
SOPHIA’S mine” –– so sign’d                                                          50

                                                   APOLLO.

 NOTES:

Apollo God of light, poetry and music” (OED).

5 quires “A small book or pamphlet consisting of a set of four sheets folded in two to form eight leaves;” also “a short poem, treatise” (OED); groat “The English groat coined in 1351–2 was made equal to four pence” (OED).

8 croud Variant of “crowd.”

11 Augustus Founder of the Roman Empire; here a reference to King George II (reigned 1727-1760).

17 boobies “A childish, foolish, inept, or blundering person” (OED); strumpet A female prostitute; (also) a mistress, a concubine (OED); rake “A fashionable or stylish man of dissolute or promiscuous habits” (OED).

23 frowning “Disapproving” (OED).

24 DURFEYS Alluding to Thomas d’Urfey (1653–1723), a Restoration-era playwright, best known for his songs and contributions to the ballad opera as a theatrical form.

26 cent per cent That is, “totally, completely” (OED).

27 alley-omnium Possibly figurative for “all the marbles.”

29 GIDEON Military leader, judge, and prophet in the Hebrew Bible; see Judges 6-8.

30 Nuntio Variant of “nuncio,” “a papal ambassador to a foreign court or government” (OED).

34 Queen-Square A fashionable neighborhood in north London in the mid-century period.

38 read Corrected from “red” in the original text.

44 vellum A fine kind of parchment prepared from the skins of calves (lambs or kids) and used especially for writing, painting, or binding” (OED).

50 SOPHIA Greek name meaning “wisdom;” also referring to Athena, the goddess of wisdom.

SOURCE: Poems on Several Occasions (London, 1762), pp. 14-16. [Google Books]

Edited by Rafe Kassim

Anne Ross, “Upon the Flight of a Favorite Owl”

ANNE ROSS

“Upon the Flight of a Favourite Owl”

It happen’d in the month of May,
A Lady’s pet flew far away,
From a fine house as bright as day,
To seek a gloomy dwelling.

To thickest woods, as dark as night,                                                 5
Where neither coal nor candle light,
Nor Ladies with their eyes so bright,
Would set his pipe a-yelling.

But Robin Redbreast, he comes in,
When Winter’s frosts and snows begin,                                            10
Says, “Ladies, please to let me in,
To warm me by your fire.

Your hospitable care I claim;
The helpless you do oft maintain:
I only ask a little grain,                                                                         15
‘Tis all that I require.

Let Owls in solitude seek rest,
To me good company is best;
None ever was with want oppress’d
When under your protection.”                                         20

The Ladies smil’d to see their guest,
And kindly thus the bird address’d:
“We’ll skreen you till the Winter’s past,
And warm you in our dwelling.

With bounteous hand we will maintain,                                            25
And keep you from the wind and rain,
That cheerful here you may remain,
And let the wind be bell’wing.”

Then Robin Redbreast made a bow:
“Ladies, a thousand thanks to you,                                                      30
Your kindness you shall never rue,
In granting my desire.

May Providence keep you from harm,
And fill your stack-yard and your barn,
And shield you safely from the storm,                                                  35
And warm you in a caul’ day.

And when ye walk among your trees,
The ground that’s damp I’ll spread with leaves,
And spare the flow’rs to feed your bees,
That ye may still have honey.”                                               40

The bees that suck the summer flowers,
From labour, all their sweetness pours,
And plenty, in a golden shower,
Supplies the land with money.

The sun did shine, he took his leave,                                                       45
And many a bow and glance did give,
Then gallantly his wings did wave,
“Good-morrow to you Ladies.”

NOTES:

8 pipe “The voice or vocal cords” (OED).

23 skreen Variant of “screen,” “to shelter or protect” (OED).

33 Providence “The care of God over all beings” (Johnson).

34 stack-yard “A farmyard where stacks of hay are stored” (OED).

36 caul’ Variant of “cauld,” Scottish form of “cold” (SND).

