Tag Archives: didactic

Anne Finch, “The Lyon and the Gnat”

ANNE FINCH

“The Lyon and the Gnat”

 

To the still Covert of a Wood,
About the prime of Day,
A Lyon, satiated with Food,
With stately Pace, and sullen Mood,
Now took his lazy way.                                                            5

To Rest he there himself compos’d,
And in his Mind revolv’d,
How Great a Person it enclos’d,
How free from Danger he repos’d,
Though now in Ease dissolv’d!                                               10

Who Guard, nor Centinel did need,
Despising as a Jest
All whom the Forest else did feed,
As Creatures of an abject Breed,
Who durst not him molest.                                                     15

But in the Air a Sound he heard,
That gave him some dislike;
At which he shook his grisly Beard,
Enough to make the Woods affeard,
And stretch’d his Paw to strike.                                                20

When on his lifted Nose there fell
A Creature, slight of Wing,
Who neither fear’d his Grin, nor Yell,
Nor Strength, that in his Jaws did dwell,
But gores him with her Sting.                                                    25

Transported with th’ Affront and Pain,
He terribly exclaims,
Protesting, if it comes again,
Its guilty Blood the Grass shall stain,
And to surprize it aims.                                                               30

The scoffing Gnat now laugh’d aloud,
And bids him upwards view
The Jupiter within the Cloud,
That humbl’d him, who was so proud,
And his sharp Thunder threw.                                                  35

That Taunt no Lyon’s Heart cou’d bear;
And now much more he raves,
Whilst this new Perseus in the Air
Do’s War and Strife again declare,
And all his Terrour braves.                                                        40

Upon his haughty Neck she rides,
Then on his lashing Tail;
(Which need not now provoke his Sides)
Where she her slender Weapon guides,
And makes all Patience fail.                                                      45

A Truce at length he must propose,
The Terms to be her Own;
Who likewise Rest and Quiet chose,
Contented now her Life to close
When she’d such Triumph known.                                          50

You mighty Men, who meaner ones despise,
Learn from this Fable to become more Wise;
You see the Lyon may be vext with Flies.

NOTES:

Title  Originally an Aesop’s fable in which the moral is that no matter one’s station in life, they can always be undone.

1  Covert  “A place which gives shelter to wild animals or game” (OED).

2  prime of Day  “The early morning; the period between 6:00 a.m. and 9:00 a. m.” (OED).

11  Centinel  A guard similar to a soldier (OED).

15  durst  “Dared” (OED).

19  affeard  “Afraid” (OED).

33  Jupiter  “The supreme  deity of the ancient Romans…whose weapon was the thunderbolt” (OED).

38  Perseus  Greek demigod, slayer of the Gorgon Medusa and other monsters (Oxford Classical Dictionary).

53  vext  Vexed: Irritated or afflicted (OED).

SOURCE: Poems on Several Occasions (London, 1714), pp. 254-57.  [Google Books]

Edited by Lily Kratzer

Mary Barber, “Jupiter and Fortune. A Fable”

 MARY BARBER

“Jupiter and Fortune.  A Fable”

 

Once JUPITER, from out the Skies,
Beheld a thousand Temples rise;
The Goddess FORTUNE all invok’d,
To JOVE an Altar seldom smoak’d:
The God resolv’d to make Inspection,                                             5
What had occasion’d this Defection;
And bid the Goddess tell the Arts,
By which she won deluded Hearts.

My Arts! (says she) Great JOVE, you know,
That I do ev’ry Thing below:                                                              10
I make my Vot’ries dine on Plate;
I give the gilded Coach of State;
Bestow the glitt’ring Gems, that deck
The fair LAVINIA’S lovely Neck;
I make NOVELLA Nature’s Boast,                                                     15
And raise VALERIA to a Toast;
‘Tis I, who give the Stupid, Taste,
(Or make the Poets lie, at least);
My fav’rite Sons, whene’er they please,
Can Palaces in Desarts raise,                                                             20
Cut out Canals, make Fountains play,
And make the dreary Waste look gay;
Ev’n Vice seems Virtue by my Smiles;
I gild the Villian’s gloomy Wiles,
Nay, almost raise him to a God,                                                        25
While crowded Levees wait his Nod.

