Author Archives: admin

Anonymous, “Reasons against deifying the Fair Sex”

 

ANONYMOUS

 “Reasons against deifying the Fair Sex.”
By another Hand.

Madam, I own I was so smit
What with your Beauty and your Wit,
That I began, which very odd is,
To think of making you a Goddess;
I talk’d of building you a Temple,                                       5
And off’ring up for an Ensample,
My own dear Heart in low Prostration,
With all the Cant of Adoration.
But thinking closely on the Matter,
I’ve since concluded, ‘twoud be better                            10
You’d be above such Vanity,
And keep to your Humanity.

For first, if you a Goddess be,
What will become of Mortal Me?
Cloath’d in your Majesty Divine,                                       15
I tremble to approach your Shrine.
At awful distance, lo ! I stand
With quiv’ring Lip and shaking Hand;
Or beg, on bended Knee, to greet
With humble Kiss your heav’nly Feet.                              20
For VENUS can’t descend to any
So low as romping like—Miss NANNY.

Again, consider, shou’d you rise
To the high rank of Deities;
You cannot long support your Reign,                                25
Nor long your Goddess-ship maintain:
For you must know, Deification
Is brought to pass by Incantation;
By Words of elevating Sound,
From Lips of Lover on the Ground                                     30
Utter’d in Raptures; Flames and Darts,
Altars, Worship, bleeding Hearts,
Sun, Venus, Quintessence of Worth,
Extasies, Heav’n, and so forth.
Now when you condescend to wed,                                  35
And take the Mortal to your Bed,
One Moon has scarce her Period crown’d;
Ere the rude Creature turns him round,
And with familiar Airs of Spouse,
(Reverse of what he wont to use)                                        40
Treats you like one of this our Earth:
You, conscious of Your heav’nly Birth,
Th’ irreverent Liberty disdain,
And tell the Wretch “He turns prophane;
At this th’ audacious Thing grows hot,                                45
Calls you Chit, Woman, and what not?
Mumbling, in direful retribution,
Some other Forms of Diminution
Malign; your Glories vanish quick,
Olympus turns to house of Brick.                                          50
Instead of Cupids and the Graces,
Plain earthly Betty takes their places:
Your Altars (which who won’t recoil at?)
Change to Tea-table or a Toilet:
The Goddess sinks to Flesh and Blood;                               55
While Husband in the cooing Mood,
Gives you a Buss, nor cares who sees it,
And fondly cries, “My Dear how is it?”

Thus, Madam, not to keep you longer,
(For I can urge no Reasons stronger)                                    60
You plainly see, it is not fitting,
That you among the stars be sitting.
Wherefore, I think, you won’t desire
To leave our Species for a higher.
But be content, with what’s your due,                                   65
And what your Rivals think so too;
That, for soft Charms and Sense refin’d,
You shine the Pride of Woman kind.

NOTES:

Subtitle Unable to trace.

1 smit a poetic construction for “smitten”.

6 Ensample “An illustrative instance” (OED).

8 Cant “The special phraseology of a particular class of persons, or belonging to a particular subject; professional or technical jargon (Always depreciative or contemptuous)” (OED).

21 VENUS “The ancient Roman goddess of beauty and love (esp. sensual love), or the corresponding Greek goddess Aphrodite” (OED).

46 Chit “A person considered as no better than a child. ‘Generally used of young persons in contempt’ (Johnson); now, mostly of a girl or young woman” (OED).

50 Olympus “More fully Mount Olympus. The home of the greater gods and goddesses in ancient Greek mythology, traditionally identified with a mountain in northern Thessaly at the eastern end of the range dividing the Greek regions of Thessaly and Macedonia. Also in extended use: the home of the gods; heaven” (OED).

51 Cupids “Cupid, ancient Roman god of love in all its varieties, the counterpart of the Greek god Eros and the equivalent of Amor in Latin poetry”; Graces “Frequently the Graces were taken as goddesses of charm or beauty in general and hence were associated with Aphrodite, the goddess of love” (Encyclopedia Britannica).

52 Betty “A female pet name or familiar name, once fashionable (as in Lady Betty), but now chiefly rustic or homely” (OED).

57 Buss “A kiss, esp. a loud or vigorous one” (OED).

Source: Mary Masters, Poems on Several Occasions (London, 1733), pp. 206-10. [Google Books]

Edited by Lauren Cirina

William Kenrick, “The Beau and Butterfly. A Fable”

[WILLIAM KENRICK]

“The BEAU and BUTTERFLY. A FABLE.”