SOURCE: A Collection of Poems (Glasgow, 1798), pp. 15-17. [Google Books]

 Edited by Grace Elfers

Mary Leapor, “The Death of Abel”

MARY LEAPOR

“The Death of Abel”

When from the Shade of Eden’s blissful Bow’rs,
Its Fruit ambrosial and immortal Flow’rs,
Our gen’ral Mother (who too soon rebell’d,)
Was, with the Partner of her Crime, expell’d
To Fields less fruitful — where the rugged Soil                                            5
With Thorns and Thistles often paid their Toil;
Where the pale Flow’rs soon lost their chearful Hue,
And rushing Tempests o’er the Mountains flew:
Two Sons the Matron in her Exile bore,
Unlike in Feature but their Natures more;                                                  10
The eldest Youth for Husbandry renown’d,
Tore up the Surface of the steril Ground;
His nervous Arms for rugged Tasks were form’d;
His Cheek but seldom with a Smile adorn’d;
Drops rais’d by Labour down his Temples run,                                          15
His Temples tarnish’d by the mid-day Sun,
Robust of Body, and of Soul severe,
Unknown to Pity, and the like to Fear.

Not so his brother, cast in fairer Mold
Was he — and softer than his fleecy Fold;                                                   20
Fair were his Cheeks that blush’d with rosy Dye,
Peace dwelt for ever in his chearful Eye,
Nor Guilt, nor Rage his gentle Spirit knew;
Sweet were his Slumbers, for his Cares were few;
Those were to feed and watch the tender Lamb,                                      25
And seek fresh Pasture for its bleating Dam,
From burning Suns his thirsty Flocks to hide,
And seek the Vales where limpid Rivers glide.

‘Twas ere rude Hands had reap’d the waving Grain,
When Plenty triumph’d on the fertile Plain,                                               30
That to the Centre of a pleasant Down,
Where half was Pasture, half a plenteous Brown:
These Youths repair’d both emulous of Fame,
And rais’d an Altar to Jehovah’s Name,
With Heart elate and self-presuming Eye,                                                 35
First to the Pile unhappy Cain drew nigh.
Choice was his Off’ring, yet no Sign appear’d,
No Flame was seen, nor Voice celestial heard:
Astonish’d stood the late presumptuous Man,
Then came his Brother with a trembling Lamb;                                       40
His God accepts the Sacrifice sincere;
The Flames propitious round the Slain appear;
The curling Smoke ascended to the Skies:
This Cain beheld, and roll’d his glowing Eyes.
Stung to the Soul, he with his frantick Hand                                              45
A Stone up-rooted from the yielding Sand,
Nor spoke — for Rage had stop’d his failing Tongue;
This heavy Death impetuous whirl’d along:
This Abel met — his Heart receiv’d the Wound;
Amaz’d he fell, and grasp’d the bloody Ground.                                        50
The gentle Spirit sprung to endless Day,
And left behind her Case of beauteous Clay;
Pale stood the Brother — to a Statue chill’d,
A conscious Horror through his Bosom thrill’d:
His frighted Eyes abhorr’d the Beams of Light,                                         55
And long’d to find a never-ceasing Night.

      Shock’d at the Sight of Murder first begun,
Down the steep Heavens roll’d the radiant Sun,
Old Night assuming her appointed Sway,
Stretch’d her black Mantle o’er the Face of Day:                                      60
Now for their Leader mourn’d the bleating Lambs,
That rov’d neglected by their pensive Dams;
The careful Parents search the Fields around;
They call — the Woods roll back an empty Sound.