ENOUGH– the Thunderer reply’d;
But say, whom have you satisfy’d?
These boasted Gifts are thine, I own;
But know, Content is mine alone.                                                     30

NOTES:

Title  Jupiter  “Known as ‘Jove’ is the god of sky and thunder in Ancient Roman Mythology and the chief of the gods. Father of Fortuna and great protector”(Britannica); Fortune Fortuna is the goddess of fortune and luck in ancient Roman mythology.

11  Vot’ries  “A devoted or zealous worshipper of a particular god [or] goddess” (OED).

16  Toast  “The reigning belle of the season” (OED).

26  Levees  “A morning assembly held by a prince or a person of distinction” (OED).

SOURCE:  Poems on Several Occasions (London, 1735), pp. 63-64.  [Google Books]

 Edited by Raven Valdivia

Mary Leapor, “The Fox and the Hen. A Fable”

MARY LEAPOR

“The Fox and the Hen. A Fable”

 

‘Twas on a fair and healthy Plain,
There liv’d a poor but honest Swain,
Had to his Lot a little Ground,
Defended by a quick-set Mound:
‘Twas there he milk’d his brindled Kine,                               5
And there he fed his harmless Swine:
His Pigeons flutter’d to and fro,
And bask’d his Poultry in a Row:
Much we might say of each of these,
As how his Pigs in Consort wheeze;                                      10
How the sweet Hay his Heifers chew,
And how the Pigeons softly coo:
But we shall wave this motley Strain,
And keep to one that’s short and plain:
Nor paint the Dunghill’s feather’d King,                               15
For of the Hen we mean to sing.

A Hen there was, a strange one too,
Cou’d sing (believe me, it is true)
Or rather (as you may persume)
Wou’d prate and cackle in a Tune:                                         20
This quickly spread the Pullet’s Fame,
And Birds and Beasts together came:
All mixt in one promiscuous Throng,
To visit Partlet and her Song.
It chanc’d there came amongst the Crew,                             25
Of witty Foxes not a few:
But one more smart than all the rest,
His serious Neighbour thus addrest:
“What think you of this Partlet here?
‘Tis true her Voice is pretty clear:                                            30
Yet without pausing I can tell,
In what much more she wou’d excel:
Methinks she’d eat exceeding well.”
This heard the list’ning Hen, as she
Sat perch’d upon a Maple-tree.                                               35

The shrewd Proposal gall’d her Pride,
And thus to Reynard she reply’d:
“Sir , you’re extremely right I vow,
But how will you come at me now?
You dare not mount this lofty Tree,                                        40
So there I’m pretty safe, you see.
From long ago, (or Record lies)
You Foxes have been counted wise:
But sure this Story don’t agree
With your Device of eating me.                                               45
For you, Dame Fortune still intends
Some coarser Food than singing Hens:
Besides e’er you can reach so high.
Remember you must learn to fly.

I own ‘tis but a scurvy way,
You have as yet to seize your Prey,                                       50
By sculking from the Beams of Light,
And robbing Hen-roosts in the Night:
Yet you must keep this vulgar Trade
Of thieving till your Wings are made.

Had I the keeping of you tho’,                                        55
I’d make your subtle Worship know,
We Chickens are your Betters due,
Not fatted up for such as you:
Shut up in Cub with rusty Chain,
I’d make you lick your Lips in vain:                                        60
And take a special Care, be sure,
No Pullet shou’d come near your Door:
But try if you cou’d feed or no,
Upon a Kite or Carrion Crow.”
Here ceas’d the Hen. The baffl’d Beast                                 65
March’d off without his promis’d Feast.

NOTES:

4 quick-set Mound Likely a raised boundary “formed of living plants, esp. thorny ones such as hawthorne” (OED).

