Tag Archives: Shakespeare

Frances Greville, “A Prayer for Indifference”

[FRANCES] GREVILLE

“A Prayer for Indifference”

 

Oft I’ve implor’d the Gods in vain,
And pray’d till I’ve been weary;
For once I’ll try my wish to gain
Of Oberon the fairy.

Sweet airy being, wanton sprite,                                                   5
That lurk’st in woods unseen;
And oft by Cynthia’s silver light
Tripst gaily o’er the green!

If e’er thy pitying heart was mov’d,
As ancient stories tell,                                                             10
And for th’ Athenian maid, who lov’d,
Thou sought’st a wondrous spell;

Oh! deign once more t’ exert thy power;
Haply some herb or tree,
Sov’reign as juice of western flower,                                             15
Conceals a balm for me.

I ask no kind return of love,
No tempting charm to please:
Far from the heart those gifts remove,
That sighs for peace and ease.                                                20

Nor peace nor ease the heart can know,
Which, like the needle true,
Turns at the touch of joy or woe,
But, turning, trembles too.

Far as distress the soul can wound,                                                 25
‘Tis pain in each degree:
’Tis bliss but to a certain bound;
Beyond is agony.

Take then this treacherous sense of mine,
Which dooms me still to smart;                                                30
Which pleasure can to pain refine,
To pain new pangs impart.

O, haste to shed the sacred balm!
My shatter’d nerves new-string;
And for my guest, serenely calm,                                                     35
The nymph, Indifference, bring.

At her approach, see Hope, see Fear,
See Expectation fly;
And Disappointment in the rear,
That blasts the promis’d joy.                                                      40

The tear, which pity taught to flow,
The eye shall then disown:
The heart that melts for other’s woe,
Shall then scarce feel its own.

The wounds which now each moment bleed,                                45
Each moment then shall close,
And tranquil days shall still succeed
To nights of calm repose.

O, fairy elf! but grant me this,
This one kind comfort send;                                                       50
And so may never-fading bliss
Thy flow’ry paths attend!

So may the glow-worm’s glimm’ring light
Thy tiny footsteps lead
To some new region of delight,                                                           55
Unknown to mortal tread.

And be thy acorn goblet fill’d
With heav’n’s ambrosial dew;
From sweetest, freshest flow’rs distill’d
That shed fresh sweets for you.                                                   60

And what of life remains for me,
I’ll pass in sober ease;
Half-pleas’d, contented will I be,
Content but half to please.

NOTES:

4 Oberon A mythological figure, referenced here as the king of fairies in William Shakespeare’s play A Midsummer Night’s Dream. Sources indicate that Oberon has appeared in texts as a literary and mythological figure since at least the 13th century, including in the French medieval poem “Huon de Bordeaux” (Britannica).

5 wanton “Of a person: playful; unrestrained in merriment, jovial; inclined to joking; carefree” (OED).

7 Cynthia “A poetic name for the Moon personified as a goddess” (OED).

11 Athenian maid Presumably, Helena, of William Shakespeare’s A Midsummer Night’s Dream. In Act II of the play, Oberon witnesses a fight between Demetrius and the maid Helena, who loves him. He then instructs a sprite, Puck, to anoint the man in “Athenian garments,” intending him to place a magical spell on Demetrius to ensure that he falls in love with the first person he sees (2.1.268-272).

15 western flower The magical, love-inducing flower referred to in A Midsummer Night’s Dream: “Yet marked I where the bolt of Cupid fell. / It fell upon a little western flower, / Before, milk-white, now purple with love’s wound, / And maidens call it ‘love-in-idleness’” (2.1.172-174).

30 smart “To feel sharp pain or distress (esp. with a stinging pain); to suffer acutely or severely” (OED).

SOURCE: A Collection of the Most esteemed Pieces of Poetry, That have appeared for several Years (London, 1770), pp. 87-89. [Sutro Library]

 Edited by Leila Kalliel

 

Ann Yearsley, “On Mrs. Montagu”

ANN YEARSLEY

“On Mrs. MONTAGU”

 