 When summer deckt each sylvan scene,
And sunshine smil’d along the green,
When groves allur’d with noon tide shade,
And purling brooks refesh’d the glade;
An empty form of empty show,                                                  5
A flutt’ring insect, call’d a beau,
In gaudy colours rich and gay,
A mere papilio of the day,
Was seen around the fields to rove,
And haunt by turns, the stream and grove:                            10
A silver zone entwin’d his head,
His belly shone with lively red,
His wings were green, but studded o’er
With gold embroider’d spots before.
Around him various insects came,                                           15
Of diff’rent colour, diff’rent name;
And ting’d with ev’ry gorgeous die,
Among the rest a butterfly;
His wings are spread with wanton pride,
And beauty fades from all beside.                                            20
The beau beholds with envious eyes,
The living radiance as it flies,
“And shall, said he, this worthless thing,
That lives but on a summer’s wing,
This flying worm more gaudy shine?                                        25
And wear a dress more gay than mine?
Is this wise nature’s equal care
To deck a butterfly so fair?
While man her worthiest, greatest part,
Must wear the homely rags of art!”                                          30
Thus reason’d he, as reason beaux,
The subject of their logick cloaths,
And thus the butterfly reply’d,
With deeper tints by anger dy’d,
“Vain, trifling mortal! could’st thou boast,                               35
To prize what nature prizes most
On man bestow’d, thou would’st not see
With envy ought she gives to me.
This painted vestment, all my store,
She gives, and I can claim no more—                                       40
But man, for greater ends design’d,
Shou’d boast the beauties of the mind.
More bright than gold thy wisdom shine,
And virtue’s sacred charms be thine.
To rule the world by reason taught,                                          45
On dress disdain to waste a thought,
For he whom folly bends so low,
Ambitious to be thought a beau,
Is studious only to be gay,
In toilet-arts consumes the day;                                                50
And the long trifling labours o’er,
Takes wing, and bids the world adore,
Looks down with scorn on rival flies,
Himself less splendid and less wise,
With scorn, his scorn return’d again                                         55
Proud insect! impotently vain!
The fool, who thus by self is priz’d,
By others justly is despis’d;”
She said, and flutter’d round on high,
Nor staid to hear the beau’s reply.                                           60

NOTES:

1 sylvan “One who (or something that) inhabits a wood or forest; a being of the woods” (OED).

6 beau “A man who gives particular, or excessive, attention to dress, mein, and social etiquette; an exquisite, a fop, a dandy” (OED).

8 papilio “A butterfly or large moth” (OED).

50 toilet-arts Historical usage of the word toilet, meaning “the action or process of washing, dressing, or arranging the hair” (OED).

Source: The Gentleman’s Magazine, vol. 18 (May 1748), p. 231.

Edited by Sierra Moreno

Richard Gough, “To Mrs. S— on presenting the Author with a Lock of her Hair”

RICHARD GOUGH

 “To Mrs. S— on presenting the Author with a Lock of her Hair”

The Poets, Madam, all aver,
That once the ruthless god of war,
Who, bred amid the din of arms,
Defy’d the pow’r of beauty’s charms;
And long had proudly scorn’d to wear,                                     5
The pleasing fetters of the fair.
Struck with the graceful air and mein,
And roseat bloom of Cyprus’ queen;
His savage fierceness all forbore,
Subdued by Venus, magic lore;                                                10
And soon became her pow’r to prove,
A convert to the force of love.
The wily Goddess, then, ‘tis said,
All with an heavenly tempered brede;
Of net-work circled him around,                                              15
And to her snowy bosom bound:
Secur’d the conquest of her eyes,
And by the rulers of the skies;
From the fierce God of war so tamed,
Thence forth was beauties goddess named.                        20
Thus say the poets, who in fiction,
In figure and in contradiction,
To all the laws of modest nature,
Trick out a strange romantic creature;
Which, after all, they queintly feign,                                       25
No where exists but in the brain.
Might I the genuine truth reveal,
And would you listen to the tale;
Would you, more kindly still supply,
Whate’er I pass in silence by?                                                 30
Whose was the dull, insensate breast,
Which beauty’s pow’r at length confess’d;
Who soon became that power to prove,
A convert to the force of love:
Wou’d you conceive who ‘tis I mean,                                    35
Then would I thus the rest explain:
The heavenly net-work, Venus snare,
Was this — a ringlet of her hair;
And she, to give her all her due,
Some faint resemblance was of–you.                                  40

NOTES:

Title Mrs. S— Unable to identify.