Within a Forest’s solitary Gloom,                                                            65
Slept gentle Abel in a secret Tomb,
And there (beneath a Cypress’ Shade reclin’d)
Cain breath’d his Sorrows to the rushing Wind:
That in the Branches made a doleful Sound;
‘Twas Silence else, and horrid Darkness round,                                        70
When lo ! a sudden and a piercing Ray
O’er-spread the Forest with a Blaze of Day,
And then descended on the hallow’d Ground,
A Seraph with empyreal Glory crown’d:
Afflicted Cain (that knew not where to fly)                                                  75
Gaz’d on the Vision with distracted Eye:
When thus the Angel — Why these mournful Cries,
These loud Complaints that pierce the nightly Skies.
Lye not to Heaven, but directly say,
Where roves thy Brother, where does Abel stray.                                      80
He said — and thus the guilty Wretch return’d;
O sacred Guardian, I for Abel mourn’d:
I ne’er beheld him since the Day began, —-
But why this Visit to a simple Man?
Thus the Celestial —- Wretch, canst thou presume,                                   85
Thy Brother’s Blood may slumber in its Tomb:
Or thou may’st ward off Vengeance with a Lye,
And dare attempt deceiving God most high;
But now thy Doom, O wretched Mortal hear;
The fleeting Hours nor the rolling Year,                                                        90
To thee nor Joy, nor chearful Ease shall bring:
Alike to thee the Winter and the Spring,
Still vex’d with Woe, thy heavy Days shall fly
Beneath a radiant or a gloomy Sky:
Curs’d shalt thou be amidst thy vagrant Band,                                            95
And curs’d the Labours of thy guilty Hand:
He ceas’d — But Cain all prostrate on the Ground,
Still in his Ears retain’d the dreadful Sound:
At length he rose, and trembling thus began;
This is too much — too much for Mortal Man:                                              100
The mighty Debt, O let me quickly pay,
And sweep me instant from the Beams of Day:
The yet unborn, that I am curs’d, shall know,
And all shall hate me to augment the Blow:
Ev’n my own Sons, if such are giv’n to be                                                      105
The Death of Abel, shall revenge on me:
Thus he to change the dreadful Sentence try’d,
Thus the seraphick Messenger reply’d;
This Mark, O Cain, I fix upon thy Brow:
And thus by Heav’n’s mighty Monarch vow,                                                 110
Who sheds thy Blood, that Criminal shall be
Curs’d – Sev’n times curs’d, and wretched more than thee.
Thus be that Mortal who shall tear the Rod
Of scorching Vengeance from the Hand of God;
That Man may learn to fear the King of Kings:                                              115
He said – and waving his immortal Wings,
That instant mingled with the starry Train,
And Darkness wrap’d the silent Shades again.

NOTES:

3 Our gen’ral Mother Eve.

4 the Partner of her Crime Adam.

9 Two Sons Cain, the firstborn son of Adam and Eve, and Abel, his younger brother (OCB).

34  Jehovah “Name of God” (OCB).

40 Lamb A typical sacrificial animal in Ancient Egypt, often symbolically associated with Jesus (OCB).

74 Seraph A supernatural being associated with the presence of God (OCB).

109 This Mark See Genesis 4:15; the exact nature of Cain’s mark is mysterious, but Leapor follows the tradition that associates the mark with divine protection.

SOURCE: Poems Upon Several Occasions (London, 1748), pp. 232-237. [Google Books]

Edited by Lourdes Alcala-Guerrero

Laetitia Pilkington, “Sorrow”

LAETITIA PILKINGTON

“Sorrow”

 