Why boast, O arrogant, imperious man,
Perfection so exclusive? are thy powers
Nearer approaching Deity? can’st thou solve
Questions which Infinity propounds,
Soar nobler flights, or dare immortal deeds,                                                         5
Unknown to woman, if she greatly dares
To use the powers assign’d her? Active strength,
The boast of animals, is clearly thine;
By this upheld, thou think’st the lesson rare
That female virtues teach; and poor the height                                                    10
Which female wit obtains. The theme unfolds
Its ample maze, for MONTAGU befriends
The puzzled thought, and, blazing in the eye
Of boldest Opposition, strait presents
The soul’s best energies, her keenest powers,                                                      15
Clear, vigorous, enlighten’d; with firm wing
Swift she o’ertakes his Muse, which spread afar
Its brightest glories in the days of yore;
Lo! where she, mounting, spurns the stedfast earth,
And, sailing on the cloud of science, bears                                                              20
The banner of Perfection. —————-
Ask GALLIA’S mimic sons how strong her powers,
Whom, flush’d with plunder from her SHAKESPEARE’S page,
She swift detects amid their dark retreats;
(Horrid as CACUS in their thievish dens)                                                                  25
Regains the trophies, bears in triumph back
The pilfer’d glories to wond’ring world.
So STELLA boasts, from her tale I learn’d;
With pride she told it, I with rapture heard.

O, MONTAGU! forgive me, if I sing                                                                    30
Thy wisdom temper’d with the milder ray
Of soft humanity, and kindness bland:
So wide its influence, that the bright beams
Reach the low vale where mists of ignorance lodge,
Strike on the innate spark which lay immers’d,                                                      35
Thick clogg’d, and almost quench’d in total night —
On me it fell, and cheer’d my joyless heart.

Unwelcome is the first bright dawn of light
To the dark soul; impatient, she rejects,
And fain wou’d push the heavenly stranger back;                                                  40
She loaths the cranny which admits the day;
Confus’d, afraid of the intruding guest;
Disturb’d, unwilling to receive the beam,
Which to herself her native darkness shews.

The effort rude to quench the cheering flame                                                45
Was mine, and e’en on STELLA cou’d I gaze
With sullen envy, and admiring pride,
Till, doubly rous’d by MONTAGU, the pair
Conspire to clear my dull, imprison’d sense,
And chase the mists which dimm’d my visual beam.                                           50

Oft as I trod my native wilds alone,
Strong gusts of thought wou’d rise, but rise to die;
The portals of swelling soul, ne’er op’d
By liberal converse, rude ideas strove
Awhile for vent, but found it not, and died.                                                           55
Thus rust the Mind’s best powers.  Yon starry orbs,
Majestic ocean, flowery vales, gay groves,
Eye-wasting lawns, and Heaven-attempting hills,
Which bound th’ horizon, and which curb the view;
All those, with beauteous imagery, awak’d                                                            60
My ravish’d soul to extacy untaught,
To all the transport the rapt sense can bear;
But all expir’d, for want of powers to speak;
All perish’d in the mind as soon as born,
Eras’d more quick than cyphers on the shore,                                                      65
O’er which the cruel waves, unheedful, roll.

Such timid rapture as young EDWIN seiz’d,
When his lone footsteps on the Sage obtrude,
Whose noble precept charm’d his wond’ring ear,
Such rapture fill’d LACTILLA’S vacant soul,                                                             70
When the bright Moralist, in softness drest,
Opes all the glories of the mental world,
Deigns to direct the infant thought, to prune
The budding sentiment, uprear the stalk
Of feeble fancy, bid idea live,                                                                                    75
Woo the abstracted spirit from its cares,
And gently guide her to the scenes of peace.
Mine was that balm, and mine the grateful heart,
Which breathes its thanks in rough, but timid strains.

NOTES:

Title Montagu Elizabeth Montagu (1718-1800), literary critic, writer, and patron of the arts.  She was a founding member of the Bluestockings, a group of intellectual women formed in the mid-eighteenth century (Britannica).

17 Muse “The inspiration of poetry or song” (OED).

19 spurns “To reject with contempt or disdain” (OED).

22 GALLIA’S mimic sons Ancient Latin word for France; a reference to French critics (OED).

23 SHAKESPEARE’S page A reference to Montagu’s most important work, An Essay on the Writing and Genius of Shakespear (1769).

25 CACUS Three-headed, fire-breathing Roman diety killed by Hercules in his own cave after stealing cattle (Britannica).

28 STELLA Yearsley’s poetic name for Hannah More (1745-1833), a poet, playwright, and member of the Bluestocking circle.  She became Yearsley’s most energetic patron until their falling out in 1787.

61 extacy “An exalted state of feeling which engrosses the mind to the exclusion of thought” (OED).

67 young EDWIN “See the Minstrel” [Author’s Note].  Edwin is the young poet of James Beattie’s (1785-1803) popular two-part poem The Minstrel (1771/1774).  One of the characters he encounters is a philosopher or “Sage” figure.

70 LACTILLA “The Author” [Author’s Note]. Yearsley’s poetic name for herself.

71 bright Moralist Most likely a reference to Elizabeth Montagu.