15 the Dunghill’s feather’d King A rooster, or “cock.”

21 Pullet “A young domestic hen” (OED).

23 Throng “A large densely packed gathering of people or animals” (OED).

24 Partlet “A name traditionally applied to a hen” (OED).

37 Reynard “A proper name applied traditionally (chiefly in literature) to a fox” (OED).

59 Cub “A stall, pen, or shed” for farm animals (OED).

64 Kite “A bird of prey” (OED).

SOURCE: Poems Upon Several Occasions (London, 1748), pp. 97-100. [Google Books]

Edited by Josh Hernandez

 

Mary Leapor, “The Power of Beauty”

MARY LEAPOR

“The Power of Beauty”

O Goddess of eternal Smiles,
Bright Cythera the fair,
Who taught Sabina’s pleasing Wiles,
By which she won Bellair.

Bellair, the witty and the vain,                                                5
Who laugh’d at Beauty’s Pow’r;
But now the conquer’d humble Swain
Adores a painted Flow’r.

With Delia’s Art my Song inspire,
Whose Lips of rosy Hue                                                   10
Can ne’er the partial Audience tire,
Tho’ wiser Claudia’s do.

Tho’ Claudia’s Wit and Sense refin’d,
Flows easy from her Tongue;
Her Soul but coarsely is enshrin’d,                                        15
So Claudia’s in the wrong.

Hark, Delia speaks—that blooming Fair,
See Crowds are gathering round
With open Mouths: and wildly stare
To catch the empty Sound.                                               20

See Lelia with a Judgement clear,
With manly Wisdom blest;
Wit, Learning, Prudence, all appear
In that unruffled Breast.

But yet no Beau for Lelia dies,                                                  25
No Sonnets pave her way;
Say, Muse, from whence these Evils rise,
Why Lelia’s Teeth decay.

Then, why do rev’rend Sages rail
At Woman’s wanton Pride?                                                30
If Wisdom, Wit, and Prudence fail,
Let meaner Arts be try’d.

Those Arts to please are only meant;
But with an angry Frown,
The Queen of Wisdom lately sent                                             35
This Proclamation down:

Minerva, with the azure Eyes,
And thus the Statute runs,
If you wou’d have your Daughters wise,
Take care to mend your Sons.                                             40

NOTES:

2 Cythera Venus, the goddess of love (OED).

3 Sabina’s This and subsequent names at lines 9, 12, and 21 were common women’s names in pastoral poetry.

7 Swain A shepherd in pastoral poetry.

29 Sages Men of “profound wisdom” (OED).

30 wanton “Reckless” (OED).

35 Queen of Wisdom Minerva, the goddess of wisdom (OED).

Source:  Poems upon Several Occasions (London, 1748), pp. 229-231. [Google Books]

Edited by Liliana Marusic

[William Mason], “The Plow-Boy’s Dream”

[WILLIAM MASON]

“The Plow-Boy’s Dream”

 

I am a Plow-boy stout and strong,
As ever drove a team;
And three years since asleep in bed
I had a dreadful dream:
And, as that dream has done me good,                                  5
I’ve got it put in rhyme;
That other boys may read and sing
My dream, when they have time.

Methought I drove my master’s team,
With Dobbin, Ball, and Star;                                               10
Before a stiff and handy plough,
As all my master’s are:
But found the ground was bak’d so hard,
And more like brick than clay,
I could not cut my furrow clean,                                               15
Nor would my beasts obey.

The more I whipt, and lash’d, and swore
The less my cattle stirr’d;
Dobbin laid down, and Ball, and Star
They kick’d and snorted hard:                                            20
When lo! above me a bright youth
Did seem to hang in air,
With purple wings and golden wand,
As Angels painted are.

“Give over, cruel wretch,” he cry’d,                                             25
“Nor thus thy beasts abuse;
Think, if the ground was not too hard,
Would they their work refuse?
Besides I heard thee curse and swear
As if dumb beasts could know                                            30
What all thy oaths and curses meant,
Or better for them go.