2 god of war In Roman mythology, Mars.

7 mein “Physical strength, force or power” (OED).

8 roseat “Resembling or suggestive of a rose, esp.in colour” (OED); Cyprus’ queen Probably Cleopatra of Egypt, renowned for her beauty, who was given control of the island through her alliance with Marc Antony (Encyclopedia Britannica).

10 Venus In Roman mythology, the goddess of love.

14 brede “Anything plaited, entwined, or interwoven” (OED).

25 queintly An older spelling of quaintly (OED).

31 insensate “Destitute of physical sense or feeling” (OED).

Source: The Gentleman’s Magazine (April 1770), p. 183.

Edited by Matthew Bragg

Anonymous, “[On Tobacco, a translation”]

ANONYMOUS

 [“On Tobacco, a translation”]

Sweet charmer of my solitude,
Brilliant pipe, consuming tube,
Who clear’st the vapours from my brain,
And my mind from anxious pain!
Tobacco! source of my delight,                                      5
When I see thee quit my sight,
And vanish in the purer air,
Like the lightning’s quick career,
I see the image of my life below,
And whither soon my breath must go.                      10
By thee I trace, in colours strong,
That man is nothing but a song,
An animated heap of clay,
The jest and sport of but a day;
That as thy smoke I pass away,                                    15
An emblem of my own decay.

 NOTES:

Title This poem appears without a title in the Gentleman’s Magazine, but includes the following prefatory comment: “Mr. Urban, I send you the following French verses written by a Monk, with the translation. A.P.P.”

2 Consuming tube A reference to the reed stem pipe, which was developed in the eighteenth-century. These pipes were made with a natural reed stem, resembling a tube, which slips into a bowl.

 3-4 In the eighteenth-century, tobacco was used to treat anything from colic to vomit, hernia, rheumatic pains, and various infirmities including anxiety.

 Source: The Gentleman’s Magazine (April, 1785), p. 308.

 Edited by Farnam Adelkhani

Anonymous, “Kitty”

ANONYMOUS

  “Kitty”
To the tune of, What tho’ I am a country lass.

Of all the girls in our street,
There’s none like charming Kitty;
She is so lovely fair and sweet,
So exquisitely pretty.
That all the beaux, where’er she goes,                                   5
Portest they all adore her;
A girl so fair, so debonair,
Was never seen before her.
Whene’er she speaks, or smiles, or moves,
Or when she sweetly sings, sir,                                       10
Ten thousand little sportive loves
For pleasure Slap their wings, sir.
Then who can shun so sweet a snare,
Or chuse but to adore her?
A girl so fair, so debonair                                                         15
Was never seen before her.
The lilly whiteness of her hand,
The sparkling of her eye—Sir,
That face which none can look upon,
And Cupid’s power defy,—sir,                                            20
With all these charms and beauties blest,
In spite of all my art—sir,
Sh’ has pierc’d, alas! my lovesick breast,
And stole away my heart—sir,

The rest of this Song is lost.

NOTES:

 Title What tho’ I am a country lass An early seventeenth-century ballad, possibly written by Martin Parker, and collected in William Thomson’s Orpheus Caledonius (London, 1725), p. 85.

5 Beaux “Fashionable men” (OED).

7 Debonair “Of gentle disposition, mild, gracious, kindly” (OED).

4 Chuse Variant spelling of “choose” (OED).

20 Cupid’s “In Roman Mythology, the god of love” (OED).

SOURCE: The Gentleman’s Magazine (December 1740), p. 619. [J. Paul Leonard Library]

Edited by Masaki Kaneko

“E. B.,” “Some additional Lines, which were recited at the Caractacan Meeting…”

“E. B.”

“Some additional Lines, which were recited at the CARACTACAN Meeting, at Longnor, in Shropshire, in July, 1776.”