SOURCE:  Poems, on Several Occasions (London, 1785), pp. 101-106.  [Google Books]

Edited by Chloe Moody

John Ogilvie, “Ode to the Genius of Shakespear”

JOHN OGILVIE

“Ode to the Genius of Shakespear”

I. 1

Rapt from the glance of mortal eye,
Say bursts thy Genius to the world of light?
Seeks it yon star-bespangled sky?
Or skims its fields with rapid flight?
Or mid’ yon plains where Fancy strays,                                            5
Courts it the balmy-breathing gale?
Or where the violet pale
Droops o’er the green-embroider’d stream;
Or where young Zephir stirs the rustling sprays,
Lyes all dissolv’d in fairy-dream.                                                        10
O’er yon bleak desart’s unfrequented round
See’st thou where Nature treads the deepening gloom,
Sits on yon hoary tow’r with ivy crown’d,
Or wildly wails o’er thy lamented tomb;
Hear’st thou the solemn music wind along?                                    15
Or thrills the warbling note in thy mellifluous song?

I. 2

Oft while on earth ‘twas thine to rove
Where’er the wild-eyed Goddess lov’d to roam,
To trace serene the gloomy grove,
Or haunt meek Quiet’s simple dome;                                              20
Still hovering round the Nine appear,
That pour the soul-transporting strain;
Join’d to the Loves’ gay train,
The loose-robed Graces crown’d with flow’rs,
The light-wing’d gales that lead the vernal year,                            25
And wake the rosy-featured Hours.
O’er all bright Fancy’s beamy radiance shone,
How flam’d thy bosom as her charms reveal!
Her fire-clad eye sublime, her starry zone,
Her tresses loose that wanton’d on the gale;                                 30
On Thee the Goddess fix’d her ardent look,
Then from her glowing lips these melting accents broke.

I. 3

“To Thee, my favourite son, belong
The lays that steal the listening hour;
To pour the rapture-darting song                                                   35
To paint gay Hope’s elysian bower.
From Nature’s hand to snatch the dart,
To cleave with pangs the bleeding heart;
Or lightly sweep the trembling string,
And call the Loves with purple wing                                              40
From the blue deep where they dwell
With Naiads in the pearly cell,
Soft on the sea-born Goddess gaze;
Or in the loose robe’s floating maze,
Dissolv’d in downy slumbers rest;                                                 45
Or flutter o’er her panting breast.
Or wild to melt the yielding soul,
Let Sorrow clad in sable stole
Slow to thy musing thought appear;
Or pensive Pity pale;                                                                         50
Or Love’s desponding tale
Call from th’ intender’d heart the sympathetic tear.”

II. 1

Say, whence the magic of thy mind?
Why thrills thy music on the springs of thought?
Why, at thy pencil’s touch refin’d                                                   55
Starts into life the glowing draught?
On yonder fairy carpet laid,
Where Beauty pours eternal bloom,
And Zephir breathes perfume;
There nightly to the tranced eye                                                     60
Profuse the radiant goddess stood display’d,
With all her smiling offspring nigh.
Sudden the mantling cliff, the arching wood,
The broidered mead, the landskip, and the grove,
Hills, vales, and sky-dipt seas, and torrents rude,                        65
Grots, rills and shades, and bowers that breath’d of love
All burst to sight!—while glancing on the view,
Titania’s sporting train brush’d lightly o’er the dew.

II. 2

The pale-eyed Genius of the shade
Led thy bold step to Prosper’s magic bower;                               70
Whose voice the howling winds obey’d,
Whose dark spell chain’d the rapid hour:
Then rose serene the sea-girt isle;
Gay scenes by Fancy’s touch refin’d
Glow’d to the musing mind:                                                            75
Such visions bless the hermit’s dream,
When hovering Angels prompt his placid smile,
Or paint some high ecstatic theme.
Then flam’d Miranda on th’ enraptur’d gaze,
Then fail’d bright Ariel on the bat’s fleet wing:                             80
Or starts the lift’ning throng in still amaze!
The wild note trembling on th’ aerial string!
The form in heav’n’s resplendent vesture gay
Floats on the mantling cloud, and pours the melting lay.

II. 3

O lay me near yon limpid stream,                                                  85
Whose murmur soothes the ear of Woe!
There in some sweet poetic dream
Let Fancy’s bright Elysium glow!
‘Tis done :—o’er all the blushing mead
The dark Wood shakes his cloudy head;                                      90
Below, the lily-fringed dale
Breathes its mild fragrance on the gale;
While in pastime all-unseen,
Titania robed in mantle green
Sports on the mossy bank :— her train                                        95
Skims light along the gleaming plain;
Or to the fluttering breeze unfold
The blue wing streak’d with beamy gold;
Its pinions opening to the light !—
Say, bursts the vision on my sight?                                                100
Ah, no! by Shakespear’s pencil drawn
The beauteous shapes appear;
While meek-eyed Cynthia near
Illumes with streamy ray the silver-mantled lawn.