But tho’ they know not, there is One,
Who knows thy sins full well,
And what shall be thy after doom,                                            35
Another shall thee tell.”
No more he said, but light as air
He vanish’d from my sight;
And with him went the sun’s bright beams,
And all was dark midnight.                                                  40

The thunder roar’d from under ground,
The earth it seem’d to gape;
Blue flames broke forth, and in those flames
A dire gigantic shape.
“Soon shall I call thee mine,” it cry’d,                                          45
With voice so dread and deep,
That quiv’ring like an aspin leaf
I waken’d from my sleep.

And tho’ I found it but a dream,
It left upon my mind                                                             50
That dread of sin, that fear of GOD,
Which all should wish to find;
For since that hour I’ve never dar’d
To use my cattle ill,
And ever fear’d to curse and swear,                                          55
And hope to do so still.

Now ponder well ye Plow-boys all
The dream that I have told;
And if it works such change in you,
‘Tis worth its weight in gold;                                               60
For should you think it false or true,
It matters not one pin,
If you but deeds of mercy shew,
And keep your souls from sin.

NOTES:

Title This poem, signed “M.”, was one of two by William Mason (1724-1797) that Hannah More (1745-1833) accepted for publication in her Cheap Repository Tract scheme.  Mason’s authorship is confirmed in a letter More wrote to her sister in which she explains why she rejected four of the six poems Mason submitted before noting that “two, one of which was called the ‘Ploughboy’s Dream,’ will do very well” (William Roberts, Memoirs of the Life and Correspondence of Mrs. Hannah More, third edition [1835], vol. 2, p. 430).  G. H. Spinney dates publication of this tract in August, 1795 (“Cheap Repository Tracts:  Hazard and Marshall Edition,” The Library, 4th series, 20:3 [1939], p. 320).

6 rhyme Corrected from “ryhme,” a printer’s error.

10 Dobbin, Ball, and Star Common names for draft or farm horses.

18 cattle “A collective term for live animals held as property,” often applied to horses in this period (OED).

60 its Corrected from “it’s,” a printer’s error.

62 not one pin Very little.

Source:  “The Plow-Boy’s Dream,” single sheet, (London and Bath, [1795]).  [ESTC]

Edited by Bill Christmas

Frances Maria Cowper, “Love of Solitude”

[​FRANCES MARIA COWPER​]

“Love of Solitude”
Vanity of Worldly Pleasure

 

While others, lost in pleasure’s guilty round,
Blast the glad season of their fleeting youth,
Let me in solitary joys abound,
Fond of the paths of piety and truth:
Give me in Wisdom’s volume to descry                                              5
The mysteries of love and grace divine,
By Scripture taught, with penetrating eye
To scan the world aright, and to resign.

Deluded world! infatuated throng!
To spurn the treasure that no force destroys,                          10
Nor see the baneful weed that lurks among
The fairest bloom of your embitter’d joys.
Amid the clamours of the loudest mirth,
Thoughts in unwelcome guise will oft have part,
Will promp the wish, th’ involuntary sigh,                                          15
“And rouse reflection in the gayest heart.”

Bear me, ye guardians of the mind sincere,
To scenes sequester’d from the haunts of men;
The pensive soul with ev’ry grace prepare,
Sacred to Virtue and her blissful train:                                        20
With these conversing, and by these renew’d,
Ne’er shall I feel ambition’s lawless sway,
But in the paths my earliest steps pursu’d,
In search of Wisdom’s pleasures safely stray.

Come, holy Wisdom, fav’rite gift of God!                                             25
With thine attendant grace, Humility;
Descend, bright visitant! and make abode
Where museful Melancholy waits for thee.
Ah, what avails fair India’s shining store,
The purple treasures of the gorgeous East?                                30
What joy, to quit the charms of regal power,
To dwell with thee, thou soul-enlight’ning guest!