So sung the bard, who, in Silurian groves
Sequester’d, chaunted his prophetic strain.
Far other scenes, beyond the vast Atlantic,
Horrid with arms, and stain’d with civil blood,
The Muse with grief beholds, and with soft Pity’s                          5
Mournful eye deplores, weeping the dire ills
Of lawless Faction, blasting the fair fruits
Which Freedom and true Liberty bestow’d,
In happiest climes, on those her fav’rite sons.
Instead of regal sway, for gen’ral good,                                         10
Fierce democratic rage usurps the seat
Of Empire, spurning with rebellious pride
The hand parental, which has rais’d and nurtur’d
Their infant weakness up to the strength and power.
Yet, ‘midst the conflict of th’ impurpled field,                               15
If Victory should crown our warriors brows,
O yet may Britons, in whose gen’rous breasts
Firm Valour is with gentlest Mercy join’d,
(Noblest distinction of the brave and good!)
Learn to forgive e’en blind deluded zeal                                       20
For what was rashly deem’d their Country’s Cause.
Each real grievance, ev’ry public wound,
By Wisdom’s mild and lenient councils heal’d,
May smiling Peace, and ev’ry lib’ral art,
Return again to bless Columbia’s shores;                                     25
Commerce with swelling sails waft o’er the Main
The various bounties of each distant clime:
May Albion’s wide-extended Empire’s bounds,
In closest union link’d, defy her foes,
And kindred nations hail one Patriot King!                                  30

NOTES:

Title  CARACTACAN An originally Welsh society honoring Caractacus, the Briton king who led the war against Rome’s invasion of England (National Library of Wales); Longnor Village near the Welsh border.

1  Silurian “[O]f ancient southeastern Wales” (OED).

2  chaunted Chanted.

15  impurpled field A field made purple by the spilling of much blood.

25  Columbia America.

26  Main The Atlantic Ocean.

28  Albion “A poetic or literary term for Britain or England” (OED).

30  Patriot King King George III, who reigned from 1760 to 1820, but possibly also a reference to Henry St. John, 1st Viscount Bolingbroke’s 1740 treatise, The Idea of a Patriot King, which claimed that England needed an outside-of-politics king to take power and save the country from the factional and corrupt party politics that plagued England’s government under Robert Walpole in the 1720 and 1730s.  Before he became King, George was said to have been an admirer of Bolingbroke’s tract.

Source: The Gentleman’s Magazine, Vol. 46 (September 1776), p. 427.

Edited by George Griffith

Jacob Axford, “On my sudden going on board the Orford and her leaving the Land”

JACOB AXFORD

 “On my sudden going on board the Orford and her leaving the Land”