While sunk in deepest solitude and woe,
My streaming eyes with ceaseless sorrow flow,
While anguish wears the sleepless night away,
And fresher grief awaits returning day;
Encompassed round with ruin, want and shame,                               5
Undone in fortune, blasted in my fame;
Lost to the soft endearing ties of life,
And tender names of daughter, mother, wife;
Can no recess from calumny be found?
And yet can fate inflict a deeper wound!                                              10
As one who, in a dreadful tempest toss’d,
If thrown by chance upon some desert coast,
Calmly awhile surveys the fatal shore,
And hopes that fortune can inflict no more;
Till some fell serpent makes the wretch his prey,                               15
Who ‘scap’d in vain the dangers of the sea;
So I who hardly ‘scap’d domestic rage,
Born with eternal sorrows to engage,
Now feel the pois’nous force of sland’rous tongues,
Who daily wound me with envenom’d wrongs.                                   20
Shed then a ray divine, all gracious heav’n,
Pardon the soul that sues to be forgiven,
Though cruel human-kind relentless prove,
And least resemble thee in acts of love;
Though friends who should administer relief,                                     25
Add pain to woe, and misery to grief,
And oft! too oft! with hypocritic air,
Condemn those faults in which they deeply share:
Yet thou who dost our various frailties know,
And see’st each spring from whence our actions flow,                       30
Shalt, while for mercy to thy throne I fly,
Regard the lifted hand and streaming eye.
Thou didst the jarring elements compose,
When this harmonious universe arose;
O speak the tempest of the soul to peace,                                           35
Bid the tumultuous war of passion cease;
Receive me to thy kind paternal care,
And guard me from the horrors of despair.
And since no more I boast a mother’s name,
Nor in my children can a portion claim,                                                40
The helpless babes to thy protection take,
Nor punish for their hapless mother’s sake.
Thus the poor bird, when frighted from her nest,
With agonizing love, and grief distress’d,
Still fondly hovers o’er the much-lov’d place,                                       45
Through strengthless, to protect her tender race;
In piercing notes she movingly complains,
And tells the unattending woods her pains.
And thou, my soul’s once fondest, dearest part,
Who schem’d my ruin with such cruel art,                                            50
From human laws no longer seek to find
A pow’r to loose that knot which God has join’d,
The props of life are rudely pull’d away,
And the frail building falling to decay,
My death shall give thee thy desir’d release,                                        55
And lay me down in everlasting peace.

NOTES:

9 calumny Slander, “a false statement about a person that is made to damage their reputation” (OED).

16 ‘scap’d Escaped.

25-26 friends… add pain to woe, misery to grief The poet Jonathan Swift, once patron and friend to Pilkington, would after her divorce disavow her and call her “’the most profligate whore in either kingdom.” (History Ireland, vol. 17, no. 2, Mar/April 2009).

39-40 And since no more I boast a mother’s name,/Nor in my children can a portion claim Post divorce Pilkington’s husband assumed all their possessions and disallowed her seeing their children. (History Ireland, vol. 17, no. 2, Mar/April 2009).

49 And thou, my soul’s once fondest, dearest part “Mem. My Husband, who was then suing for a divorce” [Author’s Note].

SOURCE: Poems by Eminent Ladies, vol. II (London, 1755), pp. 255-57. [Hathitrust]

Edited by Carina Thanh-Ngoc DeLorenzo

 

 

Thomas Blacklock, “An Irregular Ode”

THOMAS BLACKLOCK

“AN IRREGULAR ODE”

 Sent to a LADY on her Marriage-Day.

 

I.

With all your wings, ye moments, fly,
And drive the tardy sun along;
Till that glad morn shall paint the sky,
Which wakes the muse, and claims the
raptur’d song.                                                                    5

II.

See nature with our wishes join,
To aid the dear, the blest design;
See Time precipitate his way,
To bring th’ expected happy day;
See, the wish’d for dawn appears,                                                10
A more than wonted glow she wears:
Hark! Hymeneals sound;
Each muse awakes her softest lyre;
Each airy warbler swells the choir;
‘Tis music all around.                                                                15

III.

Awake, ye nymphs,  the blushing bride,
T’eclipse Aurora’s rosy pride;
While virgin shame retards her way,
And Love, half-angry, chides her stay:
While hopes and fears alternate reign,                                           20
Intermingling bliss and pain;
O’er all her charms diffuse peculiar grace,
Pant in her shiv’ring heart, and vary in her face.

IV.

At length consent, reluctant fair,
To bless thy long-expecting lover’s eyes!                                 25
Too long his sighs are lost in air,
At length resign the bliss for which he dies:
The muses, prescient of your future joys,
Dilate my soul, and prompt the chearful lay;
While they, thro’ coming times, with glad surprize,                         30
The long successive brightning scenes survey.

V.

Lo! to your sight a blooming offspring rise,
And add new ardour to the nuptial ties;
While in each form you both united shine;
Fresh honours wait your temples to adorn:                                      35
For you glad CERES fills the flowing horn,
And heav’n and fate to bless your days combine.

VI.

While life gives pleasure, life shall still remain,
Till death, with gentle hand, shall shut the pleasing
scene:                                                                                           40
Safe, sable guide to that celestial shore,
Where pleasure knows no end, and change is fear’d
no more!