Not the attractive voice of worldly fame,
Nor syren sound of dullest flattery,
Could tempt my heart thy labours to disclaim,                                   35
Or slight the blessings that belong to thee.
How has my soul in secret wish preffer’d
The lonely walk and solitary shade,
The painted vanities of life abhorr’d,
And all the pageantry that pomp display’d!                                 40

Joyless the gilded equipage I view’d,
The dull variety of senseless show;
The world’s gay path without delight pursu’d,
Nor felt the transports that from grandeur flow.
Slave to the wretched world’s imposing forms,                                  45
See Sacharissa deck’d in gold brocade;
She owns that grandeur has no real charms,
And sighs for virtue in the sylvan shade.

NOTES:

28 ​museful ​”Absorbed in thought; thoughtful, pensive” (OED).

30 ​purple “Characterized by richness or abundance; splendid, glorious” (OED).

34 ​syren A​ Greek mythology creature that lured sailors to their deaths with its enchanting song.

46 ​Sacharissa P​ossibly a reference to Lady Dorothy Sidney (1617-1684), the beloved “Sacharissa” of many love lyrics by Edmund Waller (1606-1687). In one portrait by Anthony Van Dyck (1599-1641), she appears as a finely dressed shepherdess.

Source: Original Poems, on Various Occasions. By a Lady (London 1792), pp.11-13.  [Google Books]

Edited by Grazzia Menendez

James Woodhouse, “Benevolence, An Ode”

JAMES WOODHOUSE

“BENEVOLENCE, An ODE”

Inscribed to my Friends

 

Let others boast Palladian skill
The sculptur’d dome to raise;
To scoop the vale, to swell the hill,
Or lead the smooth, meand’ring rill
In ever-varying maze;                                                                   5
To strike the lyre
With Homer’s fire,
Or Sappho’s tender art;
Or Handel’s notes with sweeter strains inspire,
O’er Phidia’s chissel to preside,                                                  10
Or Titian’s glowing pencil guide
Through ev’ry living part.

Ah! what avails it thus to shine,
By ev’ry art refin’d;
Except BENEVOLENCE combine                                                  15
To humanize the mind!
The Parian floor,
Or vivid cieling, fresco’d o’er,
With glaring charms the gazing eye may fire;
Yet may their lords, like statues cold,                                        20
Devoid of sympathy, behold
Fair worth with want repine,
Or indigence, expire;
Nor ever know the noblest use of gold.

‘Tis yours, with sympathetic breast,                                           25
To stop the rising sigh,
And wipe the tearful eye,
Nor let repining merit sue unblest;
This is a more applausive taste
Than spending wealth                                                            30
In gorgeous waste,
Or with dire luxury destroying health;
It sweetens life with ev’ry virtuous joy,
And wings the conscious hours with gladness as they fly.

NOTES:

Subtitle “His first two elegies being seen by some gentlemen and ladies in London in manuscript, they made a small subscription for him; and these were the friends he speaks of” [Author’s Note].

1 Palladian A reference to the neoclassical architectural movement inspired by the Italian Renaissance architect, Andrea Palladio (1508-1580). Palladian style was strongly based on symmetry and clarity and remained popular through the mid eighteenth century (Britannica).

7 Homer Greek poet, famously known for his epics The Iliad and The Odyssey.

8 Sappho “Greek lyric poet (c. 610-570 BCE) greatly admired in all ages for the beauty of her writing style” (Britannica).

9 Handel George Frideric Handel (1685-1759), “German-born English composer of the late Baroque era. He wrote the most famous of all oratorios, Messiah (1741)” (Britannica).

10 Phidia Greek sculptor (fl. c. 490-430 BCE), “artistic director of the Parthenon” and renowned for his colossal statues of Athena and Zeus (Britannica).

11 Titian Tiziano Vecellio (or Vecelli) (1488/90-1576) “The greatest Italian Renaissance painter of the Venetian school” (Britannica).