And must I go? so sudden the Surprize!
Not one last Look to feed my longing Eyes?
No Time to tell the Part’ner of my Heart,
How long, or wherefore we so soon must part?
Be torn from all, that ALL my Soul held dear?                                      5
My Life, my Love, my Bliss, my All was her.
The kind Companion of each anxious Hour,
Fair Nature’s Pride, and Virtue’s choicest Flower:
Whose Conversation charm’d the tedious Day,
Whilst the wing’d Hours stole unperceiv’d away:                                10
Who soft’ned Anguish with the Sweets of Love,
The last best Blessing of all bounteous Jove.
The Orford now, impatient for the Seas,
Waits the Conveyance of a gentle Breeze.
Th’ expectant Seaman now with eager Eyes                                         15
Sees the kind Zephyrs o’er the Waters rise.
The Waters whiten with th’ auspicious Gales
That fan the Air, and fill the swelling Sails:
The lofty Vessel thro’ the liquid Way
Triumphant rides, and cuts the yielding Sea:                                        20
To fair Britannia bids a long Adieu,
And with far distant Countries in her View
Mounts o’er the Billows, glides along the Main,
Nor leaves th’ Impression on the watry Plain.
Adieu, fair Britain, native lovely Isle,                                                 25
On whom Heaven deigns propitiously to smile;
Bright regal Seat of Princes and of Kings,
To whom each distant World its Tribute brings:
Blest Soil, where Plenty reigns thro’ every Part,
Where bounteous Ceres chears each honest Heart:                            30
Where every Blessing Nature can demand
The GOD of Nature gives with liberal Hand;
And all that Luxury can require, or Pride,
Is by the obedient Sea from far suppli’d:
Where pure Religion shines divinely bright;                                          35
Untainted here, and in its native Light:
Where Heaven born Liberty uprears its Head,
Its Godlike Influence thro’ the Land to spread;
Where beauteous Virgins crown each amouros Swain,
And happy Subjects bless great George’s Reign:                                  40
Farwel fair Isle! may every Blessing crown
Thy happy Shore, and mark it with Renown:
Thy mighty Arms may Conquest still attend,
Till haughty Spain shall sue to be thy Friend:
Till Europe’s Foes be greatly overthrown,                                                45
France find Submission and Lorrain a Throne:
O may no Faction vex thy friendly Shore,
But Peace prevail, and Discord be no more:
May differing Parties lay their Hatred by,
Ambition cease, and baneful Envy die:                                                   50
Bliss, Love, and Union reign throughout thy Isle,
And Joys eternal on thy Natives smile.
The mighty Vessel lab’ring with the Wind,
By narrow Seas no longer now confin’d,
To the vast Ocean wings her watry Way                                                 55
And cuts her Passage thro’ th’ Atlantic Sea.
So when th’ immortal Soul and Body part,
And Nature’s Call o’er-powers the Strength of Art;
Th’ aerial Mind from the embodying Clay
At the dread Summons breaks like Light away;                                     60
And, from the narrow Bound of Time set free,
Plunges into th’ Abyss of vast Eternity:
Stupendous Thought! here stop my Soul, and know
Th’ amazing Change that all must undergo:
When pale Disease proclaims thy parting Breath,                                 65
And sick’ning Nature tells approaching Death:
When the grim King of Terrors shall appear,
Thy tott’ring Frame when strong Convulsions tare:
How wilt thou dare to view thy future State?
Or stand the Shock of thy incumbent Fate?                                            70
Dar’st thou reflect upon that awful Day,
When the great Judge in terrible Array,
To doom the guilty and the just to clear,
In all his Father’s Glory shall appear?
Leaves conscious Guilt no Stain upon thy Mind?                                   75
Hast thou no unrepented Vice behind?
Within the secret Chamber of thy Breast,
Lurks there no guilty no deceitful Guest?
Is all serene, and calm, and clear within?
Does Recollection tell no darling Sin?                                                      80
Then boldly venture on the unknown Shore;
Death with his Terrors can affright no more:
Beyond the peaceful Mansions of the Grave,
No dismal Views thy guiltless Mind can have:
No Hopes, no Cares, thy Peace shall e’er annoy,                                   85
But Death shall prove thy Entrance into Joy:
When on the Bed of Sickness thou shalt lie,
And thy weak Frame shall totter, sink and die,
Thy conscious Innocence thy Mind shall chear,
And glorious Prospects op’ning shall appear:                                         90
Blest Choirs of Angels wait thy fleeting Soul,
And circling Joys thro’ endless Ages roll.
Eternity shall short liv’d Time devour,
And Guilt, and Pain, and Sorrow be no more.

NOTES:

Title Orford Ship possibly named after the Royal Navy Officer Edward Russell, the first Earl of Orford 1653-1727. Edward was one of the “Immortal Seven” who encouraged William of Orange to usurp James II (“Edward Russell” Wikipedia).

 12 Jove “The supreme deity of the ancient Romans, corresponding to the Greek Zeus; the ruler of gods and men, and the god of the heavens, whose weapon was the thunderbolt” (OED).

16 Zephyrs “A soft mild gentle wind or breeze” (OED).

 23 Billows A swelling wave of the sea produced by a high wind, but often used as a poetical reference to ‘the sea’ (OED).

 23 Main As in mainsail, which is “the principal sail of a ship” (OED).

26 Propitiously “Of God, the fates, etc.: disposed to be favorable; gracious; merciful, lenient” (OED).

30 Ceres “In Roman religion and mythology, goddess of grain; daughter of Saturn and Ops. She was identified by the Romans with the Greek Demeter. Her worship was connected with that of the earth goddess and involved not only fertility rites but also rites for the dead” (Columbia Electronic Encyclopedia).

35 pure Religion Protestantism.

 39 amouros Swain A male servant who is in love, enamored, or fond (OED).

 40 George’s Reign George III (1738-1820), reigned from 1760.

 43-46 Thy mighty arms…France find Submission The Second Hundred Years’ War consisted of a series of military conflicts between France and England, including the Seven Years’ War over the colonization of North America. Such conflicts caused England and France to be bitter rivals, while Spain and France remained allies (“Second Hundred Years’ War,” Wikipedia; “Pacte de Famille,” Enclopedia Britannica).

46 Lorrain a Throne Dominion over Lorraine was exchanged between France and the Habsburgs of the Holy Roman Empire throughout the seventeenth century. “Lorraine was given to Stanisław I, the former king of Poland and father-in-law of the French king Louis XV, by the treaties (1738) ending the War of the Polish Succession.” After Stanislaw I’s death in 1766, Lorraine was officially under French rule (“Lorraine Region, France,” Encyclopedia Britannica).