 NOTES:

8 precipitate “Relating to haste or speed” (OED).

12 Hymeneals Wedding hymns  (OED).

14 airy warbler A song bird (OED).

17 Aurora “Roman goddess of the dawn” (OED).

19 chides  “To compel”  (OED).

28 prescient “Having knowledge of the future” (OED).

33 ardour “Enthusiasm” (OED).

36 CERES “Roman goddess of the growth of food plants” (Britannica).

SOURCE:  Poems on Several Occasions (Edinburgh, 1754), pp. 51-53. [Google Books]

Edited by Kamaiya Brown-Simsisulu

Thomas Gray, “Ode on the Spring”

THOMAS GRAY

“Ode on the Spring”

 

Lo! where the rosy-bosom’d hours,
Fair VENUS’ train, appear,
Disclose the long-expecting flowers,
And wake the purple year!
The Attic warbler pours her throat,                                 5
Responsive to the cuckow’s note,
The untaught harmony of spring:
While, whisp’ring pleasure as they fly,
Cool Zephyrs thro’ the clear blue sky
Their gather’d fragrance fling.                                         10

Where-e’er the oak’s thick branches stretch
A broader browner shade;
Where-e’er the rude and moss-grown beech
O’er-canopies the glade;
Beside some water’s rushy brink                                   15
With me the Muse shall sit, and think,
(At ease reclin’d in rustic state),
How vain the ardour of the crowd,
How low, how little are the proud,
How indigent the great!                                                   20

Still is the toiling hand of Care;
The panting herds repose:
Yet hark, how thro’ the peopled air
The busy murmur glows!
The insect youth are on the wing,                                  25
Eager to taste the honied spring,
And float amid the liquid noon:
Some lightly o’er the current skim,
Some shew their gayly-gilded trim
Quick-glancing to the sun.                                              30

To Contemplation’s sober eye
Such is the race of man:
And they that creep, and they that fly,
Shall end where they began.
Alike the busy and the gay                                             35
But flutter thro’ life’s little day,
In Fortune’s varying colours drest:
Brush’d by the hand of rough Mischance,
Or chill’d by Age, their airy dance
They leave in dust to rest.                                              40

Methinks I hear, in voices low,
The sportive kind reply;
Poor Moralist! and what are thou?
A solitary fly!
Thy joys no glitt’ring female meets,                               45
No hive hast thou of hoarded sweets,
No painted plumage to display:
On hasty wings thy youth is flown;
Thy sun is set, thy spring is gone—
We frolic while ‘tis May.                                                    50

NOTES:

2 VENUS Roman goddess of beauty and love (OED).

9 Zephyrs Personified west wind (OED).

14 O’er-canopies the glade “A bank/O’er-canopied with luscious woodbine. Shakesp[eare] Mids[ummer] Night’s Dream” [Author’s Note]. Act II, scene 1, ll. 257, 259.

16 Muse “Patron goddesses of poets” (Britannica).

27 And float amid the liquid noon “Nare per aestatem liquidam—/Virgil. Georg[ics]. lib [Book] 4” [Author’s Note]. Line 59: “beholdest their army floating on high,/And the marvelous dusky cloud trailed down the wind afar” (Arthur Way, The Georgics of Virgil in English Verse, p. 91.)

30 Quick-glancing to the sun “sporting with quick glance,/Shew to the sun their wav’d coats dropt with gold. Milton’s Paradise Lost, book 7” [Author’s note]. Lines 405-06.

31 To Contemplation’s sober eye “While insects from threshold preach, &c./M[atthew] Green, in the Grotto./Dodsley’s Miscellenies, Vol. 5, p. 161” [Author’s Note].  Gray’s poem was first published in Robert Dodsley’s A Collection of Poems by Several Hands (1748).

37 Fortune “Chance, hap, or luck, regarded as a cause of events and changes in men’s affairs. Often…personified as a goddess” (OED).

38 Mischance “Bad luck; ill fortune” (OED).

SOURCE: Poems by Mr. Gray. A New Edition (London, 1778), pp. 43-47. [Google Books]

Edited by Katherine Szarata