17 Parian floor The Greek island of Paros was known for its “fine white marble, prized in antiquity by sculptors” (OED).

18 cieling Alternate spelling of “ceiling,” noted in Johnson’s Dictionary; fresco’d “A kind of painting executed in water-colour on a wall, ceiling, etc. of which the mortar or plaster is not quite dry, so that the colours sink in and become more durable” (OED).

28 sue “To make one’s petition or appeal” (OED).

Source: Poems on Several Occasions, second edition (London, 1766), pp. 24-26.  [Google Books]

 Edited by Natalie Nunez

Lady Mary Chudleigh, “Icarus”

LADY MARY CHUDLEIGH

“Icarus” 

Whilst ​Icarus​ his Wings prepar’d
His trembling Father for him fear’d:
And thus to him sighing said,
O let paternal Love persuade :
With me, my dearest Son, comply,                                         5
And do not proudly soar too high:
For near,​ Apollo’s ​scorching Heat,
Will on thy Wings too fiercely beat :
And soon dissolve the waxen Ties.
Nor loiter in the lower Skies,                                                    10
Least Steams should from the Land arise,
And damp thy Plumes, and check thy Flight.
And plunge thee into gloomy Night.

Th’ ambitious Youth led on by Pride,
Did all this good Advice deride;                                                15
And smiling, rashly soar’d on high;
Too near the Source of Light did fly;
A while, well pleas’d, he wanton’d there,
Rejoicing breath’d AEthereal Air:
But ah! the Pleasure soon was past,                                        20
The Transport was too great to last:
His Wings dropt off, and down he came
Into that Sea which keeps his Name.

His grieving Father saw him drown’d,
And sent loud moving Crys around:                                          25
Ah! wretched Youth, he weeping said,
Thou’rt now a dire Example made,
Of those who with ungovern’d Heat
Aspire to be supremely great;
Who from obscure Beginnings rise,                                           30
And swoln with Pride, Advice despise;
Mount up with hast above their Sphere,
And no superior Pow’rs revere.

O may thy Fall be useful made,
May it to humbler Thoughts persuade :                                   35
To Men th’ avoidless Danger Show
Of those who fly too high, or low;
Who from the Paths of Virtue stray,
And keep not in the middle Way :
Who singe their Wings with heav’nly Fire;                                 40
Amidst their glorious Hopes expire:
Or with a base and groveling Mind
Are to the Clods of Earth confin’d.

NOTES:

Title​ ​Icarus ​The son of ​Daedalus, who escaped from Crete using wings made by his father but was killed when he flew too near the sun and the wax attaching his wings melted (​OCD).

7 ​Apollo ​Greek god of the sun.

12 ​Plumes “​ Feathers collectively” (OED).

19 ​AEthereal “Of or relating to the highest regions of the atmosphere” (OED).

23​ Sea which keeps his Name T​his is the Icarian Sea, located just north of the island of Ikaria.

Source: ​Poems on Several Occasions (​ London, 1703), pp. 70-72.  [Google Books]

Edited by Natalie Fregoso

Priscilla Pointon, “A Valentine”

PRISCILLA POINTON

“A Valentine”

 

Pardon me, Sir, nor think the maid too bold,
That sends you this, the custom being old:
This day our sex does oft by VALENTINE
Chuse those they like, so I have chose you mine.
Antient’s the custom, as I name above,                                                          5
Mine is but friendship, others may be love;
With me, ye Pow’rs! let friendship ever reign,
I ask no more, nor let me ask in vain:
For shou’d I love, and meet with no return,
How wou’d my bosom, like to Sappho, burn!                                               10
Pity on me, perhaps, they might bestow,
But pity cannot ease the pangs of woe.
The very thought alarms my soul, ‘tis true,
Tho’ Love’s soft passion never yet I knew:
Thus may my heart from love be ever free,                                                   15
And still a vot’ress to DIANA be.
In single state we ev’ry beauty wear,
Wise as MINERVA, and as VENUS fair;
But when once wed, we find it, to our cost,
That in the wife the goddess soon is lost:                                                       20
No more you sigh, no more in transport view,
For strait we’re mortals, and mere husbands you.
Nay, dare to tell us in provoking strain,
That over woman, man was born to reign;
Him to obey should be her chiefest care:                                                        25
Adieu— P.P. such dire thoughts can’t bear.