50 baneful “Destructive to well-being, pernicious, injurious” (OED).

 68 tare “The weight of the wrapping, receptacle, or conveyance containing goods, which is deducted from the gross in order to ascertain the net weight” (OED).

Source: Poems on Various Subjects, Divine, Moral and Entertaining: The Posthumous Works of Mr. Jacob Axford, Of the city of Bath, Late Surgeon of his Majesty’s Ship, Scipio; Written for his own Amusement. (Bath: S. Martin, 1764), pp. 16-19). [Google Books]

Edited by Kandace Linstrom

Sarah Dixon, “On the Death of My Dear Brother…”

[SARAH DIXON]

“On the DEATH of My Dear BROTHER, Late of University College, OXFORD. Who Dy’d Young.”

Mournful the Night! with utmost Horror spread;
Which told my trembling Soul, that thine was fled.
To Sense ’twas dreadful, Nature cou’d not bear
So great a Breach, nor the sad Tidings hear,
Without the Symptoms of a wild Despair.                                           5
’Twas then I lost, a Brother and a Friend!
What poinant Grief, must such a Stroke attend?
Tho’ as prophetick of so short a Date,
His Soul was disciplin’d, to meet his Fate,
Yet my Distress no Mitigation finds;                                                      10
That Blessing is reserv’d for stronger Minds:
Minds like his own, who can extend their View;
Sit loose to every transient Good below,
Rise to aetherial Joys, and the bright Track pursue.
Wond’rous young Man! thou early blooming Good,                            15
Snatch’d hence, e’re half thy Virtue’s understood.
In useful Learning, what swift Progress made!
How soon the tender Parents Care repaid.
His toward Genius did with Ease attain,
What some by long Fatigue have sought in vain;                                20
Strict were his Morals, his Address polite!
Wit, Judgment, and Humanity, unite
To make his Loss esteem’d, as infinite.
Ah! faint Description, of a Worth so great;
This a short Sketch, th’ Original compleat.                                            25
Like some Noviciate, I attempt to show,
Those Lines a Master Hand wants Skill to do:
Who can paint Souls? or trace to Realms of Light,
Spirits prepar’d, to reach that glorious Height.
’Twas Heav’n, not Death, that ravish’d him away,                                30
For such Perfection never can decay.

NOTES:

Title On the DEATH of my Dear BROTHER A reference to James Dixon Jr. (1673-1700), brother of Sarah Dixon whose death inspired the poem (Kennedy, Poetic Sisters, 129).

7 poinant Poignant; “painfully sharp to the physical or mental feelings” (OED).

8 prophetick Prophetic; “of the nature of a prophecy or prediction” (OED).

10 Mitigation “Compassion, mercy, or favour” (OED).

14 aetherial Ethereal; “Of or relating to heaven, God, or the gods; heavenly, celestial” (OED).

26 Noviciate “A beginner, a novice; a person who is new to something” (OED).

Source: Poems on Several Occasions (Canterbury, 1740), pp. 169-170. [Google Books]

Edited by Lee Hammel

Philip Freneau, “Port Royal”

PHILIP FRENEAU

“Port Royal”