III. 1

But hark! the Tempest howls afar!                                                 105
Bursts the loud whirlwind o’er the pathless waste!
What Cherub blows the trump of war?
What Demon rides the stormy blast?
Red from the lightning’s livid blaze,
The bleak heath rushes on the sight;                                             110
Then wrapt in sudden night
Dissolves.—But ah ! what kingly form
Roams the lone desart’s desolated maze!
Unaw’d! nor heeds the sweeping storm.
Ye pale-eyed Lightnings spare the cheek of Age!                          115
Vain wish ;—though Anguish heaves the bursting groan.
Deaf as the flint, the marble ear of Rage
Hears not the Mourner’s unavailing moan:
Heart-pierc’d he bleeds, and stung with wild despair
Bares his time-blasted head, and tears his silver hair.                 120

III. 2

Lo! on yon long-resounding shore,
Where the rock totters o’er the headlong deep;
What phantomes bathed in infant gore
Stand muttering on the dizzy steep!
Their murmur shakes the zephir’s wing!                                         125
The storm obeys their pow’rful spell;
See, from His gloomy cell
Fierce Winter starts! his scowling eye
Bloats the fair mantle of the breathing Spring,
And lowers along the ruffled sky.                                                     130
To the deep vault the yelling harpies run,
Its yawning mouth receives th’ infernal crew.
Dim thro’ the black gloom winks the glimmering sun,
And the pale furnace gleams with brimstone blue.
Hell howls: and fiends that join the dire acclaim                           135
Dance on the bubbling tide, and point the livid flame.

III. 3

But ah! on Sorrow’s cypress bough
Can Beauty breathe her genial bloom?
On Death’s cold cheek will Passion glow?
Or Music warble from the tomb?                                                     140
There sleeps the Bard, whose tuneful tongue
Pour’d the full stream of mazy song.
Young Spring with lip of ruby, here
Showers from her lap the blushing year;
While along the turf reclin’d,                                                             145
The loose wing swimming on the wind,
The Loves with forward gesture bold,
Sprinkle the sod with spangling gold;
And oft the blue-eyed Graces trim
Dance lightly round on downy limb;                                                150
Oft too, when Eve’ demure and still
Chequers the green dale’s purling rill,
Sweet Fancy pours the plaintive strain,
Or wrapt in soothing dream,
By Avon’s ruffled stream,                                                                   155
Hears the low-murmuring gale that dies along the plain.

NOTES:

3  yon  “That” (OED).
6  balmy-breathing gale  A warm, fragrant breeze.
9  Zephir  “The west wind; frequently personified” (OED).
13  hoary  “Ancient, venerable” (OED).
16  mellifluous “Pertaining to speech, words, or music; being sweet” (OED).
21  the Nine  The Muses.
30  wanton’d on the gale  Blowing about carelessly in the wind.
36  elysian bower  An ideal or happy abode (OED).
42  Naiads  “Water nymphs” (OED).
43  sea-born Goddess  “Venus” [Author’s note].
48  clad in sable stole  Dressed in mourning garments (OED).
51  desponding  “To lose heart or resolution; to become depressed or dejected in mind by loss of confidence or hope” (OED).
66  rills  Small streams (OED).
68  Titania  “The queen of the fairies in William Shakespeare’s comedy A Midsummer Night’s Dream (written about 1595–96). Titania, who opposes her husband, Oberon, bears some resemblance to Hera of Greek mythology” (Britannica).
70  Prosper  Prospero in Shakespeare’s The Tempest.
83  vesture  “All growth on land, except trees” (OED).
84  Floats on the mantling cloud  “Ariel: see the Tempest” [Author’s note].
91  dale  “A valley” (OED).
104  the silver-mantled lawn  “See the Midsummer Night’s Dream” [Author’s note].
110  heath  “Wilderness” (OED).
120  tears his silver hair  “Lear” [Author’s note].
122  totters  “As if about to collapse” (OED).
131  the yelling harpies run  “The Witches in Macbeth” [Author’s note].
151  Eve’  Evening.
153  plaintive  “Lamenting” (OED).

SOURCE: Poems on Several Subjects (London, 1762), pp. 8-15.  [Google Books]

Edited by Janice Rodriguez