NOTES:

1-4  Pardon me, Sir… I have chose you mine  The celebration of Valentine’s Day dates back to the Roman fertility festival, Lupercalia (Encyclopedia Britannica).  By the mid eighteenth century in England, it was common for lovers or friends to exchange small tokens of affection or handwritten notes.

9-10  For shou’d I love…like to Sappho burn Pointon is referencing a well-known story about the Greek lyric poet Sappho (c. 630-570 BCE) that was popularized by Joseph Addison in Spectator no. 223 (15 November 1711).  Addison provides a translation (by Ambrose Phillips) of the only known complete poem by Sappho, “An Hymn to Venus,” written after pursuing an “inconstant lover,” the sailor Phaon, to Sicily.  Addison notes that “her Hymn was ineffectual for the procuring that happiness which she prayed for in it.”  According to this tradition, Sappho died because of her unrequited love for Phaon by leaping from a cliff that was supposed to cure her passion (p. 204).

16  vot’ress to DIANA  Pointon is claiming herself devoted to Diana, “an ancient Italian female divinity, the moon-goddess, patroness of virginity and of hunting” and, thus, committed to remaining chaste (OED).

18  MINERVA  A Roman goddess, regarded as the patron of handicrafts and the arts, and later also of wisdom and prowess in war (OED); VENUS  “The ancient Roman goddess of beauty and love,” notably “sensual love” (OED). 

26  P.P.  An abbreviation of the author’s own name which appears in several of her direct addresses in Poems on Several Occasions.

Source: Poems on Several Occasions. By Miss Priscilla Pointon, of Lichfield (Birmingham, 1770), pp. 24-25.  [Google Books]

Edited by Lee Hammel

Hannah More, “The Plum-Cakes; or The Farmer and His Three Sons”

HANNAH MORE

 “The Plum-Cakes; or The Farmer and His Three Sons”

 

A farmer who some wealth possessed,
With three fine boys was also blessed;
The lads were healthy, stout, and young,
And neither wanted sense nor tongue.
Tom, Will, and Jack, like other boys,                                                       5
Lov’d tops and marbles, sport and toys.
The father scouted that false plan,
That money only makes the man;
But, to the best of his discerning,
Was bent on giving them good learning.                                               10
He was a man of observation,
No scholar, yet had penetration;
So with due care a school he sought,
Where his young sons might well be taught.
Quoth he, “I know not which rehearses                                                 15
Most properly his themes or verses,
Yet I can do a father’s part,
And school the temper, mind, and heart;
The natural bent of each I’ll know,
And trifles best that bent may show.”                                                     20

‘Twas just before the closing year,
When Christmas holidays were near,
The farmer call’d to see his boys,
And ask how each his time employs.
Quoth Will, “There’s father, boys, without;                                             25
He’s brought us something good, no doubt.”
The father sees their merry faces,
With joy beholds them and embraces:
“Come, boys, of home you’ll have your fill.”
“Yes, Christmas now is near,” says Will;                                                  30
“‘Tis just twelve days – these notches see,
My notches with the days agree.”
“Well,” said the sire, “again I’ll come,
And gladly fetch my brave boys home;
You two the dappled mare shall ride,                                                    35
Jack mount the pony by my side.
Meantime, my lads, I’ve brought you here,
No provision of good cheer.”
Then from his pocket straight he takes
A vast profusion of plum-cakes;                                                              40
He counts them out a plenteous store,
No boy shall have or less or more:
Twelve cakes he gives to each dear son,
When each expected only one;
And then, with many a kind expression,                                               45
He leaves them to their own discretion:
Resolv’d to mark the use each made
Of what he to their hands convey’d.