 HERE, by the margin of the murmuring main,
While her proud remnants I explore in vain,
And lonely stray through these dejected lands
Fann’d by the noon-tide breeze on burning sands,
Where the dull Spaniard once possess’d these shades,                                  5
And ports defended by his Pallisades —–
Tho’ lost to us, PORT-ROYAL claims a sigh,
Nor shall the Muse the unenvied verse deny,
Of all the towns that grac’d Jamaica’s isle
This was her glory, and the proudest pile,                                                         10
Where toils on toils bade wealth’s gay structures rise,
And commerce swell’d her glory to the skies:
St. Sago, seated on a distant plain,
Ne’er saw the tall ship entering from the main,
Unnotic’d streams her Cobra’s margin lave                                                       15
Where yond’ tall plantains shade her glowing wave,
And burning sands or rock-surrounded hill
Confess its founder’s fears — or want of skill.
While o’er these wastes with wearied step I go,
Past scenes of death return, in all their woe,                                                   20
O’er these sad shores in angry pomp be pass’d,
Mov’d in the winds and rag’d with everything blast–
Here, opening gulphs confess’d the almighty hand,
Here, the dark ocean roll’d across the land,
Here, piles on piles an instant tore away,                                                         25
Here, crowds on crowds in mingled ruin lay,
Whom fate scarce gave to end their noon-day feast,
Or time to call the sexton, or the priest.
Where yond’ tall barque, with all her ponderous load,
Commits her anchor to its dark abode,                                                           30
Eight fathoms down, where unseen waters flow
To quench the sulphur of the caves below,
There midnight sounds torment the sailor’s ear,
And drums and fifes play drowsy concerts there,
Sad songs of woe prevent the hours of sleep,                                               35
And fancy aids the fiddlers of the deep
Dull Superstition hears the ghostly hum,
Smit with the terrors of the world to come.
What now is left of your boasted pride!
Lost are those glories that were spread so wide,                                           40
A spit of sand is thine, by heaven’s decree,
And waiting shores that scarce resist the sea:
In this Port-Royal on Jamaica’s coast,
The Spaniard’s envy, and the Briton’s boast!
A shatter’d roof o’er every hut appears,                                                          45
And mouldering brick-work prompts the traveller’s fears,
A church, with half a priest, I grieve to see,
Grass round its door, and rust upon its key!—
One only inn with tiresome search I found
Where one sad negro dealt his beverage round;—                                       50
His was the part to wait the impatient call,
He was the landlord, post-boy, pimp, and all;
His wary eyes on every side were cast,
Beheld the present, and revolv’d the past,
Now here, now there, in swift succession stole,                                             55
Glanc’d at the bar, or watch’d the unsteady bowl.
No sprightly lads, or gay bewitching maids
Walk on these wastes or wander in these shades;
To other shores past times beheld them go,
And some are slumbering in the caves below;                                               60
A negro tribe but ill their place supply,
With bending back, short hair, and downcast eye;
A swarthy race lead up the evening dance
Trip o’er the sands and dart the alluring glance:
A feeble rampart guards the unlucky town,                                                   65
Where banish’d Tories come to seek renown,
Where worn-out slaves their bowls of beer retail,
And sun-burnt strumpets watch the approaching sail.
Here (scarce esap’d the wild tornado’s rage)
Why sail’d I here to swell my future page!                                                      70
To these dull scenes with eager haste I came
To trace the reliques of their ancient fame,
Not worth the search!—what domes are left to fall,
Guns, gales, and earthquakes shall destroy them all—
All shall be lost!–tho’ hosts their aid implore,                                               75
The TWELVE APOSTLES shall protect no more,
Nor guardian HEROES awe the impoverish’d plain;
No priest shall mutter, and no church remain,
Nor this palmetto yield her evening shade,
Where the dark negro his dull music play’d,                                                 80
Or casts his view beyond the adjacent strand
And points, still grieving, to his native land,
Turns and returns from yonder murmuring shore,
And pants for countries his must see no more–
Where shall I go, what Lethe shall I find                                                         85
To drive these dark ideas from my mind!
No buckram heroes can relieve the eye,
And George’s honors only raise a sigh—
Ye mountains vast, whose heights the heaven sustain,
Adieu, ye mountains, and fair KINGSTON’S plain,                                         90
Where Nature still the toils of art transcends—
In this dull spot the enchanting prospect ends:
Where burning sands are wing’d by every blast,
And these mean fabrics but entomb the past;
Where want, and death, and care, and grief reside,                                     95
And threatening moons advance the imperious tide:
Ye stormy winds, awhile your wrath suspend;
Who leaves the land, and bottle, and a friend,
Quits this bright isle for yon’ blue seas and sky,
Or even Port-Royal quits—without a sigh!                                                    100

NOTES:

6 pallisades “A narrow strip of land about seven miles in length, running nearly from north to south, and forming the harbors of Point Royal and Kingston” [Author’s Note, 1809 edition].

13 St. Sago Variant of “Santiago,” the original Spanish name for Jamaica.

15 Cobra’s “A small river falling into Kingston Bay, nearly opposite Port Royal — and which has its source in the hills beyond Spanish Town” [Author’s Note, 1809 edition].

15 lave “To wash against, to flow along, or past” (OED).

16 plantains “A low-growing plant that typically has a rosette of leaves and a slender green flower spike” (OED).

23 Here, opening gulphs “OLD Port-Royal, in the island of Jamaica, contained more than 1500 buildings, and these for the most part large and elegant. This unfortunate town was for a long time reckoned the most considerable mart of trade in the West Indies. It was destroyed on the 17th of Jun, 1692, by an earthquake, which in two minutes sunk the far greater part of the buildings; by which disaster near 3000 people lost their lives” [Author’s Note].