The twelve days past, he comes once more,
And brings the horses to the door;                                                        50
The boys with rapture see appear
The pony and the dappled mare;
Each moment now an hour they count,
And crack their whips, and long to mount.
As with the boys his ride he takes,                                                          55
He asks the history of the cakes.
Says Will, “Dear father, life is short,
So I resolv’d to make quick sport;
The cakes were all so nice and sweet,
I thought I’d have one jolly treat.                                                            60
‘Why should I balk,’ said I, ‘my taste?
I’ll make at once a hearty feast.’
So, snugly by myself I fed,
When every boy was gone to bed;
I gorg’d them all, both paste and plum,                                                65
And did not waste a single crumb:
Indeed they made me, to my sorrow,
As sick as death upon the morrow;
This made me mourn my rich repast,
And wish I had not fed so fast.”                                                              70
Quoth Jack, “I was not such a dunce,
To eat my quantum up at once;
And though the boys all long’d to clutch ‘em,
I would not let a creature touch ‘em;
Nor, though the whole were in my power,                                           75
Would I myself one cake devour.
Thanks to the use of keys and locks,
They’re all now snug within my box;
The mischief is, by hoarding long,
They’re grown so mouldy and so strong,                                             80
I find they won’t be fit to eat,
And I have lost my father’s treat.”

“Well, Tom,” the anxious parent cries
“How did you manage?” Tom replies,
“I shunned each wide extreme to take,                                               85
To glut my maw, or hoard my cake;
I thought each day its wants would have,
And appetite again might crave.
Twelve school-days still my notches counted,
To twelve my father’s cakes amounted;                                              90
So every day I took out one,
But never ate my cake alone;
With every needy boy I shared,
And more than half I always spared.
One every day, ‘twixt self and friend,                                                   95
Has brought my dozen to an end.
My last remaining cake to-day
I would not touch, but gave away;
A boy was sick, and scarce could eat,
To him it proved a welcome treat.                                                       100
Jack called me spendthrift, not to save;
Will dubbed me fool, because I gave;
But when our last day came I smiled,
For Will’s were gone, and Jack’s were spoiled.
Not hoarding much, nor eating fast,                                                   105
I served a needy friend at last.”
These tales the father’s thoughts employ:
“By these,” said he, “I know each boy.
Yet Jack, who hoarded what he had,
The world will call a frugal lad;                                                              110
And selfish, gormandizing Will,
Will meet with friends and favorers still;
While moderate Tom, so wise and cool,
The mad and vain will deem a fool;
But I his sober plan approve,                                                                 115
And Tom has gained his father’s love.”

APPLICATION.

So when our day of life is past,
And all are fairly judged at last,
The miser and the sensual find
How each misused the gifts assigned;                                                120
While he who wisely spends and gives,
To the true ends of living lives.
‘Tis self-denying moderation
Gains the great Father’s approbation.

NOTES:

Title First published anonymously, under the same title, in 1796; “signed at the end: Z., i.e. Hannah More” (ESTC, T42504).

31 notches A groove or incision made into a wooden stick to track the passing of days.

40 plum-cake “A cake containing raisins, currants, and often orange peel and other candied fruits” (OED).

61 balk “To waste or throw away a good chance” (OED).

69 repast “Food, nourishment; supply of food” (OED).

71 dunce “One who shows no capacity for learning” (OED).

72 quantum “The actual amount or quantity of something present, available, etc.” (OED).

86 glut “To overload or surfeit with food” (OED); maw “The mouth of a greedy person” (OED).

95 ‘twixt “Betwixt; archaic form of ‘between’” (OED).

101 spendthrift “One who spends profusely” (OED).

111 gormandizing “To eat like a glutton; to feed voraciously” (OED).

Source: Cheap Repository Tracts: Entertaining, Moral, and Religious, vol. I (New York, 1840?) pp. 99-103.

Edited by Jessica M. Fuentes