28 sexton “An officer responsible for a church and its property, and for tasks relating to its maintenance or management” (OED).

29 barque “A boat” (OED).

44 the Briton’s boast The British took control of Jamaica from the Spanish in 1655.

66 Tories In this context, American colonists who supported the British during the American Revolution (OED).

76 TWELVE APOSTLES “A Battery so called, on the side of the harbor opposite to Port-Royal” [Author’s Note].

77 HEROES “Demi-gods” (OED).

79 Palmetto “From Spanish palmito, literally ‘small palm’” (OED).

85 Lethe “A river in Hades whose water when drunk made the souls of the dead forget their life on earth; Via Latin from Greek lēthē ‘forgetfulness’” (OED).

87 buckram heroes An allusion to Shakespeare’s 1 Henry IV, II.4. 210–50, meaning “non-existent;” a hero that does not exist.

88 George’s honors Refers to the author’s British contemporaries who were loyal to King George III, who was king of Britain at the time of publication.

90 KINGSTON’S “Founded in 1693, it became capital [of Jamaica] in 1870” (OED).

Source: Poems Written Between the Years 1768 & 1794 (Monmouth, N.J., 1795), pp. 295-97. [Google Books]

Edited by Briana Williams

Anonymous, “Damon’s Complaint for Amynta’s absence. In the person of a despairing Shepherd”

ANONYMOUS

 “DAMON‘s Complaint for AMYNTA‘s absence. In the person of a despairing Shepherd. By a young Lady”

 

AH, hapless fate, and luckless day,
That call’d my lovely nymph away!
O fairest fav’rite of the plain,
Desir’d by all, desir’d in vain;
O thou, my dear, my darling theme,                               5
My morning tho’t, my midnight dream;
Beneath what poplar, or what pine
Dost thou thy slumb’ring charms recline,
While whisp’ring breezes panting play,
And waft the sultry heats away?                                     10
O nymph, return to Damon‘s call,
See! floods of tears in torrents fall!
By which in silence are exprest
The struggling sorrows of my breast.
But ah! how vainly do I mourn,                                      15
And wish my absent Fair’s return!
Perhaps a more deserving swain
Detains her on a distant plain.
Charmer! was all the world my own,
I’d change that world for thee alone!                              20
Lord of my heart, thy love my crown,
With pity I’d on kings look down.
O, then return, no longer stay,
But haste, my fair one, haste away.
Here ev’ry bird, on ev’ry tree,                                         25
Fills ev’ry twig with harmony:
The primrose paints the bank around,
And vi’lets strew th’ impurpled ground:
The tow’ring larks, enchanting, sing,
And gayly smiles the glad’ning spring:                          30
While flocks compleat the rural scene,
And frisk, and ramble round the green.
Beneath yon oak’s expanding shade,
A lovely arbour I have made:
The woodbine, jes’mine, vine and rose,                         35
In various twines the parts compose;
And this I did, O fair ! for thee
To taste the noontide air with me.
Return, return ! thy charms disclose,
O, mistress of my soul’s repose.                                    40
No longer let they Damon sigh,
But songs of joy for tears supply.
Didst thou, my dear Amynta, know
The tort’ring griefs I undergoe,
Pity wou’d, sure, thy heart incline,                                 45
By sympathy to throb with mine.
O, may the Gods thy breast inspire
With some such sympathetic fire!
And, may’st thou then thy Damon bless
In one completed happiness!                                        50
Then shall our fates so close be ty’d,
That nothing can our joys divide:
Thy kisses shall my senses charm;
Thy bliss my breast with bliss shall warn:
Nor, shall I grieve thy griefs to share,                           55
O, fairest of ten thousands fair!

NOTES:

Title Damon’s Complaint for Amynta’s absence A possible reference to John Dryden’s poem, “The Tears Of Amynta, For the Death of Damon. A Song” (1684).

2 nymph “A young and beautiful woman” (OED).

17 swain “A man, youth. Also, esp. in pastoral poetry, a country gallant or lover, wooer, sweetheart” (OED).

27 primrose “A well-known plant bearing pale yellowish flowers in early spring” (OED).

Source: The Gentleman’s Magazine (February, 1748), p. 87. [Google Books]

Edited by Ben Koh